Charles Foster Kane And The American Dream

I believe what Orson Welles is trying to portray through the movie Citizen Kane is the difficulty that goes into describing a person’s life after they have passed on. The reporter Thompson investigates Kane’s story and witnesses it unfold as it is told by those closest to him. Although this makes you wonder how different it would have been if Kane got to tell his own story rather than rely on the reminiscences of his colleagues because not a single one of these people knew or could figure out what drove Charles Foster Kane. The only person who could have fully understood Kane was Thatcher, but his concerns focused more on making money rather than the loneliness of a child. With each perspective we get on Kane’s life as well as the lack of his own point of view, it forces us to question what truly mattered in Kane’s life. With his last words and

I believe that basing the film on his life brought both advantages and disadvantages. To start off, I think the advantages of this was that Charles Foster Kane was such a recognizable character and people would be familiar with who William Randolph Hearst. That when people watched this film, the audience will go out after watching it and talk about it more, getting lots of press. But also, the disadvantage was that Hearst did not want this film to get views, so he banned/prohibited the film to be advertized and mentioned in any way. From the film not getting publicity, this led to people thinking that the film was a bad move, which probably made the views drop down. I think that creating a film based off a well known public figure, Orson Welles

The American Dream is a national ethos of the United States, which is a belief that anyone, regardless of their social class and the situation they are born into, is given opportunities to achieve their own version of success. It is emphasized that American dream is achieved through sacrifice and hard work, not just by chance. This meant to motivate Americans to attain prosperity and happiness. However, there is an ironic interplay between idealism and materialism in this statement of American Dream; the dream suggests hope, opportunity and equality, but in reality, it is to become rich and of higher social status, which is only

One valuable thing about the American way of life is that people are in control of their destinies. One may be born in a poverty-stricken family, but become a billionaire 40 years later.
 One more pillar of the American Dream is based upon the assumption

The Film Citizen Kane was a groundbreaking film in the 1940’s, the way Orson Wells depicts his film with different lighting, cinematography, choice of camera shots and mise-en-scene throughout this movie truly showed the masterpiece that this film is. In the Film Citizen Kane, it was the first movie that went against true Hollywood cinema by introducing flashbacks throughout the movie to show us how Charles Foster Kane changes throughout the movie. Throughout this movie the audience can see how Charles Foster Kane undergoes a variety of physical and emotional changes from when he was just a young boy all the way until his unfortunate death.

The protagonist is continuously isolated from the rest of the world around him, whether it was in his childhood or adulthood. The cinematography in Citizen Kane furthermore demonstrates the isolation he was going through. In one scene, we see Kane his childhood playing alone in the outside; the camera creates a divided shot on him and his mother with Mr. Thatcher, as they plan to send him away from home. Another scene is where; Kane is sitting by himself in the center of a room surrounded by men suited up, watching him as he opens a gift from Thatcher at his office. Kane’s isolation follows him through into his adulthood, where he is found sitting on his own in his newspaper office amongst a celebration in his honor. The camera

There are many things that make “Citizen Kane” considered as possibly one of the greatest films every made; to the eyes of the passive audience this film may not seem the most amazing, most people being accustomed to the classical Hollywood style, but to the audience with an eye for the complex, “Citizen Kane” breaks the traditional Hollywood mold and forges its own path for the better.

Orson Welles 1941 film, Citizen Kane, depicts the American dream through the protagonist Charles Foster Kane. In the film, Orson Welles relies heavily on his understanding of the audience by using pathos and ethos in order to convince them of his purpose for writing the film.

Citizen Kane challenged the traditional narrative and technical elements of classic Hollywood cinema mainly in the area of sound. Orson Welles was ahead of his time when he created his works of manipulating sound to transfer meaning in the film Citizen Kane. Welles used concealed hanging microphones to obtain different levels of sound throughout the film. The manner, in which the story was told, from Kane’s death flashbacked to his life of success and ultimate failure, was also a new style of storytelling for films. Welles also used symbolism with his last mumbling word “Rosebud.” As I read more the full synopsis of the movie, I learned that his last word “Rosebud” was actually the sled that he played with as a boy prior to his mother sending

Citizen Kane by Orson Welles is a cinematic classic, released in 1941. Citizen Kane challenged traditional narrative and technical elements of classic Hollywood cinema. Kane was narrated by several people that include their take on Kane’s life. The story unfolds by many flashbacks and is told by different perspectives over the years through different narrations. Charles Foster Kane was a millionaire, head of newspapers and died saying “rosebud”. The story focuses on telling about Kane but is about a reporter trying to seek what and why his last words meant. A reporter, Thompson was trying to seek why Kane’s last words were rosebud and what it was. The reporter interviewed people such as Mr. Jedediah Leland who was his friend until he was fired from the newspaper after transferring to Chicago to take care of that newspaper. Jedediah was fired after he was found to be face down on his typewriter writing a review of Susan and her horrific performance. Kane’s

The picture perfect life that the American Dream promotes is unrealistic and superficial because money is unable to fill the void of happiness or love. Contrary to earlier days, we now life in a time when even a strong work-ethic does not guarantee money, success or opportunities. While many are so ensorcelled by the illusions of the American Dream, we often fail to realize its falsity and constraints. Whether financially or socially, the society coaxes in the unsuspecting American dreamer, only to then spit them out in a wave of despair, failure and hopelessness. As demonstrated by numerous non-conformist individuals, the Dream lies not in the realm of materialism but rather in that of the intangible; often requiring an extreme leap of faith

Citizen Kane (Welles, 1941) challenged traditional narrative and technical elements of classic Hollywood cinema through techniques in cinematography, mise-en-scene and lighting. The mise-en-scene build of Citizen Kane is the pivoting point of the narrative forthcoming and Welles uses every technical element encompassed in this build to span his narrative across 60 years of Charles Foster Kane, the main character 's life.

Orson Welles, director of “Citizen Kane”, is well known for his unusual directing methods that defied conventional cinematic techniques. Welles provided his audience with original forms of cinematography, narrative structures, and music. The scene I chose to analyze is extremely important to the plot of the film because Kane begins to realize that he is going through some serious financial problems. During the scene, Kane maintains a sarcastic mood, until he finally decides to surrender and signs the papers that transfer the ownership of his media empire to Mr. Thatcher. Throughout the film, Welles uses unusual arrangements of music that creates suspense for the audience. The main thesis of this scene is the myth

The play Macbeth by William Shakespeare and 1941 film Citizen Kane possess many similarities in themes and characters, despite the completely different settings and plots. Both main characters are ambitious and determined to achieve a goal, even to a certain point where they lose everything truly meaningful to them. While Macbeth strives to become king of Scotland, Charles Foster Kane attempts to become popular and influential. Both Macbeth and Citizen Kane desire to be powerful members of their respective societies and receive respect and recognition from their acquaintances. In both works, they acquired everything they thought they wanted, yet realised they could not have what they truly desired, essentially ending up with “nothing of value”.

The famous international ideal of the “American Dream” is well desired worldwide. In turn, it acts almost as if it's a magnet attracting new immigrants to America each day. So what exactly is the “American Dream?” Hard to say. It can only be decided by the one in search of it. Some believe that it entails to the security of their lives. Not just financially but also to the intangible rewards like the rights to equality and freedom. Do these people come to find what they're looking for? Not all of them. This dream is sought by many but found by some. Not because it's an impossible task but because it has its qualifications. Some believe all it takes is hard work. Not necessarily. Although hard work is a key component to achieving this “dream,” opportunity is the essential factor needed to actually fulfill it.