Bebop Essays

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Bebop Essays

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    The Bop And Bebop Era

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    Faith Eleby-DR. KEAST JAZZ, POP, ROCK The Bop and Bebop era was filled with a variation of things that contributed to its success and flourishment. The Bebop era was based on nonfunctional music it was either played at a very fast or very slow pace, neither paces allowed its listener to dance. Bebop was mainly for the artist satisfaction of difficult rhythmic changes; its focus was entertainment. Bop was also known for its fantastic artists like Charlie Parker and Dizzy Gillespie, it was also

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    innovations of bebop are noticeable. There is much more emphasis on individual creativeness and solo technique, which is different from the highly structured sets that characterized swing bands. Beboppers were often creative interpreters of existing jazz standards. For instance, in some of Charlie Parker’s work, he would keep a song’s harmonic structure but replace its melody with an inventive and technically dazzling improvisation, essentially creating a new song. The smaller combos of bebop also encouraged

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    places with differentiating styles, two of all the manners of playing Jazz are Bebop and Cubop. There is huge number of individuals who have had a large impact on Jazz, including: Louis Armstrong, Cab Calloway, Ella Fitzgerald, Duke Ellington, and Roy Eldridge, but one figure especially had an enormous impact on Jazz; John “Dizzy” Gillespie. This man was key in the development in both Jazz styles mentioned earlier, Bebop and Cubop, which are relatively recent having been created in the early­late 40’s;

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    trumpet. However the the music had a fast tempo, and therefore I concluded that it was a bebop, a style that began to shift jazz from popular music towards a more challenging musician 's music soon became a form of jazz characterized by fast tempos, virtuous technique and improvisation. Musician began to add more complicated tunes and melody to their music to make their song more interesting and different. As Bebop was developed in the early and the mid 1940’s, and the fast complicated tempo of the

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    except the flute were played throughout the song. The flute was played at a specific time though. This song made new fans of all generations, all over the world Miles Davis (May 26, 1926 – September 28, 1991) was ahead of his time as he moved from bebop to a new style cool jazz. Miles Davis was the most prominent trumpeter in the cool jazz musicians. Many other jazz trumpeters derived from his style, and tried to emulate it. Miles Davis always drove the frameworks of what were the accepted styles

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    Jazz Concert Analysis

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    was also simply known as Bird, introduced many new concepts and ideas while developing Bebop. He performed all chord substitutions and rapid tempos in his pieces with his sextet. One of the things Parker was famous for was contrafact, which in jazz means taking a known harmonic texture and composing onto it. Miles Davis was one of the most notable American jazz trumpeter, musician bandleader and developer of Bebop and other genres within Jazz. Miles Davis mostly used a harmony mute on his trumpet to

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    Jazz Music Influence

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    together the different cultures. During the 1920s and 1930s jazz began to be popular and interesting among young people, black and whites. They were attracted by the freedom and artistic nature of it. When white popular musicians started to integrate the Bebop style with their own music, it became that much more popular, not only in America, but around the world. Jazz became a way to unify cultures through music. It helped to bring down barriers. It reflected a new time in America, one where cultures

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    Trumpeters Louis Armstrong and Miles Davis became two of the most inspiring American jazz musicians of all time by accessing very differently to their art. In the analysis an album from each artist, I choose “What A Wonderful World” of Louis Armstrong and “Kind of Blue” of Miles Davis. Louis Armstrong (August 4, 1901 – July 6, 1971) was the most influential performer to affect a lot of Jazz musicians. He influenced the whole jazz population with his amazing voice and energetic trumpet. And he played

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    Through all the obstacles he overcame he shows perseverance. Perseverance is steadfastness in doing something despite difficulty or delay in achieving success. Firstly Django constructs this characteristic when he got turned down from a record. This shows difficulty / delay in achieving success. For instance, Django shows this characteristics when he got turned down from a record. This shows difficultly / delay in success because being turned down is something harsh to hear. He got turned down because

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    music at Julliard School. During his time there he collaborated with Charlie Parker and other musicians with whom he helped form the basis of bebop (“Miles Davis”). Davis eventually left Julliard to explore his own voice and came across a composer named Gil Evans and they began to exchange ideas. They were looking for something other than swing and bebop and formed a style called “cool jazz” (Kirker, Tim). This new style was evident in his album Birth of the Cool which was performed with a nine-piece

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    around the same time that a jazz revolution was beginning. The style bop or bebop was a direct attack against big bands, racial in equality, and restrictive sound of the current style of jazz of the time. Davis contributed a major role in the revolution not as a founding father but as a large portion of the change itself working with people such as Charlie Parker and Cannon Ball Coleman. He learned the intricate language of bebop by imitation, by playing with others who had experience in the style and

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    Essay On Swing And Bebop

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    If swing and bebop were movie characters, swing would be the energetic, organized sibling who gets voted for prom queen, while bebop would be the defiant younger sibling who hangs out with the wrong crowd after school. Swing became so formulaic and predictable that artists needed a new creative outlet for their emotions. This is how bebop emerged, as a criticism and rebellion “against the populist trappings of swing music” (Gioia, 187). In the 1940’s bebop matured as a style in New York City, where

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    Reinforcing his credentials as a bandleader, Nasheet Waits, an impressive drummer from New York, releases a stimulating album on the French label Laborie Jazz. The percussionist has a flair for straight-ahead jazz and avant-garde categories but moves with equal confidence in post and neo-bop styles. His father, Freddie Waits, was also a respected percussionist who played with jazz giants such as McCoy Tyner, Pharoah Sanders, Lee Morgan, Kenny Barron, and Andrew Hill. However, he never officially

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    Bobby Mcferrin Analysis

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    Meanwhile McFerrin’s song “Hallucinations”, he uses the same bebop style and melody throughout the whole song while sounding out the base and trumpet using his voice. I found McFerrin’s techniques to be very impressive because he pioneered the use of an octave-jumping technique moving from bass notes to falsetto,

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    Ella's Jazz Concert

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    orchestra. By the mid-1940’s, Ella was already a well-respected performer known throughout the music industry for her energetic and vibrant voice as well as for her exceptional control and vocal range. Continuing under the Decca label that Chick Webb’s orchestra worked with, Ella recorded many popular hits with various artists. Not only did Ella collaborate with Chick Webb, she also worked with the Benny Goodman Orchestra, Bill Kenny and the Ink Spots, Louis Jordan, the Delta Rythym Boys, and many

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    Charles Parker Biography

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    Charles Christopher Parker Jr. was born on August 29, 1920, in Kansas City, Kansas. He moved with his parent to Missouri in 1927. As a teenager Charles discovered his musical talent through public school. He began playing the saxophone when he was thirteen, quitting school when he was fifteen to become a full time musician with the alto saxophone. During the years 1935-1939, Charles played in many nightclubs with other local jazz and blue bands touring Chicago and New York (Charlie Parker Biography)

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    Bill Evans Playing Style

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    William John Evans better known as Bill Evans (August 16, 1929- September 15, 1980) was one of the most influential American jazz pianists ever, was known as harmony genius, a highly nuanced touch player and his lyrical playing style. His introspective lyricisms, endless flow of clear ideas and subtle Western classical flourished have influenced a legion of jazz pianists including Jack Reilly, Herbie Hancock, Andy Laverne, Enrico Pieranunzi, Keith Jarrett, Fred Hersch, Joanne Brackeen and countless

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    The Cool Jazz Era

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    represent Cool jazz. The Cool Era’s name sake was derived from the way music made the listener feel as well as how the music sounded. Cool Era can be described as having mellow, soft tones and emotion evoking. It is sometime considered the opposite of bebop. Cool Jazz fused classical and jazz together to create the smooth sound. Cool Jazz came on the scene after World War II and ushered in many great groups and musical talents to convey the sounds of the time. Of the many magnificent remnants remaining

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    Louis Armstrong shaping scat singing to make it achieve posterity Louis Armstrong (1901-1971) is surely one of the most famous and incredible jazz singer and trumpet player. He influenced widely, and still does, jazz music. But there is something that only jazz specialists or some aficionados know: he actually reinvented a brand new genre of vocal jazz, the scat singing. And I said “reinvented” on purpose. Indeed, though Louis Armstrong 's recording Heebie Jeebies in 1926 is often cited as the first

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    talent at Minton’s Playhouse where both frequented in Powell’s teenage years. Powell joined his older brother’s band and later ended up leaving high school to join the swing band of Cootie Williams. Bud Powell is known as “the finest pianist of the bebop generation” and “arguably the most influential keyboard player of the past seventy

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