Chapter Assignment: Othello

Othello, the lead character in William Shakespeare’s play Othello, is done in by the same character attributes, which propelled him to become a great military leader. He has accomplished great victories in battle to the likes, of no others. He is held in high regard throughout the nations as one of the greatest military leaders and is called upon to fight in the most challenging battles successfully. There is no deterrence, by Othello even though his is not of the same race or from the same country, whom he defends. The characteristics of Othello includes passion, obligation, courage, jealousy and intelligence. These are great characteristics to have, but proves to eventually lead to Othello’s demise.

New Historicism is concerned with the political function of the literature and also the concept of

white have created conflict between the members of the play. Since the 16th century dictates that black people, or Moors, are inferior to white people, Othello is stuck in the darkness as an outsider; thus suggesting that interlopers are alone, not part of a community. Within these contrasting worlds, outsiders, like Othello, try to integrate into society, but can’t. For instance, this ingrained mindset portraying the inferiority of black people is further shown when Othello exclaims, “Her name, that was as fresh as Dian’s visage, is now begrimed and black / As mine own face.” Since Othello utters that since he is with Desdemona, her reputation “is now begrimed and black,” it presents how a black man can tarnish the “fresh” identity of a white women. Since Othello is accepted and praised as a war hero, but not accepted as lover, love becomes a barrier that leads to a tragedy. Societal expectations push people to the point where they try to surpass society’s norms. Though, when they reach this tipping point, tragedy will

Throughout Othello Shakespeare is able to pontificate about how it is often found that appearance is more highly valued than character, yet character is far more significant. This concept is epitomized when the Duke says to Brabantio, “And, noble signior / If virtue no delighted beauty lack / Your son-in-law is far more fair than black,” (1.3.284-286). In this quote the Duke is saying that if it is by the soul which people are judged then Othello is far more beautiful then he is black, for his virtue is far more prevalent than the color of his skin. When Brabantio goes on to ignore this advice, it is obvious how the characters of Othello ignorantly allow their perceptions of appearances to outweigh the true nature

As humans we all have been where rumors have been spread about us or where we do the opposite. They, however, all tend to do some harm to us and it can cause certain conflicts to occur during the process. Death can be the outcome of something like this because this did happen to three innocent people. They were all wrapped up in a bed of lies that ended their lives sooner than expected.

This is an analysis of the lines 260-279 of the third scene of the third act of Shakespeare’s Othello.

In both short stories Othello and Antigone are both tragic heroes, they do great things and have great power or strength. In Othello he was hated by some people they tricked him and made him to things that he would never do everything he has done and in the end and ends up dying from false manipulation For example, Othello defeated the Venice’s enemies. Antigone makes sure that a Theban right is a Theban due.

In the play Othello, by William Shakespeare we are introduced to Othello who is the protagonist and faces a lot of obstacles, one of them being betrayal. Throughout the whole play we witness betrayal from many of the characters through their irrational behavior and actions. However the biggest betrayal we see is from Iago, who is the antagonist, in other words, the villain of the play. Iago plans on having his revenge and betraying Othello, Desdemona, Cassio, Rodrigo and even his wife, Emilia. Betrayal is wrong and something that can’t be forgiven, at

When people of one race believe themselves to be superior to those of another, only catastrophe can result. In the sixteenth and seventeenth centuries, racism was extremely prevalent, and white supremacy was much more pronounced. In William Shakespeare’s play Othello, both covert and overt racism, assimilation, and jealous dispositions all foreshadow the untimely death of Desdemona and Othello.

During the Elizabethan Era, drama began to flourish in Western Europe. Plays have become more violent and dramatic as well as new ways of driving a performance. William Shakespeare’s Othello involves a man named Iago who wants to get revenge on Othello who is known as ‘the Moor of Venice’. Iago is able to get Othello to fully trust him and manipulates Othello to believe in false claims which eventually brings both of them to their downfall. A soliloquy acts as an aid to the audience in order to understand a character’s internal thoughts. Shakespeare utilizes this technique frequently throughout the performance especially for the antagonist for the play, Iago. The soliloquies enhance Iago’s villainous characteristics by giving him moments to

The following passage is significant to the play ‘Othello’ in retrospect to the plot progression, as it reiterates themes and introduces important facets to the plot development. Through Iago’s cunning manipulation and Shakespeare’s crafting of language, this passage is constructed as a pivotal point of the play, marking the transition of Othello’s personality and revealing his deepest insecurities that eventually lead to his downfall and tragic ending.

In the play Othello, by William Shakespeare, the title character is a valiant hero who is in love with his beautiful bride, Desdemona. The play’s villain, Iago, destroys this love by feeding Othello vicious lies about Desdemona, causing Othello to slowly go mad. By the end of the play, Othello, in a fit of jealous rage, murders his wife. This significant change in Othello’s character is not sudden; rather, it is a gradual transformation that takes place after a series of events that occur throughout the play. Othello’s character undergoes a significant change due to a series of events at the hands of Iago, the play’s antagonist to enhance the fact that even a valiant heroes can become corrupt.

The Power of Words is important in the play Othello. Words are used to show power in Othello, words are also used to show what the personality of the characters are and that is used to show the reader what the characters are like and lastly, words are used to have a conversation with the audience. Through the words in the play the audience can understand the play and also the audience knows most of the time what is going to happen before the characters know what is happening.

Act 3, Scene 3 of Shakespeare’s Othello embodies a pivotal point in the play, as it is a transition act that grounds the foundation of Iago’s development as an antagonist and the play’s development as a tragedy. In fact, Othello is written by William Shakespeare in the early 17th century. In Act 3 Scene 3, Iago begins his insinuations of an affair between Cassio and Desdemona, which petition Othello to consider the likelihood of Desdemona’s infidelity and Cassio’s disloyalty. In this particular scene, Shakespeare makes meticulous use of linguistic and dramatic techniques to characterise Iago as an scheming, deceptive and hypocritical antagonist.

The play of Othello is a tragedy that exposes the characters in several ways, causing conflict and envy, eventually leading to a tragic end. To achieve this tragic end, Iago uses manipulation in order to change the views of, and bring out multiple personalities in the characters.