His father responds by saying “are you so insolent you threaten me?” he answers “where’s the threat in challenging a bad decree”. It 's like saying whether the hurt in dying for something worthy? In this he says death isn 't so bad when it 's for a just reason. Playwrights often use stereotypes, stock characters, and mainly what others say about a character to explain what he or she is like but in this case we have a character that serves his purpose as secondary character but also has a significant impact on the viewpoints of other characters. In conclusion the Sophocles uses the character of Haemon as “pseudo-protagonist” with very complex moral values and inner conflicts regarding his loyalty to his family or the woman that he loves this was shown through the authors use of language
This reveals that he has a sense of remorse for at least some of his actions, particularly the pain he caused Sonia. The narrator also says that he will show Sonia love to try and redeem himself (527), which shows that he is willing and apt to change in order to make up for all the suffering that he has caused Sonia. If Raskolnikov actually is looking for redemption, it seems to be an attempt at impressing Sonia to try and ensure that he does not harm her any more than he already has. At the very end of Crime and Punishment, Raskolnikov reads Lazarus again, as he once had Sonia read it to him. This story tells a tale of renewal and rebirth, which seems to be a goal of Raskolnikov’s at this point in his
The image of his wrestles contorting allows the audience to see just how emotionally effected Hitchens was. His audience feels sympathy for his distress and understands the extent of Mark’s effect on the author through the use of his striking imagery, hear the audience begins to understand the enormous force one can have on another. However great the effect of Mark’s death was on Hitchens, it cannot compare to the effect on Mark’s parents. Hitchens uses imagery again when attempting to illustrate the parents feelings, writing that they live in “a world that alternates very sharply and steeply between grief and pride” (2). Hitchens creates an image of another world, as if to say that in this world, one could never understand how the Dailys must feel.
The overall point of this poem is to convey the cruelty of war and what it accomplishes. The poet expresses the dilemma faced by the photographer in these circumstances through the way he ‘sought approval’ and tried to make ‘the readers eyeballs prick’ so that they would care. Duffy was inspired to write this poem by her friendship with a war photographer. She was especially intrigued by the peculiar challenge faced by these people whose job requires them to record terrible, horrific events without being able to directly help their subjects. The use of a semantic field of death shows the very dark side of conflict and gives an almost savage and sinister edge to the poem to make the act of war all the more evil.
Love is unconditionally caring about someone else that you care more about yourself. Love may give us joy, and happiness, but it also brings the worse out in us. In Celeste Rita Baker’s short story Jumbie from Bordeaux, the author presents love and the price paid for love through the indirect characterization of Jumbie, his aunt, and parents. In the story the author uses courage to show the love that Jumbie had for his parents. For example, when Jumbie witnesses the harsh beating of his parents, he immediately jumps in to interfere, by attacking the master.
It was a mix of Anger, Love and Pain for Richard. He would have loved to see his Daughter but he was the one causing her pain. His initial denial of not knowing Mary did not hold for long as his emotions got the better of him. He narrated a story that made Mary understand that her life was simply a twist of many shady
It is fascinating how both writers, Milton and Shelley, created heroes with parallel position to their anti-heroes. The reader can be besides any of them according to his interaction and feelings towards the story. The same remark the critics, mainly the romantics, made about Milton’s principal character or hero in his poem: was it the source of evil or the divinity? Mary recreated the same debate but this time with intention to make the reader sympathize with evil. The reader is in reality not sure who makes harm to the other: the scientist or the monster.
It is obvious to readers that Huck is deeply afraid of dying because he is still a child but it almost seems that on every page that he is cheating death.On the other hand Sylvia Plath 's “I am Vertical” explains the bliss that she would enjoy if she was lying down dead rather than standing up living. Readers of both texts can see a clear divide in how the concept of death is portrayed.Through The Adventures of Huckleberry Finn and “I am Vertical”, the works of Mark Twain and poet Sylvia Plath reveal that the concept of death can be bliss for some and sickening for others by using diction, imagery, and point of
Stories with a little bit of edge but a major symbolic meaning are the type of stories in which people are entertained. In the story Young Goodman Brown by Nathaniel Hawthorne, he uses imagery, allegories, and symbols to not only entertain his audience but to teach them a life lesson. This story is one where you have to dig a little deeper to really reveal the true meaning that Hawthorne is trying to portray. I believe the symbolic meaning of this story is that we all have evil in our hearts and are all victims of it. In the beginning of this story Young Goodman Brown informs his wife he is going on a late night journey.
Many people tell lies to make others feel empathy for them. Weak people buy into these lies and get develop and weak adaptation towards them. Whilst others ignore the empathetic feelings toward them and become strong against them or the forces against them. In Tennessee Williams play A Streetcar Named Desire” we can see two male characters have contrasting resilience toward Blanche Dubois, this resilience is directly tied in with the empathy they feel towards her life story. Mitch feels sorry for her while Stanley doesn’t.