Faith Eleby-DR. KEAST
JAZZ, POP, ROCK
The Bop and Bebop era was filled with a variation of things that contributed to its success and flourishment. The Bebop era was based on nonfunctional music it was either played at a very fast or very slow pace, neither paces allowed its listener to dance. Bebop was mainly for the artist satisfaction of difficult rhythmic changes; its focus was entertainment. Bop was also known for its fantastic artists like Charlie Parker and Dizzy Gillespie, it was also ideal because of the location of a performance.
Where did Bebop get its name? Around the 1940s musicians particularly African-American wanted to divert from the formal structure of the Swing style. This movement was later renamed Bop or Bebop. Bop
…show more content…
Charles Parker Jr. born on August 15, 1920 grew up in Kansas City, Kansas, he was known for his nickname “Bird” or ‘’Yard bird’’. He was one of the most influential people of the Bebop era, because of his iconic way of playing the saxophone. When he was a young boy he quit school to pursue his dreams in the music industry, in his early career he rejoined Jay McShann’s band where he made his first recording in the year 1940. In the year 1945 he made his debut with his own band playing alongside Dizzy Gillespie, both started to develop a new innovative style of playing music which was known as …show more content…
Officially born John Burks ‘’Dizzy’’ Gillespie born on October 12, 1917 in Cheraw, South Carolina. This legendary figure was known for playing the trumpet, his horn had accidentally received quite a unique bend to it, but he never got it repaired because he admired what the newly found sound, sounded like. In the 1930s, he played for the band Cab Calloway including members being Duke Ellington, Ella Fitzgerald, Billy Eckstine, and Earl Hines. Dizzy Gillespie and Charlie Parker are named as the founders of the Bebop movement, when playing together they fit together like a puzzle piece. He was a co-founder of Afro-Cuban jazz. As a young boy, youngest of nine he started playing trumpet at the age of the 12. He was accepted into the Laurinburg Institute in North Carolina, but later dropped out of school to pursue his dreams of being a musician. One of Gillespie’s inspirations was Roy Eldridge who he was greatly influenced he soon gained the fresh nickname of ‘’Dizzy’’. Dizzy Gillespie died January 6, 1933 of Pancreatic Cancer in Englewood, New
First I learned to play the piano at the cotton club. I loved to play at the cotton club. I started to play at the cotton club when I was in my teens I played every weekend. I wrote and played the great jazz for about 50 years.my death was in may 24,1974.I died from a heart attack. I was the greatest jazz artist ever seen in the world.
Due to an unfortunate heroin addiction, Morgan was forced to leave the group in 1961 because he had become unreliable and his playing began to suffer. After this brief low point in his life and career, Morgan bounced back with ‘The Sidewinder.’ The title track of this 1963 album became his largest commercial success, reaching the top twenty-five on R&B billboards. The album itself is of great importance to Lee Morgan’s career and to the development of jazz. Before ‘The Sidewinder,’ almost none of the songs used on Lee Morgan’s albums were his original compositions.
Bryan Huynh Music 2310.720 Jazz, Pop, and Rock Dr. Keast 25 July 2014 The Father of Jazz Charles Joseph Bolden was a contemporary African-American cornet player; he was a key inspirational contributor to the jazz style, which earned him the title: the "Father of Jazz." By 1895, when Bolden was merely 18 years old, he led his own semiprofessional band. His nickname was “King Bolden,” and the band he led was extremely popular in New Orleans during the years of 1901-1907. Before Bolden’s boom and bust, the term “jazz” was rarely used to describe music; afterwards, the musical style became extremely prominent.
All these attributes easily lifted Armstrong's fame until it surpassed his predecessor. Another great trumpet player that (literally) shaped trumpets’ place in jazz was Dizzy
Miles Dewey Davis the third was born on May 26, 1926. He was the son of a Dental Surgeon and a Music teacher. He was thought the trumpet by his dad when he was 13. When his dad could no longer teach him he was educated by his father’s friend Elwood Buchanan. He played different than popular trumpeters at the time, developing Davis’ style.
“A major figure in the history of jazz music, his career spanned more than half a century, during which time he composed thousands of songs for the stage, screen and contemporary songbook. He created one of the most distinctive ensemble sounds in Western music and continued to play what he called "American Music" until shortly before his death in 1974.”(Biography.com). Duke ellington was born in , Washington, D.C on April 29, 1899 to his two talented, musical parents where they lived in a middle-class neighborhood of Washington D.C. Being raised in a musical family Duke ellington began playing piano and composing music.
One stereotype talked about by Gillespie was that, “only beboppers wore beards, goatees, and other facial hair and adornments.” (Walser, 157). Gillespie had an issue with this because when he shaved it the stubble that grew back made it uncomfortable for him to play with his mouth piece (Walser, 157). Dizzy therefore decided to grow it out to prevent the mouth piece problems and he liked the fact that it attracted the women around him (Walser, 157). Another stereotype was that, “beboppers spoke mostly in slang or tried to talk like Negroes.”
Richie started playing alto saxophone when he was 10 years old in his home town of Trenton, New Jersey. Influenced by Sonny Rollins and Charlie Parker, Cole’s talent and dedication won him a full scholarship from Downbeat Magazine to the Berklee School of Music in Boston. His professional career began in 1969 when he joined the Buddy Rich Big Band. And after stints with the Lionel Hampton Big Band and the Doc Severinsen Big Band, Cole formed his own quintet and toured worldwide, doing a great deal to popularize bebop and his own “Alto Madness” style in the 70’s and early 80’s. Cole has performed and recorded with the great vocalese artist Eddie Jefferson, the Manhattan Transfer, Bobby Enriquez, Freddie Hubbard, Sonny Stitt, Art Pepper,
Jazz began to divide during the war into two musical philosophies: traditional jazz "Revivalism" and modern jazz, known as bebop. In New York, where youthful creatives like Gillespie, created new revolutionary methods, the name "bebop" was first used. Charlie Parker, a player of the alto saxophone, was Bebop's most renowned icon along with Gillespie. Complex, quick-paced melodic lines, fresh rhythmic concepts, adventurous harmonic improvisation techniques, and ferocious instrumental prowess characterized the music. Bebop evolved into a variety of current jazz forms after the war.
The term “cool jazz” could describe the style or genre that Stan Getz, Chet Baker, and Miles Davis played, but it should not categorize them as musicians because their talents and versatility extend farther than just a style or genre. Stan Getz became a popular tenor saxophonist during the bop era in the 1940s. Stan Getz is a talented tenor saxophonist whose style became categorized as cool jazz. Chet Baker is considered one of the best “cool jazz” trumpeters besides Miles Davis, but did not receive exposure until the early 1950s with the Gerry Mulligan Quartet. Chet Baker is considered to be a “West Coast Style” player that produces melodic ideas, a tuneful quality, and has a style that can be categorized as cool jazz.
William Henry Webb, better known as Chick Webb, was born February 10, 1905 in Baltimore,Maryland. He was born with a condition in his back called spinal tuberculosis which led him to have poor health his entire life. Webb was a small hunchback man with great musical talent that people called an “unconquerable spirit”. He was one of the greatest jazz drummers of the Harlem Renaissance and still influences jazz drummers today. As a child, Webb had really stiff limbs because of his condition so his doctor suggested he play an instrument to loosen up.
Benny Goodman was a man who lead a very influential life, he was born on May 30th, 1909 and lived to be 77 years old. He was 1 out of 12 kids in his family and his parents had moved from Russia to get away from anti semitism. His mother never knew english but his father worked as a tailor to make money for their big family. When Benny was 10 years old he got sent to the Kehelah Jacob Synagogue by his father to study music. His had a disposition for the clarinet and he loved every second of it.
Armstrong started to draw attention by his cornet playing, thus the start of his music career. According to biography.com, it states, “On New Year’s Eve in 1912, Armstrong fired his stepfather’s gun in the air during a party and was arrested on the spot. He was then sent to Colored Waif’s Home for boys. There, he received musical instruction on the cornet… Armstrong began earning a reputation as a fine jazz player.”
Jazz is most often thought to have been started in the 1920s as this explosive movement, but that is in fact not the case. Starting in the late nineteenth and early twentieth century many African American musicians have started to explore their taste in improvising, and where better to do that than New Orleans (Anderson). Before the 1920s these jazz musicians have already been going around sharing the unique sound, but up until then, jazz had remained majorly in New Orleans. Interestingly during this period, a common jazz band would consist of a cornet, a clarinet, a trombone, and a rhythm section when at this period of time the clarinet is not commonly associated with being a jazz instrument, it moved into being the saxophone rather. A big
Before this, Latin jazz in the U.S. was blurred together with other styles of jazz music, but with the help of Chano Pozzo, Dizzy Gillespie, Mario Bauza, Machito, Stan Kenton and various others, Latin jazz began to be differentiated (Washburne 411). Latin jazz was described by being compared to the rhythm of Latin songs such as the rumba, stomp or tango, but as jazz began to be less associated with dance, two categories were made: Cubop and Latin Jazz. Cubop is a word stemming from Cuba and bebop, with bebop being the term for popular jazz music wanting to be distinguished from jazz music before it (Washburne 412). Cubop drew from traditional bebop music and Cuban influences to create and new and distinct