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Billy Collins’ “Introduction to Poetry”
This poem is exploring the subject of the Introduction to Literature of poetry as the means by which to study any form of a poem. There two viewpoints introduced that include the assessment of the speaker who depicts how he might want the audience to explore a poem; and the conclusion of the targeted readers who need to discover as fast as could reasonably be expected the meaning of the poem. The use of literary devices helps the poem take the shape it takes in the mind of the reader. For instance in the third line, Collins uses the phrase “like a color slide” to show how easy it is to grasp what a poet is about in the similar way they can see a picture. Color becomes
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As a matter of fact (taking a position far from the poet) the writer asserts that the understudies assault the poem just as it is deliberately keeping the message from them. He says that they ought not to freeze if they do not quickly comprehend the message. The speaker instead says they should pursue the poem with original understanding, and learners instead attack it "with a hose" (personification) for the message, which it would give them just treated it all the more tenderly. Additionally, the speaker informs learners, for the most part, face the poem and instantly start to break it down. Surprisingly, they get to be disappointed when they do not get the significance instantaneously as intended and attempt to constrain the importance out of the poem as opposed to giving it a chance to come to them in a step by step process. Forcing meaning from the first impression of the study will only make the process of studying it troublesome. The recommendation is that they should give it ample time to infiltrate into their minds instead of using complicated means that would ultimately be inefficient. Showing that the act of reading and understanding a poem is simple, Collins various examples of phrases including, holding up a colored slide, pressing an ear against a beehive, watching a mouse probe his way out of a maze, Feeling for a light switch in a dark room and Waterskiing across a lake. These phrases are compared with integrating poems. The use of “them” on the other hand, is used to refer to the audience or
The poem has a bit more of a nostalgic tone, as the author reflects on the sadness and joys of childhood. Billy Collins uses many literary devices, including similes, sensory imagery, and metaphors. All of these devices help the reader get the overall
This poem is about a young man that is in the midst of battle, trying to cross an open space of land to kill the enemy that is hiding in the “green hedge” in the distance, and all the while confused about what he is doing. He knows physically that he is charging at the enemy, but when he thinks about his reason for doing it, he has no answer for himself. He is ashamed of the “human dignity” that is “Dropped like luxuries” in the “cold clockwork” that he is participating. I felt a connection with this poem mostly in the line of “Listening between his footfalls for the reason of his still running” as I often find myself in the same situation as this man. During the school seasons in particular, I wonder sometimes why I do what teachers tells
¨DON’T CRY BECAUSE IT IS OVER, SMILE BECAUSE IT HAPPENED.¨ -Dr Seuss Don’t think about whatever happened is over, think about how wonderful it was when it happened. When you think about how fun or exciting that thing was, then you will be more happy. Don’t always think of everything being bad when it is over, be happy that you at least experienced it. ¨TURN YOUR FACE TO THE SUN AND LET THE SHADOWS FALL BEHIND YOU.¨ -Maori proverb Look toward the future and put your past behind you.
‘For What It’s Worth’ by Buffalo Springfield has a logical message because it is referring to the Sunset Strip Riots that took place in Hollywood during the 1960’s. People protested when they lost their civil rights due to a curfew law that was put into place. The song says, “Stop, children, what’s that sound. Everybody look- what’s going down?”
In “The Trouble with Poetry”, and “Introduction to Poetry” Billy Collins focuses on the issue of forced inspiration, and the lack of appreciation readers, and aspiring poets have for the feel of poetry. In “Introduction to Poetry”, Collins mentions that some poetry enthusiasts try too hard to find the meaning of a poem; to try and decipher it like some ancient hieroglyphics, that they forget that poetry is not an essay and does not necessarily have to have a distinct message. In stanza’s seven and eight, the speaker states that poetry should be felt, and that what one poem means to a group of people could have a completely different effect on another group. In stanza eight “Feel the walls” is the speaker’s ways of saying that one should feel a poem and let the poem speak to them, instead of searching for what they believe to be its true meaning.
In the poem Rain, Billy Collins’ establishes censorship relating to surveillance, creating societal issues, such as the deprivation of humanity extending to the destruction of the mind. The poet continues to construct negative connotations to the title, Rain, indicating the controlling metaphor as censorship’s effect spiraling into the negative impacts the populace faces discussed throughout the poem. Personification intends to reach the boundaries of nonliving objects into humanistic actions, for instance, “these birds have done nothing, a few protested. That is precisely the problem. The loudspeakers answered” (7-8).
I have interpreted these lines in one way, yet there are a million different possibilities. The author puts the words onto the paper, but the reader’s job is to interpret their own emotion, memory or belief and actually apply it to the poet’s words in order to create an
He could imagine his deception of this town “nestled in a paper landscape,” (Collins 534). This image of the speaker shows the first sign of his delusional ideas of the people in his town. Collins create a connection between the speaker’s teacher teaching life and retired life in lines five and six of the poem. These connections are “ chalk dust flurrying down in winter, nights dark as a blackboard,” which compares images that the readers can picture.
His confusion can relate to the reader’s first introduction to poetry as it could have been a frustrating experience to understand the rules of poetry.
It allows the author to visualize scenarios that go along with the reader’s purpose without specifically saying the reader’s purpose. It allows the reader to connect the dots and come to their own conclusion. Collins uses a ton of imagery to get is point across to the reader. One example from the passage is: “I say drop a mouse into a poem and watch him probe his way out.” In this sentence he gives us the picture of a mouse and a poem.
Revision of “On Turning Ten” Essay Growing up and living in the adult world requires responsibility, knowledge, and independence. A poem by Billy Collins, “On Turning Ten,” describes a young child as he attempts to grasp the concept of growing up and facing the harsh reality of adult life. The narrator uses a melancholy tone to argue that adult life is challenging, and the best way to cope with these challenges is to reminisce about young childhood memories. The young narrator is convinced that adult life will not be much fun.
How would you feel if someone could control what you were thinking? In “The Feed” written by M.T Anderson, everyone living in the community had a feed in their brain that was controlled by one large organization. Violet, the main character, suffers through a malfunction in her feed that changes the way she sees her society. Most people’s opinions can be changed when they have experienced the benefits and the disadvantages of something. Since Violet is aware of how life is with and without the feed, she becomes hesitant to believing that her community is being run efficiently.
Rina Morooka Mr Valera Language Arts Compare and Contrast essay on “The poet’s obligation”, “When I have fears that I may cease to be”, and “In my craft of sullen art” The three poems, “The poet’s obligation” by Neruda, “when I have fears that I may cease to be” by Keats, and “In my craft of sullen art” by Thomas, all share the similarity that they describe poets’ relationships with their poems. However, the three speakers in the three poems shared different views on their poetry; the speaker in Neruda’s poem believes that his poems which were born out of him stored creativity to people who lead busy and tiring life, and are in need of creativity, while the speaker in Keats’ poem believes that his poems are like tools to write down what
The poem A Step Away From Them by Frank O’Hara has five stanzas written in a free verse format with no distinguishable rhyme scheme or meter. The poem uses the following asymmetrical line structure “14-10-9-13-3” while using poetic devices such as enjambment, imagery, and allusion to create each stanza. A Step Away From Them occurs in one place, New York City. We know this because of the lines, “On/ to Times Square, / where the sign/blows smoke over my head” (13-14) and “the Manhattan Storage Warehouse.”
The poem, “Purity” shows a child approaching the speaker for her advice over the ducklings he is following. She gives him a brief instruction on how to help the mom duck and tells him not to touch the ducklings. The structure helps convey the detachment the speaker wants to have over the ducks as well as the disinterest the mom duck wants to have over her human touched ducklings. The structure of the poem affects the pace of it.