Ballet company Essays

  • Black Swan Psychological Analysis

    717 Words  | 3 Pages

    schizophrenia. In the psychological thriller Nina Sayers is a young dancer working in the prestigious New York City ballet. She is conflicted in being the good person she know she should be or the bad person her heart keeps leading her to be. Nina Sayers is very talented, but she is very reserved. This causes people around her to view her as a “shy frigid little girl”. I was at the ballet company opens up for a new season her directed the size that she is perfect for the lead role this will mean that she

  • Bolshoi: A Classical Ballet Company In The World

    564 Words  | 3 Pages

    and most respected classical ballet companies in the world. Founded in 1776, the company originated from a ballet school created for the children of the Moscow Orphanage, which was founded in 1763 by Catherine the Great. Filippo Beccari, an Italian ballet master who had been dancing with the St. Petersburg Court Theatre, was hired to produce professional-level dancers in only three years. He was successful, and thus the legacy that is the Bolshoi was born. The company was not always so great (many

  • Balanchine Analysis

    570 Words  | 3 Pages

    true. The NYCB was teetering on bankrupty so added the classics. Perhaps I should have said it started focusing more on the classics. Of course, all dancers at any top company are good dancers. Of course, the dancers at NYCB are good dancers. I would never denigrate their talent. I respect the difficulties of ballet and the profession too much for that; however, whether the NYCB dancers of today fit Balanchine 's vision is another question. I consider Pierre Lacotte one of the top

  • La Sylphide: The Romantic Movement

    756 Words  | 4 Pages

    the oldest romantic dances that is still played by contemporary dancers. The romantic movement was a new exploration of folklore and traditional culture, which began to take part in the folklore of Europe, Africa, Asia and the Middle East. In the ballet of those times the dancers were characterized as villains or buffoons, so that they could adapt to "Orientalism". The National Opera of Ukraine, theater dedicated to the performing

  • New York City Ballet Research Paper

    335 Words  | 2 Pages

    New York City Ballet was founded in 1948 by George Balanchine and Lincoln Kirstein. Kirstein’s goal was to create a place for young dancers to train in American ballet with the greatest ballet masters. They met in London in 1933, where Kirstein encouraged Balanchine to come to America. They opened the School of American Ballet in 1934, before starting the professional company. It was designed as a way for Balanchine to train dancers in his innovative style and technique. They wanted dancers who

  • Pre-Classical Court Dancing

    745 Words  | 3 Pages

    middle ages, peasant dances eventually became so popular among nobility that they developed their own, more classical court dancing, and it is classical court dancing that lead directly to ballet. The similarities can be seen in the use of geometric shaping as well as in the principles of ballet still used todays ballet. Cultural and social background The middle ages were considered to be a dark time because western Europe was overrun by barbarians and much of the culture and wealth of classical civilization

  • What Are The Romantic Elements Of The Classical Era

    774 Words  | 4 Pages

    stories stemming from the Romantic period to the meticulously formulated stories of the Classical era, the central elements of ballet were crucially varied due to do societal context and time period. A Classical ballet differs from a Romantic ballet due to technological innovations, choreographic tendencies of the era, and influences from the outside world. Romantic ballet, which “flourish[ed] between 1830 and the late 1840’s”, focused on petite allegro, rapid footwork, and thematically emphasized

  • Copeland Dancing Toward Diversity Analysis

    574 Words  | 3 Pages

    way up to principal dancer for the American Ballet Theatre has encouraged me to accept my body the way it is and just dance from the heart. She has shown the world what it’s like to follow your own path no matter what road you take to get there. “Dancing Toward Diversity”, talks about Copeland in a very positive way. She’s been given so many opportunities to make dancers aware of the problems with diversity in ballet, even so far as the American Ballet Theatre creating scholarships for kids of color

  • Contemporary Dance: The Martha Graham Technique

    1301 Words  | 6 Pages

    She created a technique which pushed past rigid classical ballet sybusses and created a series of innovative exercises which changed the face of movement in the 1920s. Graham intertwined her technique principles and choreography, as she emerged in the 1930s with modern works, shocking audiences and breaking barriers

  • Ballet Dancers Mental Health Essay

    728 Words  | 3 Pages

    When most people think of ballet, they think of little girls running around in pink tutus, but for most ballerinas this is not the case. Ballet dancers have a history of being underestimated and underappreciated and many people don’t realise the skill that goes into making all of their movements look effortless. However, the intense pressure on dancers can often lead to mental health issues that can follow them throughout life. …. … is the toxic diet culture of the ballet industry. Mental health

  • Personal Narrative Essay: Nutmeg Ballet School

    563 Words  | 3 Pages

    “Don’t be nervous.” This was the last thing my mom said to me before I entered my first audition for a ballet summer intensive. I was eleven. I did ok and I ended up getting in but like always there were things to improve on. Little did I know then that the teachers are always looking for three things; technique, confidence, and artistry. The audition was for Nutmeg Ballet Conservatory. The class was being held at the Alvin Ailey School in New York City. Being my paranoid self, I was there two hours

  • Vaslav Nijinsky: Breaking The Barrier

    1703 Words  | 7 Pages

    felt portrayed the essence of his creations, instead of confining himself to the familiarity of the somewhat clichéd ballet technique. He came to celebrity, almost god-like status, introduced audiences to his thoroughly alternative, and enraging new approach to dance, and overcame his challenges, both personal

  • Romeo And Juliet Dance Essay

    1636 Words  | 7 Pages

    include Romeo and Juliet and Swan Lake. Even though dance and literature are two different art mediums, they can still portray the same message and emotions, as is illustrated in classical pieces of literature which have been the inspiration for many ballets. Shakespeare’s play Romeo and Juliet has been brought to life through several different versions of dance performances. Romeo and Juliet is the story of

  • Contemporary Dance Analysis

    713 Words  | 3 Pages

    Contemporary, it’s a style of dance that incorporates both classical ballets along with modern dance. At first, a choreographer with the name of Merce Cunningham approach the idea of modern dance, that had been vague, and abstract; and decided he wanted to incorporate ballet leg work rather than focusing on modern techniques that were largely influenced by torso movements. Henceforth, in many of his pieces throughout the years, Cunningham’s dances grew further and further away from traditional modern

  • Apollo Musagete Analysis

    2073 Words  | 9 Pages

    failed” 1. BIOGRAPHY • A Russian dancer, choreographer and teacher named “ the father of American Ballet”. • George Balanchine’s real name was Georgi Melitonovitch Balanchivadze. • He was born on 22 January 1904 in St. Petersburg, Russia. • The son of a composer, Balanchine studied piano from the age of five and had a robust understanding of music. • In 1914 he was accepted by the Imperial Ballet School in St. Petersburg at the age of 9. • Later while still continuing to dance he studied at the

  • New York City Ballet Analysis

    741 Words  | 3 Pages

    New York City Ballet: Moves On March 12th through the 13th the New York City Ballet preformed their forgoing show, Moves at Christopher Newport’s Ferguson Center of the Arts. The New City Ballet is one of the cutting edge American dance companies of this generation. Founded by Lincoln Kirstein and George Balanchine in 1946 this company has been dancing strong for 70 years. “The foremost creative ballet troupe in the world” announced by the New York Times. The first performance piece was “Hallelujah

  • The Blackamoor In Petrouchka

    856 Words  | 4 Pages

    issue. The ballet works with broad types. And it does work--absolutely I think it should be revived. But getting rid of blackface make-up won 't put an end to arguments about what is happening in it and what world view it reflects when it comes to a character like the Blackamoor. I 'm not in favor of censorship...but I think raising these issues doesn 't necessarily mean censorship except insofar as every artistic decision is also censoring another possible decision. But I do think ballet also

  • Infra By Wayne Mcgregor

    927 Words  | 4 Pages

    Today I watched the short, contemporary ballet “Infra”, choreographed by renowned choreographer Wayne Mcgregor and performed live by The Royal Ballet Company. I’ve always found myself to feel more drawn to contemporary ballet as opposed to classical so I was very excited going into this project with almost no prior knowledge of the piece itself. As previously mentioned this piece is not only choreographed, but also directed and conceptualized by world famous choreographer Wayne Mcgregor. Mcgregors

  • Maria Tallchief Research Paper

    569 Words  | 3 Pages

    Vincent NBE3C Mrs.Kearns November 3 2017 Maria Tallchief: America’s First Prima Ballerina Dance is one of the best ways to express oneself without language. Out of all the dances, ballet is the most graceful dance there is, as well as the most difficult. It is an honour to become a prima ballerina in a dance company because it is one of the most difficult positions to get to. Maria Tallchief managed to become a prima ballerina despite a lot of hard times and her wanting to give up. Maria Tallchief

  • Emlyn Williams Role In Macmillan Theatre

    745 Words  | 3 Pages

    As far as MacMillan ballets like Manon and Mayerling are concerned I think that you might have some difficulty sweeping them from the stage. They seem to be very popular with the dancers and are often cited by them as the reason they choose to join the RB. I think that for the performer the pleasure lies in what Yanowsky describes as the space between the choreography and the character which enables the dancers to give their own individual interpretation of the characters they are playing. As for