Mustafa Alam Mr. Dwyer English 2 Honors February 17, 2023 Undermine the Norms Every year thousands of immigrants come to the United States looking to fulfill a thing known as the American dream. Many newcomers see endless opportunities for success in the United States. They all have the same aspirations, to succeed and have a better life than they ever had in their home country. Parents who come to America want their kids to succeed in any way possible, leading them to create unrealistic and unreasonable expectations for their children. This leads to differences and problems among immigrant families whose kids grow up in a new place and have to live, being expected to succeed without failures along the way. They go through conflicts between …show more content…
In Amy Tan's "Two Kinds," the author uses various literary and stylistic devices to comment on the struggle between mother and daughter. Differences of opinion between different communities and people lead to struggles with the ones involved. Through the use of multiple stylistic devices, Tan explores the conflict between individual identity and societal expectations affecting an individual and their choices. One literary device that Tan uses is characterization. Through her vivid portrayal of Jing-mei's mother, Tan reveals the complex relationship between a parent and child. Jing-mei's mother is determined to mold her daughter into a prodigy, while Jing-mei desires to have the freedom to choose her own path in life. “I won't let her change me, I promised myself. I won't be what I'm not”(Tan 2). Jing-mei’s mother’s only goal is to mold Jing-mei into a prodigy of some sort so that she can succeed, but she wasn’t looking at the effect it was taking on her daughter. Jing-mei is creating new views of herself in her mind as different versions of herself and didn’t like …show more content…
The piano is a symbol of the tension between Jing-mei and her mother. Jing-Mei’s mother buys the piano after seeing a little girl play the piano on the television. She sees the piano as a means to transform her daughter into a prodigy, but Jing-mei sees it as a burden that symbolizes the pressure she feels to meet her mother's expectations, "Why don't you like me the way I am?" …"I'm not a genius!” (Tan 2). The piano is another one of Jing-mei’s tests to see how successful she can be and if she can be a prodigy playing the piano. Her mom expects Jing-mei to play and be devoted to the piano so she can succeed. Jing-mei is tired of trying to meet the high expectations of her mother and just wants to do things on her own accord. This conflict over the piano is representative of the struggle between individual identity and societal expectations. The piano also symbolizes the effect of societal norms that go against one’s beliefs. Jing-mei practiced the piano by cheating her way through the lessons. She didn’t learn how to properly due to her not being interested and being forced by her mother to play. So when Jing-mei’s mother enrolls her in a talent show and forces her to play in front of an audience it doesn’t end well, “ I hit the first wrong note. And then I hit another and another”. Jing-mei doesn’t like playing the piano because it is forced upon her by her mother. She is expected to exceed the already
Throughout her childhood life her mother, Suyuan, was continuously pushing her to be her best. Jing-Mei purposely tried to fail at everything to prover to her mother that she could never become a great and famous person. Then after a piano recital that went horridly wrong, her and her mother had an argument and their relationship was never the same. Many years later Suyuan tried to give Jing-mei the piano that she had as a child. She refused the offer, but than a year later her mother died and Jing-Mei was cleaning out her mother’s house and decided to play the piano and she was surprised that she still knew how.
Jing-Mei realizes that her mother gives her two halves of the same song because it tells the story of Jing-Mei’s life. As a kid Jing-Mei was sad and depressed, but as an adult Jing-Mei is happy and free. The purpose for Jing-Mei’s mother to give her the two halves of the piano song were to help Amy realize who she was, and who she is today. In conclusion, Jing Mei learns about her identity through two piano
What can I tell them about my mother? I don’t know anything,”(Tan 30). Tan is saying that Jing-mei
She then uses these “new thoughts” and ideas to state that she “won’t let her [mother] change” her into the person she seeks her daughter to be. When Jing-Mei experiences a realization that she is her own person and not simply another part of her mother, she can embrace the comfort of knowing that she will not change for anyone, and is simply extraordinary for having her own thoughts and feelings. This reflects how Amy Tan can understand her thoughts and feelings about the hardships in her relationship with her mother as a way to connect more closely to her characters and make them more realistic in her writing (“How Amy Tan’s family stories made her a
(Tan19 ). The diction shows how upset Jing-Mei is for not being the Chinese-American daughter her mother had intended her to be in being able to perform or have great intelligence. She is thinks less of herself from the constant discouragement of being her true self. Another example of diction used is when Jing-Mei feels " It was not the only disappointment my mother felt in me. In the years that
At first Jing-Mei grew in her dreams and desirers to be perfect for her family; “In all of my imaginings
One day, Jing-Mei’s family and Waverly’s family meet and both mothers brag about how their daughters are very successful. After seeing her mom brag about her non-existent talents, Jing-Mei is determined to stand in the way of her mother's ambitions. A few weeks later, Jing-Mei participates in a talent show at a church hall, although she hasn't practiced and does not know any of the music. Halfway through the song, she realizes how badly she’s playing. The weak applause and her parents’ look of disappointment revealed the indisputable truth: Jing-Mei is not a musical prodigy.
As Jing-mei’s mother is telling her that she has to go play piano, the reader can imagine how she gets more and more angry as her daughter disregards what she is saying. Finally, the narrator emphasizes to the reader how the relationship between Jing-mei and her mother deteriorates more and more as time
“For unlike my mother, I did not believe I could be anything I wanted to be, I could only be me.” (Tan 24). With this statement you can see that she does not agree with her mother. Jing-Mei’s Mother was raised in Chinese culture, therefore she is very strict and demanding to Jing-Mei to do what she wants. From doing a chore, to hobbies or even Jing-Mei’s passion.
This disagreement quickly became a source of resentment and anger for both of them, but Jing-Mei and her mother were unable to resolve this conflict because of their different backgrounds and experiences. The story showcases how relationships between mothers and daughters can be strained because of differences in culture and a lack of communication. One of the difficulties between Jing-Mei and her mother is their different cultural backgrounds, which is supported by two points from the story. Firstly, Jing-Mei and her mother both disagreed on the opportunities that existed in America. According to Singer, Amy Tan uses “two entirely
When the story was told from Jing-mei’s perspective, Suyuan seemed like a selfish mother but when Suyuan’s story was told from Jing-mei’s father’s perspective, we saw the reality of Suyuan’s sacrifice. Another example of is when she takes on an extra job so that Jing-mei could take piano classes. After Suyuan had passed away, Jing-mei reminisced about her past and told her story of when she was 9. Her mother had wanted her to be a prodigy. When Suyuan saw a piano prodigy on TV, she called Jing-mei over and
Her mother eventually forgives her for what she said in their argument and offers to send her the piano as a birthday gift. After her mother's death, Jing-mei accepts the piano. While looking through her mother's things, Jing-mei finds sheet music of the song she practiced for a talent show when she was a child. She sits down at the piano and plays the song, realizing that it wasn't as difficult as she perceived it to be when she was young. She then realizes that the two sheets of music, titled "Pleading Child" and "Perfectly Contented," are two halves of the same song.
It is my family. It is in our blood. After all these years I can finally be let go” (Tan 159). For the first time in her life of being stuck between two cultures and believing that she does not belong to either, Jing-Mei feels like she belongs. As it was previously stated about the meanings of this family’s poetic names, these names that were given to them by their mother created a meaningful theme.
I’ll never be the kind of daughter you want me to be” (Tan). Jing-mei’s mother physically harmed Jing-mei since she “yanked” and “pulled” her. The rough and angry tone used during this part of the story suggests the intense feelings that Jing-mei and her mother were feeling during this scene. Indeed, this implies that because of the physical abuse, Jing-mei becomes afraid and disappointed in her mom showing that she refuses to practice the piano anymore. Similarly, in “Barn Burning”, Sartoris’s father, Abner, sat in court to testify about burning a barn down.
Jing Mei, while portrayed as an obedient child, is only willing to listen to her mother to a certain extent. Throughout the story, it is consistently hinted that Jing Mei would eventually explode against her mother as an attempt to free herself from her mother’s chains. In addition, after the fiasco at the piano recital, she eventually derives further from her mother’s wishes as she “didn 't get straight A...didn 't become class president...didn 't get into Stanford...dropped out of college.” (54). On the flip side, Jing Mei’s mother is a stereotypical Chinese parent who is fully determined to ensure her daughter’s success in a new environment.