Bertolt Brecht Essays

Stanislavski theatre is called dramatic theatre which has plot, involve the spectator in a stage situation and one scene after another whereas in epic theatre it is called narrative theatre, turn the spectator into an observer and each scene for itself. Brecht encouraged his audience to discuss things during a performance and they could enter and leave during a performance at their will. Sometimes he even masked actors face to draw the attention away from the actor’s faces, in comparison Stanislavski says

Bertolt Brecht gave a concept of “Aliegnation theory” and “epic theatre”. His idea of the actor’s role is very different from Stanislavski’s. By showing theatre, he wants to educate his audience in an entertaining manner. He thought that audience were manipulated by beautiful sets and theatre technology, lighting, makeup, imaginary fourth wall and also by emotionally effusive acting techniques. He was always against the illusion created by traditional theatre in which the audience observes a slice

The Tuesday, March 28 performance of Ithaca Colleges production of The Cradle Will Rock emphasizes the Brechtian element of distancing the audience from the performance that Blitzstein 's original script lacks. Before the show began, the actors and the stage manager casually roamed about the stage, at times talking with friends in the audience or each other, played a few notes on the piano, and did microphone checks–all out of character. From the spectators ' first moments in the theatre, a clear

and thoughts drive who we are in the real world, and conflict is an inevitable part of the process of growing. Reassessment of these same values, ideas and thoughts are equally inevitable when encountering some sort of conflict. The playwright Bertolt Brecht explores these sorts of transformations among characters In his play, especially when the type of conflict is man vs institution, Life of Galileo of course follows suit. In order to grow, one must learn, and in order to learn, one must encounter

Antigone is a Shakespearean tragedy which always presents a person whose main purpose is to act as a moral compass for a main character and a main character cursed by fate and hold a tragic flaw. In this story, Antigone is the center topic of the story. With a role of the first woman to rebel against the norms of society, Antigone continues to act in ways she believed was morally correct. Although she is characterized by morality, her unfortunate bloodline fails to escape her true destiny of death

Within this Essay, I will be focusing on the work of Jerzy Grotowski, and his approach to Theatre, giving my opinion on how his training compares to others. I will then look to more contemporary artists, mainly Pina Bausch, and Frantic assembly to show how Grotowski’s work is still relevant in today’s theatre. This man was one of the most influential practitioners for the Physical Theatre movement. One of his most prominent set of techniques is ‘the Plastiques’, these were developed by Grotowski

When adults decide to have children, they are making a commitment to raise that child as best as they possibly can. Parents are expected to love, cherish, and encourage their children. The saying, “the apple doesn’t fall far from the tree”, is not just strange compliment adults pay another. Parents form their children into the adults they will become. Developing a list for what constitutes a good parent doesn’t fare too difficult for most; humans tend to know exactly what they want from someone.

Musical theatre combines music, dance and theatre to tell a story. It is not just a play with music because the songs and the music also tell a story. Music and singing are the main features and together with drama they combine into a musical theatre. It appeals to many people because it has such variety. The words are sung and in some musicals there are no spoken words at all. Musical theatre has developed over the last 150 years. American musical theatre began in the beginning of the 20th

In the contemporary discourse of famous literary tragic figures, two pieces of work are often used as a reference points: William Shakespeare’s MacBeth protagonist of Macbeth and Henrik Ibsen’s Nora protagonist of A Doll’s House. A Doll's House by Henrik Ibsen is a modern tragedy that is centred around the life of a Norwegian household, focusing on the strife that Nora Helmer faces in this patriarchal society when her secret is threatening to come out. In comparison to the very dramatic Macbeth that

In How I Learned to Drive, Paula Vogel uses several techniques of Brecht’s Epic Theatre. Some of them are the alienation effect, direct address to the audience and disruption of time. The purpose of the alienation affect is to distance the audience and to provoke them to think about what they are seeing. It does not involve an emotional response, but rather a rational one. How I Learned to Drive is a memory play that deals with issues of sexual abuse and victimization, but it is also a play that

theatre. Grotowski demands that theatre must actively seek out how it’s different from other forms of performance, such as television and film. He was influenced strongly by the work of other theatre director’s such as Constantin Stanislavski, Bertolt Brecht and Vsevolod Meyerhold. This essay will

The Difficulties of Love Consider for a moment just exactly what is love? Love is a feeling, a passion, an idea. And love is extremely complex, encompassing a nuance of emotions. Falling in love can be one of the most blissful things in life. Yet there a many tribulation that come with love. Such is the idea which Shakespeare explore in A Midsummer Night’s Dream. The play presents many different types of love and the trials that each suffer. Love presents many obstacles which require sacrifice

Breathless, originally titled ‘À bout de souffle’, made in 1960 is a movie about a small-time thief who steals a car and murders a policeman. The story is about authorities chasing him while he reunites with an American journalist and attempts to persuade her to run away with him to Italy. Jean-Luc Godard, the director of the movie often quotes, ‘To make a film, all you need is a girl and a gun.’, which is probably the inspiration behind this movie. Breathless was one of the movies that kicked off

Ryan Bassil (2013) has argued that director Baz Luhrmann has completely missed the depiction of how F. Scott Fitzgerald wrote his novel, The Great Gatsby. As the era enjoyed social vitality, artistic and cultural dynamism, it gave rise to the name “The Roaring ‘20’s in America (IIE,2016:19), which was a time of wealth, and seemingly endless possibilities. This essay will therefore repudiate why Bassil’s statement is flawed and why Luhrmann’s personal style or aesthetic, his materials and the diegesis

Early Greek comedy was strongly contrasted to grandeur and gravity of the tragedy. Aristophanes, the Grand Master of Comedy, used different types of humor in his work, including farce, jokes with sexual connotation, satire and literary parody. Unlike tragedy, the storyline does not originate from traditional mythological heritage or legends, but is the product of the creative imagination of the writer, main topics including political and social satire. Over the centuries comedy was moving away from

Feminist literary theory, as a term, gained currency during the mid-1980’s, the term feminist literary criticism had previously been applied. Conventionally, criticism was used to refer to a practical approach to literary study, i.e. the close reading of texts; while theory referred to the interpretation, evaluation and examination of the philosophical and political underpinnings of the texts. Today, criticism and theory appear simultaneously in feminist anthologies and the feminist literary theory

How has the role of women/men in this industry changed/ Over the last 60 years, the number of women in the workplace has increased exceedingly since they entered the economic system to supplement the males earning capacity. Women in Australia have made a great strive towards achieving equality with men, in universities, in workplace, in boardrooms and in government. An outstanding amount of women has taken on a leadership role, forging pathways for other women and girls to follow. “The average

Initially distributed in the June 26, 1978, issue of The New Yorker, "Girl" was the first of what might turn out to be more than twelve short stories Jamaica Kincaid distributed in that magazine. After five years, "Girl" showed up as the opening story in Kincaid 's gathering of stories, At the Bottom of the River (1983), her first book. "Young lady" is a one-sentence, 650-word exchange between a mother and little girl. The mother does the majority of the talking; she conveys a long arrangement of

Mother Courage and Her Children is a play about war, but it is also a play about survival, greed, capitalism, and family. As Mother Courage scuffles to protect her children from war, she incessantly puts her entire family at risk for the sake of her business. She rants against the cruelty of war and the deaths that it causes, but enthusiastically provides for both sides of the army – existing off the violence and imploring the war will not end. This play calls into question the ways each of us benefit

A group of men betting on jumping into a lake, a private discussion with a best friend, and a get together for drinks in a basement are scenes which revealed the friendliness and respect the townspeople had for Lucas, whom was played by Mads Mikkelson. He was just an ordinary man – a caring kindergarten teacher who recently got divorced, and who was also seeking custody of his son, Marcus. Thomas Vinterberg’s The Hunt follows a rural and close-knit Danish community, who are thrown into a collective