Bebop Essays

Faith Eleby-DR. KEAST JAZZ, POP, ROCK The Bop and Bebop era was filled with a variation of things that contributed to its success and flourishment. The Bebop era was based on nonfunctional music it was either played at a very fast or very slow pace, neither paces allowed its listener to dance. Bebop was mainly for the artist satisfaction of difficult rhythmic changes; its focus was entertainment. Bop was also known for its fantastic artists like Charlie Parker and Dizzy Gillespie, it was also

innovations of bebop are noticeable. There is much more emphasis on individual creativeness and solo technique, which is different from the highly structured sets that characterized swing bands. Beboppers were often creative interpreters of existing jazz standards. For instance, in some of Charlie Parker’s work, he would keep a song’s harmonic structure but replace its melody with an inventive and technically dazzling improvisation, essentially creating a new song. The smaller combos of bebop also encouraged

Bebop is one of the most artistic and unique styles of jazz music, and was gradually introduced during the 1940's. Unlike more typical jazz music, Bebop focused more on the freedom of creativity rather than rhythmic aspects. Bebop gave soloists more room for "innovative improvisation" according to the Bop Era. (Glass) Bebop became a prominent style in jazz very quickly, and through the study of Charlie Parker, Dizzy Gillepsie, Thelonious Monk and other musicians one can see just how prominent and

places with differentiating styles, two of all the manners of playing Jazz are Bebop and Cubop. There is huge number of individuals who have had a large impact on Jazz, including: Louis Armstrong, Cab Calloway, Ella Fitzgerald, Duke Ellington, and Roy Eldridge, but one figure especially had an enormous impact on Jazz; John “Dizzy” Gillespie. This man was key in the development in both Jazz styles mentioned earlier, Bebop and Cubop, which are relatively recent having been created in the early­late 40’s;

This new aspect of jazz was formally called Bebop, or Bop for short, and was defined by fast tempo solos usually from the saxophonist or trumpeter. Bebop was most commonly played in Harlem, New York in night clubs like Minton’s Playhouse and Monroe Uptown House in small bands of up to four to seven instruments. Towards the end of the 1940s and into the 1950s, as a reaction to growing popularity of Bebop, caucasian musicians from the west coast started

trumpet. However the the music had a fast tempo, and therefore I concluded that it was a bebop, a style that began to shift jazz from popular music towards a more challenging musician 's music soon became a form of jazz characterized by fast tempos, virtuous technique and improvisation. Musician began to add more complicated tunes and melody to their music to make their song more interesting and different. As Bebop was developed in the early and the mid 1940’s, and the fast complicated tempo of the

Attitude Comparison of Jazz Musicians Bebop arose after the decline of the swing era. During this rise, musicians wanted to draw jazz away from the mainstream (popular) music of the time. The purpose of Bop was to take jazz back to an art form. Bop bands were usually small, had complex harmonies, and used improvisation, and the bands were usually made up of African Americans. The music from the Bop era is considered to be a hot style. The audience of the Bop subgenre is usually an elite/selected

together the different cultures. During the 1920s and 1930s jazz began to be popular and interesting among young people, black and whites. They were attracted by the freedom and artistic nature of it. When white popular musicians started to integrate the Bebop style with their own music, it became that much more popular, not only in America, but around the world. Jazz became a way to unify cultures through music. It helped to bring down barriers. It reflected a new time in America, one where cultures

Ranging from its origins in work songs and country blues, to modern jazz/rock fusion, jazz is an incredibly diverse genre of music. There are few more diametrically opposed styles of jazz, however, than swing and bebop. Author Piero Scaruffi notes, “The only reason to consider swing and bebop as branches of the same musical genre is that they shared the same instrumentation and the passion for improvisation (and, mostly, the color of the skin)” CITATION Sca05 \l 1033 (Scaruffi). Swing Swing rose to

except the flute were played throughout the song. The flute was played at a specific time though. This song made new fans of all generations, all over the world Miles Davis (May 26, 1926 – September 28, 1991) was ahead of his time as he moved from bebop to a new style cool jazz. Miles Davis was the most prominent trumpeter in the cool jazz musicians. Many other jazz trumpeters derived from his style, and tried to emulate it. Miles Davis always drove the frameworks of what were the accepted styles

Birks Gillespie, better known by his stage name Dizzy Gillespie, was an American jazz trumpeter, composer, and bandleader. Gillespie is regarded as one of the most important jazz performers of the 20th century and was crucial to the growth of the bebop jazz movement, which began in the middle of the 1940s. Gillespie recorded and wrote hundreds of songs over his career, many of them are now regarded as jazz standards. Early Life and Musical Beginnings Dizzy Gillespie was born and raised in Cheraw

was also simply known as Bird, introduced many new concepts and ideas while developing Bebop. He performed all chord substitutions and rapid tempos in his pieces with his sextet. One of the things Parker was famous for was contrafact, which in jazz means taking a known harmonic texture and composing onto it. Miles Davis was one of the most notable American jazz trumpeter, musician bandleader and developer of Bebop and other genres within Jazz. Miles Davis mostly used a harmony mute on his trumpet to

Sarah Trinh Survey of Jazz - Written Assignment #2 Benny Goodman’s Contributions to Swing Music, a Style of Jazz Jazz is a genre of music with a plethora of styles of play, such as bebop, ragtime, and many more. A style of jazz that is worth mentioning is swing. Swing-style jazz spiked in popularity in America in the year 1930 and remained prevalent for over a decade; this period of time is referred to as the “Swing Era” (“The Orchestra Swings”). However, the swing style cannot be mentioned without

numerous contributions to jazz and its subgenres. Davis is prominent in many jazz styles including bebop, cool jazz, hard bop, modal jazz, third stream, funk, and jazz-rock fusion. Born in 1926, Davis is a baby of the early jazz era. By 13 years old, Davis’ affluent father introduced him to his famed instrument, the trumpet (Biography.com Editors) At 17, Davis had the opportunity to play with the iconic bebop figures Dizzy Gillespie and Charlie Parker on stage (Biography.com Editors). Davis looked up

Trumpeters Louis Armstrong and Miles Davis became two of the most inspiring American jazz musicians of all time by accessing very differently to their art. In the analysis an album from each artist, I choose “What A Wonderful World” of Louis Armstrong and “Kind of Blue” of Miles Davis. Louis Armstrong (August 4, 1901 – July 6, 1971) was the most influential performer to affect a lot of Jazz musicians. He influenced the whole jazz population with his amazing voice and energetic trumpet. And he played

jazz musicians ever. He was extremely innovative and always challenged himself and his band mates. This paper will focus on the many characteristics and styles of Miles’ music. These styles include: bebop, hard bop, modal jazz, his collaborations with Gil Evans, his jazz fusion period, and many more. Bebop Era: 1945-1949 In the early 1940’s, Miles began playing in Billy Eckstein’s band. He remained in the Billy Eckstein band for only two weeks as a substitute. In those two weeks, Miles was able to

music, with his "swollen" cheeks and mark trumpet's ringer, and in addition a standout amongst the most compelling figures of jazz and bebop. Dizzy Gillespie died on January 6, 1993, at age 75, in Englewood, New Jersey. Another reason this book is different is its characters. In the 1940s Gillespie, with Charlie Parker, became a major figure in the development of bebop and modern jazz. He taught and inspired many other musicians, including trumpeters Miles Davis, Jon Faddis, Fats Navarro, Clifford Brown

In today's quarter projects I was able to discern an underlying theme of identity, what defines a person or a group of people and what differentiates them. Take bebop as an example, Much of early Jazz music had been adapted into the cultural mainstream where it lost its sense of identity losing touch with its African American roots. Bebop reclaimed the African American identity jazz had lost. It expressed black culture and was used to express the way they felt towards inequality and oppression. In

Through all the obstacles he overcame he shows perseverance. Perseverance is steadfastness in doing something despite difficulty or delay in achieving success. Firstly Django constructs this characteristic when he got turned down from a record. This shows difficulty / delay in achieving success. For instance, Django shows this characteristics when he got turned down from a record. This shows difficultly / delay in success because being turned down is something harsh to hear. He got turned down because

Charlie Parker is probably one of the largest contributors to Bebop, but this doesn’t exclude Miles Davis who furthered what Parker created. Charlie Parker changed the way performances and writing of jazz music forever with his new style of music called Bebop or Bop for short. This genre replaced the previous style of swing which focused on dancing, which was popular for years. Bop music was all about fast tempos, expanding of the horn, soloing, and complex rhythms and harmonies. This style was all