There are many artists who have contributed to the art world. Some have accomplished more than others, learning science, math, and engineering along with their art profession. Some artists were dyslexic, never able to write an essay but posses the ability to draw beautifully. All of these artists are amazing at their profession, none of them any better than the others. This is why one can’t judge artists based on their skill alone, both style and popularity affect their work.
Throughout this semester as a class we have gone over many different terminology, seen many artists from all different countries and time periods. We have also learned about different kinds of art and media that the Artist work with. Over the entire semester I have gained a greater appreciation and understanding for art. Taking all of the new information that I learned this semester I choose three pieces of artwork from the St. Louis Art Museum. Two are similar to each other and the other is very different. The three pieces that I choose to critique are called Keith, Betty and Loch Lomond.
The two works of art I will be comparing art "Battle of Centaurs and Wild Beasts" found in chapter six page 198, and "Death and the Matron" found in chapter 22 page 689. These two works of art were created roughly 1400 years apart, these two pieces also both have connections to Germany, "Battle of Centaurs and Wild Beasts" is now housed in Berlin, and "Death and the Matron" was created by a German artist in a town located on the French, German, and Swiss border. Though at first glance these two works of art might appear to have two different subjects, upon further inspection they are similar not only in origin but also in content. Both of these are beautiful works of art that feature death and the main focus, the subject, of the art.
In both “The Dinner Party” by Judy Chicago and “The Vietnam Veterans Memorial” by Maya Lin, there are some striking similarities in composition. These similarities can be noticed through the layout and subject matter of each piece. However, there are still contrasting ideas on how the artists views differentiate through personal feelings.
At a first glance, it is apparent that Titian’s Venus of Urbino and Cranach’s Nymph of the Spring share many similarities. One major similarity between these two pieces is the time period in which both were made in. Titian’s Venus of Urbino was made in 1538 while Cranach’s Nymph of the Spring was created around the year 1537. Both paintings depict women laying down comfortably in the nude as the main subjects of each piece. Both pieces could be considered portraits of these women.
Howling Wolf and John Taylor both created amazing works of art. Most in particular would be The Treaty Signing at Medicine Lodge Creek. Both pieces portrayed similar content but the form and point of view was different. John Taylor was a journalist and Howling Wolf was the son of the Cheyenne Chief Eagle Head. Two men from very different cultures created images based on their knowledge of the event but in a style that represented their background. One image is seen as more representational while the other is seen as more abstract. There is no right or wrong way in which the images could have been made, both depict the same story.
Jessica Mitford’s, “Behind the Formaldehyde Curtain,” is an assertive account of the true realisms involving embalming. Jessica Mitford takes a bold stand against the funeral industry and states that people are “blissfully ignorant” (Mitford 310) on preserving people. Ultimately, Jessica Mitford’s argumentative essay is successful due to her very somber but informative and organized tone, her style using dark vivid imagery and quotations make her claims credible.
Despite the belief that one can live forever, death is certain. Edgar Allen Poe wrote his short story, “The Masque of the Red Death” with a greater meaning than simply the Red Death, or plague. He wrote this story, symbolizing the stages of life. In “The Masque of the Red Death”, Poe uses the symbols of the hallway, the rooms, and the braziers, to enhance the allegory, and to show how death is inevitable and one can not spend their life worrying about it.
Before analysing further into these figures, It is best to understand who Picasso is, and the historical & personal context of the painting. Picasso was one of the most influential and
William Shakespeare wrote Hamlet around 1600, telling the story of a prince dealing with the death of his father and the quick remarriage of his mother to his uncle. The play uses mental health, both real and faked, as a way to show human behavior. Commonly studied in high schools all over America, this tale has had a profound effect on the way mental health is viewed.
The Dark Ages. The Golden Ages. They seem to be polar opposites, and in some ways, they are. However, they do have things in common. The Middle Ages (or the dark ages) was followed by the Italian Renaissance (the golden ages). As they say: like father like son. Right now, the Middle Ages is the father of the Italian Renaissance, and I am going to show you their likenesses.
The affordances of the specific medium chosen helps to assist the narrative in different ways. Film and text are two examples of different types of media that can be used. One could compare Erik Larson’s book The Devil in the White City and Christopher Nolan’s film Memento. The comparison of these two media, which both show the protagonists committing murder, is able to portray the advantages and disadvantages of each medium. By comparing the murder scenes in each of these works, one is able to define the aspects in which each medium succeeds or fails.
The first social function of art is when artists create places for some human purpose. Some reasons are for memories, others are for just sitting around and talking. A big thing that all artists create this with is the intention for people to gather at them and bring people closer together. One example is Stonehenge, which they think was created for a community gathering for that community to perform rituals. People in my generation may not know what Stonehenge is, but most of us through family members or either visiting it will know of the Vietnam Veterans Memorial. The book talks about the Vietnam Veterans Memorial, and how at the beginning people will barley notice the wall, but once you get walking further, the wall keeps growing, soon taller than the visitors with names upon names. This wall has a few unique features to it, one being that the path is downward sloping so the wall is built the same height all around with a level top. Another being that at the beginning it goes unnoticed, just like the war did when it was first starting out. The last is at the end, where the path slopes back upwards, after you turn a corner, you are either drawn to the Washington Monument or the Lincoln Memorial,
Each sculpture shows the creativty between the two artist. The sculptures tells a story as well paints a picture. They both depicts the thrower about to release his discus. The torso shows the muscular description in motion from other sculptures. They show humanism which characteriz mankind of society. The thower is showing perfect form that allows the viewer to watch the throw be a success. The body and technique demonstrate perfection in its back and legs.
This shows the juxtaposition of Incompatible objects that was a key component of the surrealist era. When the man arrives at the inn there is a lot of eye threatening imagery that relates to darkness. In this story there is a lot of frost imagery and explains the difference between the conscious and subconscious with the scene of the mirror. During this story he is narrating the events through surrealist imagery such as dream imagery and there is a sense of rupture when he shows the duet of thorns and violent. He paints the picture of the woman with her eyes on a tray and the sense of damage to the eyes is a Freudian idea and links in with the previous works of Dali and Buñuel. He gave the governor of Syracuse a moustache to make him look horrible to indicate he was the awful man that killed and blinded Saint