The Fox and the Hound 2 is a midquel to the movie The Fox and the Hound. In this movie a fox, named Tod, and a puppy, named Copper, are best friends. Copper discovers a musical band of hounds and wants to join. Once the members hear him sing he quickly becomes a member of the band and slowly drifts away from Tod. Tod soon realizes he has to somehow find a way to get his best friend back.
Amit Kalantri, author of Wealth of Words once wrote, “Parents expect only two things from their children, obedience in their childhood and respect in their adulthood” (Daughters). Parents vary on their own understanding of their children and respecting their children’s wishes. In Shakespeare’s Taming of the Shrew and A Midsummer Night’s Dream, the two fathers in the plays most certainly want the obedience and respect from their children, but do little to return the respect back to their daughters when it comes to their daughters’ marriages. The two fathers in The Taming of the Shrew and A Midsummer Night’s Dream, Batista and Egeus, are two characters who cause the pursuits of their daughters in both of their respected plays. They are faced
Nicholas Hytner’s adaptation of Arthur Miller’s The Crucible is pulsating with dramatic energy. Hytner has also directed films that were adapted from stage. Hytner works in a punchy, combustible style, sweeping his camera through the sunny fields of Salem, using wide-angle lenses to make the actors’ faces pop off the screen. In the movie version of The Crucible, Elizabeth Proctor was one of the most believable characters from the play.
In Amal El-Mohtar’s “Seasons of Glass and Iron,” two women are trapped in magical situations: Tabitha is forced to wear down seven pairs of iron shoes by her abusive bear husband as punishment for trying to prevent his violence, while Amira is placed on a glass hill by her father to prevent the advances of suitors and keep her father’s kingdom united under his control. Magic here acts a metaphor for patriarchal power, and is used to impose restrictions upon women, just as the patriarchal system does. Through this metaphor, El-Mohtar asserts that the socially constructed patriarchal system is not intrinsic to society but, like magic, is an unnatural force, and advocates for a return to the natural base in order to reconstruct society. Throughout the story, magic works in the same way that power dynamics in a patriarchal society work, in that it works against the female characters, imposing restrictions on them, while it works in favour of men.
Patriarchy presents the roles of men and women in a distinct form. Men are expected to be the dominant leader, strong, protector and sole provider where as women are subverted to the role of domestic duties, raring of children and fulfilling her man’s every desire without question or comment. In Lynn Nottage ’s play Poof! , she brilliantly portrays the roles of men and women, and experiments with the concept of changing gender roles that are characteristic of our society.
In 1953, Arthur Miller wrote a play named The Crucible. This particular play conveyed the hysteria of the Salem Witch Trials that occurred in 1692, and became a drama captivated by many. Due to all of the attention, it was eventually made into a movie. Despite the fact that the movie followed the general storyline of The Crucible, there were some differences from the text and the adaptation of the story on screen.
The experience of transitioning from one world to another can be prevented due to obstacles that can possibly be challenging which may result in the growth of an individual. One may encounter barriers that can prevent successful transition, thus having an effect on their perception and the perception of others. The remarkable play ‘Shafana & Aunt Sarrinah: Soft revolution’ -2010 by Alana Valentine portrays the experience of venturing into a new religious world as both protagonists exhibit their juxtaposing perspectives on devotion towards religion as the cultural significance of the hijab becomes a barrier between generations. This provides the audience with an insight into Muslim women’s world, exploring their own identities in regards to
I have read numerous different books in my Contemporary Literature class; I have chosen to compare and contrast The Glass Castle by Jeannette Walls and The Perks of Being A Wallflower by Stephen Chbosky. Ironically, they both have meanings that are fairly relatable for anyone; we are all impressionable as children however our innocence is often stripped away by life’s challenges. The two contemporary literature books I chose, both show and help to explain how our life experiences influence who we grow up to be. Jeannette Walls wrote The Glass Castle, it is the story of her life growing up in a somewhat dysfunctional yet loving family. Consequently, she uses vivid details and language to help the reader to really feel and understand what
Hosseini portrays how this treatment of women was accepted in Afghani culture because men’s superiority was derived from tradition. He depicts a culture in Afghanistan where wives were seen as mere possessions, so their husbands found fault with them for the inconveniences they experienced. Hosseini demonstrates the mistreatment of women in Afghanistan through the multiple examples he provides where men laid blame with women for circumstances beyond the women’s control or for which were not solely to blame for, just as Nana had warned Mariam that they were prone to do. The first instance in which Nana’s statement rings true is when Nana found out for herself how easily women in Afghanistan could be held completely accountable for things that were not solely their responsibility.
When people recall, thoughts and comments raced through their mind. In the Arthur Miller’s play The Crucible, some of the same similarities and difference people found between the play and movie that really happened at Salem, Massachusetts in 1692. Discovered the play has more details than the movie, but the movie can make us have more sense. The play and movie are alike in several ways.
In the beginning, women were treated badly. The sultan loved his wife, but once he finds out that she was unfaithful he then kills her at the break of dawn. Although, he marries a new woman each day, spends the night with her, and then kills her in the morning. His actions show us that the women were seen as deceitful, and the lives of women were meaningless shown in how many
Equality of genders is a basic human right that all should posses. However, in the novel A Thousand Splendid Suns, by Khaled Hosseini, the reader explores Afghanistan’s true nature of extreme gender inequality towards women and how it affects all the characters within the novel. The novel explores how within a marriage, women have unequal rights, undergo major amounts of physical abuse, and are emotionally and mentally tormented by their very own supposedly beloved husbands. A marriage is defined as a union of two people as partners in a personal relationship.
Macbeth and The Crucible: The Significant Effect of Witchcraft Witchcraft, which is an outdated practice from pre-Christianity and an indigenous tradition of the British Isles. It is a personal spiritual path practiced by different set of individuals in the quest to see the world for its true sacredness, within one's soul or in the presence of another's. An equally significant aspect of these two plays is their similarity and their captivating literature. In William Shakespeare's Macbeth, written in 1606, and Arthur Miller's The Crucible, written in 1952, the subject of witchcraft is highly emphasized, and it serves a pivotal theme in the main plot lines of both plays. In the following,
“His face white in the moonlight, his hands raised in horror, glaring helplessly at the frightful thing which was hunting him down” (Doyle, p. 221). The paper is going to be comparing and contrasting The Hound of the Baskervilles book and movie. There are many differences in the book like major events, characters, and the ending in the book. There are many differences in the events in the book and in the movie. In the book, it starts out with Sherlock and Watson examining a cane that was left in their room by Dr. Mortimer.
Domestic violence is one such important issue which has been taken as the main theme in many movies. Films are considered as cultural artefacts and therefore the directors find it the best medium of representing the social and cultural reality of the domestic life of women in most of the Indian households. Advait Chandan’s directorial debut, Hindi movie Secret Superstar is a realistic film which deals with the issues of domestic violence and oppressive patriarchy. The purpose of this paper is to analyze the movie Secret Superstar from a feminist angle and explore the subtle nuances of a woman’s life which is best represented in the film by the two major characters Insia and Najma. The former is forced always to abide by the rules and regulations of the patriarchal society and the latter who even performs her womanly duties faithfully is the victim of