Bebop Essays

Faith Eleby-DR. KEAST JAZZ, POP, ROCK The Bop and Bebop era was filled with a variation of things that contributed to its success and flourishment. The Bebop era was based on nonfunctional music it was either played at a very fast or very slow pace, neither paces allowed its listener to dance. Bebop was mainly for the artist satisfaction of difficult rhythmic changes; its focus was entertainment. Bop was also known for its fantastic artists like Charlie Parker and Dizzy Gillespie, it was also

places with differentiating styles, two of all the manners of playing Jazz are Bebop and Cubop. There is huge number of individuals who have had a large impact on Jazz, including: Louis Armstrong, Cab Calloway, Ella Fitzgerald, Duke Ellington, and Roy Eldridge, but one figure especially had an enormous impact on Jazz; John “Dizzy” Gillespie. This man was key in the development in both Jazz styles mentioned earlier, Bebop and Cubop, which are relatively recent having been created in the early­late 40’s;

innovations of bebop are noticeable. There is much more emphasis on individual creativeness and solo technique, which is different from the highly structured sets that characterized swing bands. Beboppers were often creative interpreters of existing jazz standards. For instance, in some of Charlie Parker’s work, he would keep a song’s harmonic structure but replace its melody with an inventive and technically dazzling improvisation, essentially creating a new song. The smaller combos of bebop also encouraged

trumpet. However the the music had a fast tempo, and therefore I concluded that it was a bebop, a style that began to shift jazz from popular music towards a more challenging musician 's music soon became a form of jazz characterized by fast tempos, virtuous technique and improvisation. Musician began to add more complicated tunes and melody to their music to make their song more interesting and different. As Bebop was developed in the early and the mid 1940’s, and the fast complicated tempo of the

together the different cultures. During the 1920s and 1930s jazz began to be popular and interesting among young people, black and whites. They were attracted by the freedom and artistic nature of it. When white popular musicians started to integrate the Bebop style with their own music, it became that much more popular, not only in America, but around the world. Jazz became a way to unify cultures through music. It helped to bring down barriers. It reflected a new time in America, one where cultures

Birks Gillespie, better known by his stage name Dizzy Gillespie, was an American jazz trumpeter, composer, and bandleader. Gillespie is regarded as one of the most important jazz performers of the 20th century and was crucial to the growth of the bebop jazz movement, which began in the middle of the 1940s. Gillespie recorded and wrote hundreds of songs over his career, many of them are now regarded as jazz standards. Early Life and Musical Beginnings Dizzy Gillespie was born and raised in Cheraw

except the flute were played throughout the song. The flute was played at a specific time though. This song made new fans of all generations, all over the world Miles Davis (May 26, 1926 – September 28, 1991) was ahead of his time as he moved from bebop to a new style cool jazz. Miles Davis was the most prominent trumpeter in the cool jazz musicians. Many other jazz trumpeters derived from his style, and tried to emulate it. Miles Davis always drove the frameworks of what were the accepted styles

Sarah Trinh Survey of Jazz - Written Assignment #2 Benny Goodman’s Contributions to Swing Music, a Style of Jazz Jazz is a genre of music with a plethora of styles of play, such as bebop, ragtime, and many more. A style of jazz that is worth mentioning is swing. Swing-style jazz spiked in popularity in America in the year 1930 and remained prevalent for over a decade; this period of time is referred to as the “Swing Era” (“The Orchestra Swings”). However, the swing style cannot be mentioned without

numerous contributions to jazz and its subgenres. Davis is prominent in many jazz styles including bebop, cool jazz, hard bop, modal jazz, third stream, funk, and jazz-rock fusion. Born in 1926, Davis is a baby of the early jazz era. By 13 years old, Davis’ affluent father introduced him to his famed instrument, the trumpet (Biography.com Editors) At 17, Davis had the opportunity to play with the iconic bebop figures Dizzy Gillespie and Charlie Parker on stage (Biography.com Editors). Davis looked up

was also simply known as Bird, introduced many new concepts and ideas while developing Bebop. He performed all chord substitutions and rapid tempos in his pieces with his sextet. One of the things Parker was famous for was contrafact, which in jazz means taking a known harmonic texture and composing onto it. Miles Davis was one of the most notable American jazz trumpeter, musician bandleader and developer of Bebop and other genres within Jazz. Miles Davis mostly used a harmony mute on his trumpet to

music at Julliard School. During his time there he collaborated with Charlie Parker and other musicians with whom he helped form the basis of bebop (“Miles Davis”). Davis eventually left Julliard to explore his own voice and came across a composer named Gil Evans and they began to exchange ideas. They were looking for something other than swing and bebop and formed a style called “cool jazz” (Kirker, Tim). This new style was evident in his album Birth of the Cool which was performed with a nine-piece

In today's quarter projects I was able to discern an underlying theme of identity, what defines a person or a group of people and what differentiates them. Take bebop as an example, Much of early Jazz music had been adapted into the cultural mainstream where it lost its sense of identity losing touch with its African American roots. Bebop reclaimed the African American identity jazz had lost. It expressed black culture and was used to express the way they felt towards inequality and oppression. In

Trumpeters Louis Armstrong and Miles Davis became two of the most inspiring American jazz musicians of all time by accessing very differently to their art. In the analysis an album from each artist, I choose “What A Wonderful World” of Louis Armstrong and “Kind of Blue” of Miles Davis. Louis Armstrong (August 4, 1901 – July 6, 1971) was the most influential performer to affect a lot of Jazz musicians. He influenced the whole jazz population with his amazing voice and energetic trumpet. And he played

Through all the obstacles he overcame he shows perseverance. Perseverance is steadfastness in doing something despite difficulty or delay in achieving success. Firstly Django constructs this characteristic when he got turned down from a record. This shows difficulty / delay in achieving success. For instance, Django shows this characteristics when he got turned down from a record. This shows difficultly / delay in success because being turned down is something harsh to hear. He got turned down because

music, with his "swollen" cheeks and mark trumpet's ringer, and in addition a standout amongst the most compelling figures of jazz and bebop. Dizzy Gillespie died on January 6, 1993, at age 75, in Englewood, New Jersey. Another reason this book is different is its characters. In the 1940s Gillespie, with Charlie Parker, became a major figure in the development of bebop and modern jazz. He taught and inspired many other musicians, including trumpeters Miles Davis, Jon Faddis, Fats Navarro, Clifford Brown

Meanwhile McFerrin’s song “Hallucinations”, he uses the same bebop style and melody throughout the whole song while sounding out the base and trumpet using his voice. I found McFerrin’s techniques to be very impressive because he pioneered the use of an octave-jumping technique moving from bass notes to falsetto,

William John Evans better known as Bill Evans (August 16, 1929- September 15, 1980) was one of the most influential American jazz pianists ever, was known as harmony genius, a highly nuanced touch player and his lyrical playing style. His introspective lyricisms, endless flow of clear ideas and subtle Western classical flourished have influenced a legion of jazz pianists including Jack Reilly, Herbie Hancock, Andy Laverne, Enrico Pieranunzi, Keith Jarrett, Fred Hersch, Joanne Brackeen and countless

Charles Christopher Parker Jr. was born on August 29, 1920, in Kansas City, Kansas. He moved with his parent to Missouri in 1927. As a teenager Charles discovered his musical talent through public school. He began playing the saxophone when he was thirteen, quitting school when he was fifteen to become a full time musician with the alto saxophone. During the years 1935-1939, Charles played in many nightclubs with other local jazz and blue bands touring Chicago and New York (Charlie Parker Biography)

Louis Armstrong shaping scat singing to make it achieve posterity Louis Armstrong (1901-1971) is surely one of the most famous and incredible jazz singer and trumpet player. He influenced widely, and still does, jazz music. But there is something that only jazz specialists or some aficionados know: he actually reinvented a brand new genre of vocal jazz, the scat singing. And I said “reinvented” on purpose. Indeed, though Louis Armstrong 's recording Heebie Jeebies in 1926 is often cited as the first

orchestra. By the mid-1940’s, Ella was already a well-respected performer known throughout the music industry for her energetic and vibrant voice as well as for her exceptional control and vocal range. Continuing under the Decca label that Chick Webb’s orchestra worked with, Ella recorded many popular hits with various artists. Not only did Ella collaborate with Chick Webb, she also worked with the Benny Goodman Orchestra, Bill Kenny and the Ink Spots, Louis Jordan, the Delta Rythym Boys, and many