Davis Guggenheim Essays

The American public education system is in need of reform. One of the most prominent methods of reform being discussed is the implementation of more charter schools. Davis Guggenheim, director of the documentary “Waiting for Superman”, is a firm believer in this approach. In his documentary, Guggenheim presents young and promising students who go to unsuccessful public schools. These students are later shown either elated that they did get into a charter school or dismal that they didn’t. The statistics

In 2010, Davis Guggenheim made the documentary “Waiting for Superman” to show that our public school systems have been deteriorating since they were established in the 1950’s. With our poor public education program, the rise of the charter school system was upon us, giving children another opportunity to get a quality education if they could not afford a private school. This film discusses that people who live in the inner cities and in poor neighborhoods do not have equal opportunities and set for

they’ve been set up for failure. The documentary, Waiting For Superman, revolves around children who were born into an insufficient education zone with parents who can’t resolve the issue for various reasons. By utilizing both logos and pathos, Guggenheim effectively causes a call to action in favor of education reform by arguing that there are ways to change these problems, but we need more ‘power’. As a matter of fact, this entire documentary is reliant

African Americans had many struggles in previous generations. Many authors such as Richard Wright and Langston Hughes have different perspectives on how they approach these struggles. In works such as Black Boy and "Mother to Son", the authors provide evidence on if they interpret the struggles in a positive or negative way. Langston Hughes and Richard Wright have positive and negative views respectively towards their lives, and they use metaphors and life experiences to show it. Richard Wright

In Damien Chazelle’s Whiplash (2014), Terence Fletcher (J.K. Simmons), a renowned music teacher from Shaffer Conservatory of Music, stumbles upon a first-year drummer named Andrew Nieman (Miles Teller). After hearing Nieman play, Fletcher offers him the chance to audition for his jazz band. After auditioning for Fletcher’s jazz band, Nieman is accepted into the band and quickly gains a spot as the lead drummer. However, shortly after Nieman joins the band, he learns of Fletcher’s aggressive ways

Louis Armstrong shaping scat singing to make it achieve posterity Louis Armstrong (1901-1971) is surely one of the most famous and incredible jazz singer and trumpet player. He influenced widely, and still does, jazz music. But there is something that only jazz specialists or some aficionados know: he actually reinvented a brand new genre of vocal jazz, the scat singing. And I said “reinvented” on purpose. Indeed, though Louis Armstrong 's recording Heebie Jeebies in 1926 is often cited as the first

Fisher Tull was born Waco, Texas in September 27th, 1934. Around the age of nine in the fifth grade, Fisher Tull began learning to play the trumpet which he continued to do throughout his schooling. As a trumpet player, Fisher Tull played both classical and jazz music and early in his life considered himself to be more of a jazz musician. Fisher Tull went on to enroll at The University of North Texas in 1952, where he earned his Bachelor of Music in Music Education. Following the completion of his

William John Evans better known as Bill Evans (August 16, 1929- September 15, 1980) was one of the most influential American jazz pianists ever, was known as harmony genius, a highly nuanced touch player and his lyrical playing style. His introspective lyricisms, endless flow of clear ideas and subtle Western classical flourished have influenced a legion of jazz pianists including Jack Reilly, Herbie Hancock, Andy Laverne, Enrico Pieranunzi, Keith Jarrett, Fred Hersch, Joanne Brackeen and countless

Conclusion The aim of this dissertation is an attempt to address the post-war disillusionment in Ernest Hemingway’s short stories. Emotional desolation is a nearly poetical term which encom-passes various different aspects, therefore it cannot be clearly defined. I has focused on the collapse of interpersonal relationships and analysed it on the grounds of both, parental rela-tions and those between a man and a woman. Another significant aspect of desolate human-ity is impaired sexuality which prevent

Louis “Satchmo” Armstrong, often called the grandfather of jazz, pioneered the artform and to this day is considered one of the most influential musicians of all time. When asked to describe jazz, he famously responded “If you have to ask, you’ll never know”. Many have criticised this reply for its vague nature and for not directly answering the question, but I believe this quote describes jazz and its purpose perfectly. What Armstrong was trying to say was that jazz is meant to be felt rather than

Son of Timothy and Elizabeth Shelley; Percy Bysshe Shelley was the oldest amongst his four sisters, and only brother, John. Shelley was adored by his family and applaud by his servants who stood by him in his early ruling as lord of Field Place, a family home close to a historic town in England known as Horsham. Attentive and whimsical, he would spend his time entertaining his sisters with spooky ghost stories and preparing games to play with them. However, the bucolic life he cherished in the Field

The phenomenon of groove is an interesting and complicated matter of analysis, although this concept has been taken into consideration quite recently by musicologists; it is almost a century that this word is being used in music contexts. From the 1920s of the Jazz Age until now, the expression of groove is simply used to refer to music performed really well, especially from the rhythmic section. Even if this affirmation is too general, is partially correct. Musicians and listeners make use of the

Turpentine’s album Home. He also wrote and performed for Earth Wind Fire, on their highly acclaimed release Powerlight. He collaborated with Earth Wind & Fire’s leader Maurice White. His credits are numerous from from his performance and recording with Miles Davis Dark Magus (1974) live at Carnegie Hall in New York; and his performance on the highly acclaimed Grammy award winning album; Marvin Gaye’s, Hear My Dear. Azar’s 2014 CD recorded live at New York’s Jazz Standard; The Seeker, (Sunnyside Records) was

Miles Davis was an extremely talented African American trumpet player from St. Louis who changed the way of Jazz between the 1950s and 1990s. Being one of the most influential musicians of the 20th century, Miles was the first jazz musician after the hippie era to influence many listeners in his jazz and rock rhythms. From Miles’ career of almost half a century he received countless awards for his outrageous talent and the music he had produced throughout his lifetime. Miles Davis was a successful

1. Louis Armstrong (04/8/1901 - 06/7/1971) Famous for playing trumpet, but Louis Armstrong is also a talented jazz singer. His hoarse, deep voice made the audience excited. He also improvises jazz jokes. The joy that Armstrong brought to music in part allowed him to be considered the father of modern jazz. 2. Johnny Hartman (03/7/1923 - 15/9/1983) Although recorded with Earl Hines and Dizzy Gillespie, he is best known for his John Coltrane and Johnny Hartman albums. Hartman's good voice combines

Duke Ellington was a renowned personality in the music industry as he had been very successful and notable composer and pianist. He also had been band leader of jazz orchestra and throughout his professional career of fifty years; he had been leader of the orchestra from the year 1923. He was born in 1899 and passed away in 1974. He had been a notable figure in the music industry and spent an active professional career in the field. That is why; his personality is worth to be studied so that lessons

I chose to attend the ISU Jazz Combos concert on Thursday, February 18th in the Martha-Ellen Tye Recital Hall. I chose to attend this particular concert because from fifth to tenth grade I played the alto saxophone, and was a part of a jazz band in middle school. Jazz band was my favorite thing about playing the saxophone, and I loved the occasional improvisation solo I would get to perform. Although I like jazz music, I never have attended a jazz concert other than my high school jazz band concerts

Jazz is an American style music that was formed around 1900, the beginning of jazz actually begins in the early 1600s. Early jazz was defined into two different categories, ragtime which has no improvisation and traditional jazz (Dixieland) that has lots of improvisation. Scott Joplin is a well-known musician who helped create the ragtime style of jazz. During the 1920s they started recording jazz performances, most recording are studied from this era. A few people who made this happen in New Orleans

Sander Huudma April 20, 2015 Prof. Brian Jazz Samba The 1960s were a rich creative period in jazz . “During this time Stan Getz a jewish saxophonist from the Bronx, imported a darkly romantic new style from Brasil.“(Textbook), „Getz appeared with strong lyrical and improvisational skills and therefore took part in many all-star recordings. After years of fading away from the all-star list, the beginning of 1960s’ made Stan Getz a name people would not forget” (Gioia). While playing a club in Washington

Miles Davis defied categorization and flouted convention with his experiments that began with mixing different musical styles, tones, instruments, and enhancements. This produced throttled notes and haunting tones which gave him a taste of what he could create. Taking his new found knowledge he jumped head first into the world of experimenting and tested the limits of music. He surrounded himself with small ensembles and hungry artists with the knowledge that he there were no limits to where his