Activities for Unit IX Give definitions for the following terms: Hue refers to a particular wavelength of spectral color to which we give a name. Value refers to relative lightness or darkness from white through grays to black. Tint refers to the end color after the addition of white to a hue. The color is a lighter version of itself when white is added.
Atmospheric perspective was first introduced by Leonardo da Vinci and was commonly used in paintings during the Netherlands in the 15th century. It refers to the “technique of creating illusion of depth by depicting distant objects as paler, less detailed than near objects” ("Aerial perspective."). In The Harvesters, detailing in the foreground is in clear focus from the bark and leaves of the tree to the clothing worn by the peasants. As one looks to the landscape behind the foreground, the trees become fuzzy, wheat becomes blurred and the lake lacks detail as it blends into the grey sky. Similarly, in Hunters in the Snow, the tree bark, dog fur, their footprints in the snow, and the clothing of the peasants are also clearly detailed in the foreground.
She was able to acquire the technique of the traditional realist style of painting with help from her teachers: William Merritt Chase, F. Luis Mora, and Kenyon Cox. Unfortunately, O’Keeffe fell ill and had to take a few years off from schooling and did not return until 1912. When she returned back she studied the ideas of Arthur Wesley Dove and her technique of painting took a dramatic turn. Dove’s emphasis on detail and design taught O’Keeffe an alternative to realism. After some time of experimenting, O’Keeffe started a series of abstract charcoal drawings in 1915 that led to a break in tradition.
He was born to a German father who taught at Berne-Hofwil college and his Swiss mother who is a trained singer. Throughout his academic training he focused mostly on his drawing skills. For two years he studied in a private studio. Then, he joined German symbolist Franz von Stuck in the 1900. He was a painter, printmaker and draughtsman of German nationality.
Chase’s work is obviously a product of the movement in which he was a part of; many of the characteristics of the Impressionist movement are apparent in his work. What makes Chase so singular and intriguing, however, are the subtle variations in his work that, though evasive, are distinguishing characteristics. Additionally, the elements of his work that paid tribute to the past masters are evident. This is not to say that he was not revolutionary, however, for he was a part of “a period of transition…having indeed greatly helped to inaugurate it” ,
A Rainy Day, he focused on realism and put emphasis on line and figure. Instead of using bold colors, Caillebotte used a dull monochromatic color scheme of pale blues, yellows, and greens. His love for photography became evident in this work as you can
Overall, the unity of the painting comes primarily from the visual elements. On the sliding scale from blandness to chaos, this piece falls in the center of the spectrum. The quadrilaterals and the swath of green keep the painting interesting, and the soothing colors and horizontal lines make sure it doesn’t become too chaotic. The quadrilaterals, horizontal and vertical lines, and the analogous color scheme are the primary visual elements that come together to give this piece a feeling of visual
He is also highly regarded for his “elevated landscape paintings” and for laying a “foundation for Impressionism.” For most of his later work he attempted to capture the spirit of expression
That same year, he visited Albright Knox Gallery Art. After seeing several exhibitions of Clyfford Still and Alberto Burri, Mangold began to paint large-scale abstract compositions. Abstract Expressionism refers to an American art movement that emerged after World War II during the 1950s. Clyfford Still was in the earliest group of Abstract Expressionists who developed a new, dominant approach to painting in the years immediately succeeding World War II. Still & Art begins with Still’s acknowledgment of Old Masters he admired (among them Leonardo da Vinci, Rembrandt, J.M.W. Turner, and Vincent van Gogh); progresses to his interrogation of near-contemporaries such as Max Ernst and Pablo Picasso; and concludes with epic canvases, pastels, and photographs that reveal the artist meditating on his own past production as well as the spirit of color-field painting, minimalism, and comparable avant-garde movements of the 1960s and ’70s.
Van Gogh’s masterpiece, “Starry Night”, has many elements of art. He used multiple of them! One of them was the he used space, he used space to give is a scenery of a landscape. He used the town in the painting by making them appear smaller than the tree that’s in front of it. He also uses color in his painting.
Spring Marsh has straight controlled lines and irregular lines reflecting the wildness of nature, while one the other hand, the curved line of the creek implies calmness and has a softness to it despite the rough texture (DeWitte, Larmann and Shields 2012). Also the lines in the creek move upward to not imply the movement of the water, but the reflection from the sun. Contrary Kruzell’s Square is almost entirely composed of straight and regular lines. The stem of the statue is a thick line with horizontal cuts through it, thus in this piece there are even lines within the lines. While shape is mostly defined by lines, shapes can be suggested by change in color or value (DeWitte, Larmann and Shields 2012).
In Van Gogh’s paintings Wheat Field with Cypress and Cypress are similar and yet two different paintings. One similarity of these two paintings are that they both have the same texture. The texture that they both have to me at least almost like a fluffy look to them or wavy droplets of paint in a curvy lines in different directions that almost give a flowy feel to them. Also, in both of them the shape that I find repeated in the images is a circular pattern almost that gives them a great texture. One difference in the two paintings is that in the Cypress the focal point is the tree that draws the most attention to your eye.
With the emotion in mind that he wanted to convey, he used his imagination to come up with a style that would serve his purpose. His style was different from others before him because he chose a differing color palette and it was quite bold. His choice of colors differed with his
Douglas grew up in Topeka, Kansas where he first expressed his love for art as a young child. Supported by his mother, Douglass studied fine arts at the University of Nebraska at Lincoln, but would obtain his Bachelor of Fine Arts from the University of Kansas.25 In 1924, Douglas moved to New York to pursue his artistic craft. Upon arriving in New York, Douglas met with German artist Winold Reiss. Throughout the Harlem Renaissance Reiss mentored many young black artists, including Archibald Motley.26 Through Reiss’ own exploration into human dignity in his art, he was able to relate to Douglas’ own need to advocate for cultural
Diego Rivera was one of the most famous Mexican painters there ever was. He was married to Frida Kahlo who was also a painter. Diego was born in Guanajuato, Mexico, on December 8, 1886, to a wealthy family. He was the son of María Del Pilar Barrientos and Diego Rivera Acosta. Diego had a twin brother named Carlos, who died two years after they were born.