To commemorate the death of William Shakespeare, the Kuala Lumpur Performing Arts Centre (KLPAC) has staged Coriolanus, directed by Kelvin Wong and Andrew Peters. Coriolanus is less performed compared to other plays by Shakespeare such as Macbeth, Romeo and Juliet or A Midsummer’s Night’s Dream. This play is different from his other plays as it is more of a political play, probably less played due to the political and public issues which are too sensitive. This epic Roman play was staged in Kuala Lumpur in a small-scale theatre with only about fifty seats but it was indeed a memorable play. Coriolanus is a tragedy which follows the story of Roman war leader, Caius Marcius. Caius is given the name Coriolanus after defeating the Volscian. As Coriolanus becomes more active in politics, seen as a hero and loved by the people of Rome, he is given consulship. Meanwhile, the Royal Tribunes condemn Coriolanus for being a traitor and convince the …show more content…
The guy who played Menenius (Douglas Wong) should be replaced. Although Coriolanus marks Wong’s debut in a Shakespeare play, his English was a bit too off for something so prestigious. It may be forgivable for some but his pronunciation may be confusing and it really brings down the rating of the production. Wong also lacks confidence and there were times where a shadow of doubt could be seen on his face when he was saying those lines. Menenius who is supposed to bring humor to the play becomes a character the audiences wish to see less due to his inability to say his lines well. Next, the lack of sound effects throughout the play also bore the audiences. The occasional sound effects, only during the battle scenes, were a bit too plain. There were also lack of music during the non-fighting scenes and although the characters spoke their lines with power, the play gets a bit boring. Since the dialogues were long, a bit of sound effects and music would be
Bulrusher is the first production that I personally have been involved with at the University of Southern Mississippi. For this reason, I was really excited about the production from the very beginning. However, when I first read the script, I was a bit disappointed. The script moves rather slowly, lacks action, and explores its themes mainly through dialogue. Initially, I found the script difficult to understand, particularly due to the sporadic use of a virtually unknown colloquial language, and I was somewhat concerned about whether or not the audience was going to understand the themes behind the play.
On October 24th, 2015 at 3:00PM in the Tarbutton Theater, I attended the showing of the play Wit by Margaret Edson, performed by Oxford College students and directed by Dr. Clark Lemons. This one act play followed a middle-aged woman named Vivian Bearing who was diagnosed with stage 4 metastatic ovarian cancer. She reflects back on various aspects of her life throughout the play during her time at the hospital and through this the audience finds out more about what kind of person she is, who influenced her to become who she is, and how the doctors and nurses treat her as they try to save her life. This play was represented extremely well over all, starting with the set design. The stage props and design was minimal but the way they were carried on and off stage in a swift manner was greatly accomplished.
The Drowsy Chaperone was a very successful musical, and I enjoyed watching the different themes. The cast did an amazing job dancing, singing, acting, and remembering their lines. As I watched, I was truly amazed at how well the play 's layout was done, including the set, props, and lighting. The play was done so well, that I barely noticed any mistakes. The characters made successful physical choices which created the perfect play.
Unfortunately, their lives were in vain since their deaths did not affect Rome in any way. In the play, the main character, Julius Caesar was a Roman general and statesman who was well-educated bright, and overall, intelligent. Whenever Julius had to give a speech, Romans would listen attentively, hanging onto his every word. Although several conspirators feared that Caesar would lead Rome to a dictatorship, Caesar had no ill will and showed no signs of
Evaluate the Thematic Uses of Fire Imagery in Fahrenheit 451 and Julius Caesar William Shakespeare’s Julius Caesar was first performed in 1599 in the newly constructed ‘Globe Theatre’, in London. The plot is based on the Sir Thomas North’s ‘The lives of noble Grecians and Romanes’ this being in itself a translation of Greek bibliographer Plutarch’s ‘Parallel Lives’. The play follows the assassination of Julius Caesar in 44BC and the subsequent civic uprising and chaos. The main theme in Julius Caesar is the vicious battle for power; the play also explores ideas of responsibility, moral duty, loyalty, friendship and trust. Ray Bradbury’s
The cast of the play are unaware of the audience, however, the audience is able to listen to dialogue that occurs throughout the theater, whether it is in the headsets between technicians, on stage between the actors playing their characters in the play and between the director and actors who make adjustments when necessary. The third fourth wall was at its edge of breaking, where the audience is almost unable to tell whether what they are experiencing is real or not. As an observer of the rehearsal of this play, this wall was broken when I understood that what I was watching was a rehersal of a play, of a rehearsal of a play. It was difficult to describe or understand when the cast of 10 out of 12 were actually in or out of character. The complexity of this play lies in the use of metatheatre, which has been exploited to its fullest extent
The spots that call for song are interesting because they lighten each one and provide a bit of comic relief. In the third act likewise the musical aspect helps take away from the serious nature of what’s going on and understand the world the play takes place in. In the third act, Mr. Burns is preparing to kill Bart, which in nature is a serious thing; however, there is singing that takes place. This distracts from the serious nature of the scene. The play’s sounds all have an essential role in
On March 28th, I had the pleasure of attending the Broadway show called “The Play That Goes Wrong,” located at the Lycuem Theatre on 149 West 45th Street. On this particular Tuesday evening, I just had a vibe that something wrong was going to happen in this play – shockingly. I did believe this play will truly be memorable judging by the fun quirk of the show’s name. After watching the performance for about two hours, I can conclude that this play went beyond my expectation as its set disasters and characters amusingly caught the attention of me and the rest of the audience.
The tragedy of the tale Coriolanus can be interpreted as the imminent downfall of a hero, in which leads to his loss of status and his inevitable, but untimely death. Throughout this prose, the complex dynamic of influence and stature between conflicting characters creates a convoluted investigation as to who is really to blame for his tragic death. In Langis’ analysis of “Coriolanus”, she postulates that Virgilia’s ‘insistent femininity’ (Coriolanus: Inordinate Passions and Powers in Personal and Political Governance, 19) and her sincere and innocent presence within Coriolanus’ life plays the most crucial role in the evolution of this tragedy. However, I would argue that Volumnia’s presence, instead of Virgilia’s, is more significant within
The Long Christmas Ride Home by Paula Vogel is a play about a family of five, and their experience on Christmas day, as well as the future of the three children. I believe that this was meant to take place in the early-sixties to the late-seventies because of the mother’s housewife role in the play, and the way the grandfather would accept the mistreatment of his own daughter from her husband, but would stand up for the mistreatment of his grandson—a clearly sexist view that would not be accepted in today’s society. Another hint about the time period is that Stephen died from a disease contracted during sex, one that eventually killed him. This makes me think that this was before or during the AIDS epidemic. The children are Rebecca, age twelve,
Julius Caesar, is a play based on the true events that occurred in Roman history. The play follows the fictional lives of Caesar and his people leading up to, and after his assassination. Several characters can be labeled as both villainous and heroic at different points in the play due to their actions, however, this does not apply to the character of Marcus Junius Brutus, who remains a hero through the entire play. Brutus is a hero for several reasons, The first reason Brutus is considered to be a hero is because he continuously stands up for what he believes in. Secondly, it is clear that Brutus is a hero because he kills himself as a sacrifice to the roman public.
“William Shakespeare’s Impact on Theater” says that “Theater, in particular, has experienced many changes due to his influence,” and without any major influence like Shakespeare to guide the changes of theater, it would be extremely different (Octane 1). Shakespeare introduced many new elements to theater because of how his writing was unique in his time period. Despite this, his writing appealed to many different audiences. For instance, Octane says that “The way in which Shakespeare’s plots move forward has helped define modern play-writing. Similarly, Shakespeare’s complex characterizations have brought forth a new type of storytelling in which characters’ choices drive plots forward” and “His plays were often imbued with universal truths of human existence, rather than acting as mirrors of the privileged life.
Most people never would consider Centre, Alabama, a small sleepy Southern town with a laid back atmosphere that could put an incurable insomniac to sleep, home to a thriving community theatre. Theatre Centre provides entertainment, wonder, dread, and happiness for all who witness it. I have loved and adored the theatre ever since I was a small child, performing in every play I could. Standing on stage fills me with a sense of pride and happiness that can be found nowhere else in the world. I love theatre, and even though the theatre I love more than any other thrives in a small town in Alabama, I still have a wonderful experience every time I go.
The stage directions are not so descriptive. The setting is described in two lines and the characters are little described. They are limited to describe the actions of the characters. There are sound effects such as the bell that sounds at the end of the play and lightning effects such as the fade out that occurs at the end of each
In the twenty-first century, the plays of William Shakespeare may at first appear dated and irrelevant: they use archaic language, are set in the age of Kings and Queens, and the Kingdom of England. However, it would be plainly mistaken to construe that Shakespeare’s works do not still remain integral to a twenty-first century society. Shakespeare’s plays gave the words and expressions one uses every day, revolutionized the art of theater as it was known, and forewarned about issues that would unknowingly still apply centuries later. Therefore, Shakespeare has had a profound effect on our lives by enriching our language and culture, as well as providing ideas that would still apply five centuries later, and it would thus behoove us to learn from his works and life.