The painting Angel with Arquebus, Asiel Timor Dei was created in 17th century C.E. by Master of Calamarca from Bolivia. He painted this piece using oil on canvas, and it currently hangs in Museo Nacional de Arte in La Paz, Bolivia. The painting is 160 centimeters tall by 110 centimeters wide. A man wearing an extravagant outfit is shown holding a gun. The outfit consists of long, heavy sleeves and a flared shirt bottom, with long boots as well as a hat with feathers. It is also predominantly a dark brown with designs of a gold border and a gold square pattern. The large gun the man holds points to the top right hand side of the painting. Shades of dark brown, orange, and gold are repeated frequently in the work. The texture of fabric is created …show more content…
Dark and warm colors are used throughout Angel with Arquebus and they give the different elements of the painting a sense of connectedness and harmony. There is emphasis placed on the clothing in the painting, as it is meticulously designed with small intricate gold patterns and extremely exaggerated in style. The sleeves are especially highlighted as they exhibit the most three dimensional quality in the whole painting. There is very subtle contrast in this work, as only minimal white and orange fabric is present in the outfit. The movement in this work leads the eye to the top right of the canvas where the gun is located, to see at whom or at what the gun is pointing at. There is very little space in this painting, as the background is mostly dark leaving the work with only a depth of two dimensions. In the background, the value of brown gets lighter only at the bottom of the painting, and shows the trace of a shadow indicating there is a faint light on the man. Repetition is only used to create an interesting pattern of clothing for the man. This work is a form of representational art since it presents a subject and objects from reality, which include the man, the gun (or arquebus), and the clothes as well. The presence of a gun (modern weaponry) suggests that this painting was from colonial South America and represents people from a higher status, based on the quality of clothing. The
Throughout this semester as a class we have gone over many different terminology, seen many artists from all different countries and time periods. We have also learned about different kinds of art and media that the Artist work with. Over the entire semester I have gained a greater appreciation and understanding for art. Taking all of the new information that I learned this semester I choose three pieces of artwork from the St. Louis Art Museum. Two are similar to each other and the other is very different.
Nicolas Enriquez’s piece titled The Virgin of Guadalupe with the Four Apparitions depicts the Virgin mother Mary as she revealed herself to a newly transformed Christian Native named Juan Diego. This 1773 painting is a reproduction of the 1531believed arheiropoeita of Virgin Mary when she descends on Mount Tepeyac and tells Indian Juan Diego to go inform the bishop that a temple shall be built for her. The Virgin of Guadalupe is an iconic piece of Catholicism in Mexico and holds religious and cultural importance to both Spaniards and the Natives of Mexico, such as the Nahuatl. Enriquez’s painting has several deviations from the original arheiropoetia, such as different color choice and addition of Nahuatl symbols, which portrays his painting
In addition to all the symbolic items in the portrait, there is also an incredible amount of detail put into Van Eyck’s piece. From the individual hairs on the dog, to the small scenes places around the convex mirror. These subtle details also bring a sense of realness to the painting by adding textures. Some
The oil on canvas painting measures 70 cm by 120 cm. The overall lighting is bright, making a cheerful feeling. The colors realistically reflect nature by using various shades of green, blue and brown. It gives a warm feeling, suggesting that it could have been painted in the summer.
Because of this color palette along with the dark colors in the painting, there is an antique feel to the
The painting is oil on canvas and contains an extensive amount of contrast. For example, the bright vermillion blanket against the dull eggshell colored door. The disparity between the colors used is prominent. Additionally, the fusion of ornate patterns and simplistic solids is evident. The tablecloth is a geometric mixture of cream and periwinkle.
Melvin Williams Arth 1381 Professor Zalman 13 November 2014 Visual Analysis The painting, The Basket Chair c.1885 by Berth Morisot, and the painting The Orange Trees c. 1878 by Gustave Caillebotte, are both magnificent and interesting pieces that I got the opportunity to see. The paintings are both wonderful pieces and their composition overall is very impressive. Both paintings have different aspects in the way the artist displayed modernism, formal characteristics, class and gender, and the subject matter of the painting itself.
Even the woman’s frame and posture seem to follow the lines created by the railings of the viewing box. The railings are also implied lines, the first thing our eyes go to is the woman, and then we follow the railings to the man who has his gaze set on the woman. The man’s gaze gives us implied lines that lead us back to the main focus of the painting, the woman. The artist also uses light and dark to guide our eyes to the important parts of the artwork. Most of the artwork is dark, while the woman and the man looking at her are in the light.
In the painting, the angel is standing behind the miser and shows him a crucifix in the window where light is shining through, trying to lead the miser away from evil
It has a dark undertone. The essential colors are black and gray. There are some specks of light blue and yellow surrounding the center. The visual look of the painting is distinctive because it does not display a landscape or focus on a particular thing- rather, it is just based on solid colors with non symmetrical, wavy
A varied balance between the symbolic and realism has been struck world over by the painting. In the fifteenth century Western painting began to turn from its age- old concern with spiritual realities towards an effort to combine this spiritual expression with as complete an imitation as possible of the outside
The mood of this painting is nurturing and humble. The painting is more life like the any other portrait of Mary and Jesus because Jesus does not have a halo on his head and his
This large unframed painting was originally intended to be light but as his palette had become darker he used a mixture of red, maroon and black instead. A large black horizontal rectangle overlays a base colour of maroon with two slimmer vertical maroon rectangles enclosed inside, suggesting a window like structure. The black form is a solid colour and the edges have been feathered and blurred into the areas of the maroon. Different pigments have been blended into the maroon, turning the colour from a deep wine to a muted mauve with tones of red, giving a sense of depth. The canvas was a single sheet of cotton duck material; this was tightly stretched and primed with a base coat which he made from powdered pigments mixed with rabbit skin glue.
The Archangel Haniel, the graceful and loving “Angel of Miracles,” hears all of our prayers, knows all of our desires, nurtures our deepest needs, and brings about amazing and miraculous events for our highest and greatest good. There is nothing beyond her capability to manifest as long as what we desire and are trying to manifest is in accordance with what is good and true and pure, and is truly for our highest good. As a healer and a member of the Divine Sisterhood, Haniel is an angelic mother figure, and although she works most closely with women and feminine issues, cycles, moods, and rhythms, she embraces all those who are in need of nurturing and mothering. She is the archangel of pregnancy and childbirth, and remains close during
The portrait represents the beauty of the time period. It holds simplistic colors with detailed shading. The artwork is very intriguing to me. I love the detail in the background, there are tiny brushstrokes that makes up the mountains and sky. Also, I find the shading of the mouth and eyes very interesting.