This movie expresses the struggle of a middle class Mexican-American family and their struggle to find a sense of identity and a place where they belong. Even though watching this movie was so easy for me because
The Crazies to Say the Least “David leans on the sideline fence, sipping his coffee, watching the game. No one has yet noticed the dark figure walking out of the shadowy woods beyond the outfield. Weaving like a drunkard, he walks right onto the playing field, oblivious to the game. He is carrying a shotgun. Heads turn, mouths falling open in the bleachers and dugouts, everybody staring in collective disbelief.
As part of this gang Rodriguez has experienced many forms of violence, hatred, and death. In the gang he is exposed to drugs and other illegal acts of activities. However, as Rodrigues begins to grow and learn he realizes that his inhuman actions put a bad face to Chicano youth subculture in East L.A. Rodriguez eventually ends up in jail for defending women who was being brutalized by the police. Not an uncommon act in the Barrio.
Lord’s extensive use of multimedia to appeal to logos and pathos keeps the reader absorbed in the text. The topic of drugs may not be every audiences cup of tea, and in order to spread awareness of the situation, Lord decides to employ several different techniques to keep the reader engrossed in the text and fully grasp the information. The writer includes quotes and videos from real families and individuals who experience drug overdoses happening in Carrick to provide logical evidence and to evoke a series of emotions in the reader. Lord also includes maps and statistics from reliable sources throughout the entire text which gives the reader a wake-up call of how serious of an issue drug usage is in Carrick. Rich Lord successfully utilizes multimedia to appeal to logos and pathos to grasp the reader's attention and keep them engrossed in the
Racial Profiling” as it’s known today was started in 1980’s under President Ronald Reagans’ “War on Drugs” (a war Reagan declared while drug use and crimes were both on the decline (4). Regan’s “War on Drugs” was a partisan show of force that he, Bush Senior and Junior and subsequent Presidents used to try and convenience people they were concerned with public safety and American citizens who had fallen victim to crimes committed by drug users and drug dealers. (Even, while it was widely reported Ronald Reagans’ son, Ronnie junior and former President George Bush Senior’s son, former President George Bush Junior were both smoking weed and snorting cocaine (4). While the “War on Drugs” was based on political motives, (that is not the full story) as the “war on drugs” in hindsight proved itself to be a social containment strategy and ultimately a “war” on black and brown surplus people ().
Released September 29, 1950, Sunset Boulevard is a film noir of a forgotten silent film star, Norma Desmond, that dreams of a comeback and an unsuccessful screenwriter, Joe Gillis, working together. Ultimately an uncomfortable relationship evolves between Norma and Joe that Joe does not want a part of. Sunset Boulevard starts off with an establishing shot from a high angle shot with a narrative leading to a crime scene shot in long shot (a dead body is found floating in a pool). The narrative throughout the film established a formalist film. Cinematography John F. Seitz used lighting and camera angles in such a way to create a loneliness and hopefulness atmosphere.
There are political tools concerned with issues of race and immigration and their methods of dealing with historical pressures and patterns, and they are altered to respond to specific social and political contexts, each of these is engaging aspects and processes. Alexander's reading sheds light on the reasons behind the variance in how drug use problem sufferers are portrayed. Emphasizing how race affects how policies are created and how behavior is criminalized. According to Alexander's reading, the racial group affected by addiction to drugs started
In the wildly popular Mexican film, Los olvidados (1950), Spanish director Luis Buñuel exposes the harsh realities of life in Mexico during the 1950’s. Luis Buñuel’s work on Los olvidados portrays a societal loss for all hope due to crime and violence as an infinitely vicious cycle, coupled with addressing the lack of reform for dilapidated living conditions throughout Mexico. In Los olvidados, Buñuel follows Pedro (Alfonso Mejía) a neglected bastard, and El Jaibo (Roberto Cobo) the leader of a gang of homeless children loitering in vacant lots. For Pedro, and the rest of the cast, a series of unfortunate outcomes have been strung together though common ignorance and a lack of self-control. Luis Buñuel’s use of focal length, editing, and dialogue
In his article, “Toward a Policy on Drugs,” Elliot Currie discusses “the magnitude and severity of our drug crisis” (para. 21), and how “no other country has anything resembling the American drug problem” (para. 21). The best way to describe America’s drug problem is that it is a hole continuously digs itself deeper. America’s drug issues were likely comparable to other country’s at one point in time, but today it can be blamed on the “street cultures” (para. 21) that continue to use and spread the use of illegal drugs. These street cultures transcend the common stereotype of drug users, such as low income communities in cities or welfare recipients, and can be found in every economic class and location. They are groups of people who have
The use of narcotics like cocaine, claimed many lives and earned widespread coverage by media and news. Following this Nancy Reagan began the “War on Drugs”, a campaign to combat pre-existing drug usage and prevent future
A Review of the Movie – TRAFFIC (2000) This film gives us an inside look at America 's war on drugs. It was told through the depiction of four separate stories that are connected in some way or another. The film begins in Mexico, where police officer Javier Rodriguez Rodriguez and his partner Manolo stop a drug transport and arrest the drivers. However, their arrest is interrupted by General Salazar, a high-ranking Mexican
The colors and lighting are very unchanging much like the town Endora. The only exception is when there are strong emotions within the film. There is a warm glow of lighting by the sunlight or fire whenever there is a time of love, be it brotherly or in a romantic way. During the melancholy times of the story, the lighting is either dim when it relates to death, but when a character is feels lost in their emotions the director
The protagonist is Nicolas Vidal. The antagonist is Judge Hidalgo. The point of view is omniscient limited as we can see into the thoughts of Casilda and Vidal, at certain points. The setting does not play an important role in the story. The most important literary element of the story is characterization, in which we find the characters’ strengths and weaknesses.
At some point of your life you meet very special people that carry very similar interests. This creates bonds that can be a very powerful and important part of your life. Some may say that bonds are created between a series of negative events that leads up to friendship. However, this is not true because in The Way, the main characters come together to walk the same path. Each character motivates each other to achieve the overall reason of why they wanted to walk The Camino De Santiago.
Therefore, the color can give audiences totally different feeling when the director use different type of color in different moments because the colors can present characters’ emotions even the characters do not need any
