Alfred Hitchcock Rear Window Analysis

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Cinema’s director Alfred Hitchcock is one of the most important and influential filmmakers of all the times. Using revolutionary techniques and controversial topics, Therefore, Hitchcock captivated the public as no other director of his time. One of the techniques that he made famous, his use of the hearing as a voyeur of the action on the screen. Hitchcock used this technique to dim the line between the innocent and the guilty. As well as to the public in the position where they were personally involved in the characters of the film. In the Alfred Hitchcock movies, you can see how many of its protagonists “look”. In RearWindow (1954) the protagonist observes his neighbors through binoculars. Moreover, The man who knew too much (1956) Ben McKenna observes his adversaries from a dark balcony. Norman Bates in Psycho (1960) observes... Making to get viewers get involved in the plot.
Moreover, of all the movies made by the celluloid genius, we can consider Rear Window (1954) film one of the greater 's admirable expressions of the art of the cinematographic glance. As the paradigm in which this curiosity exposed 's inhabit the human being, that voyeurism that uncounted of us have inside. Hitchcock is able to use this element to catch the spectator, building a devilish and fascinating tale of suspense set in a microcosm. In which there reflects the intimate and daily life of the current man, where the protagonist observes from his window. The viewer sees what Jeff (the

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