One's Cultural Identity Everyone's culture differs, it is one way that distinguishes one from others. It is acquired, everyone is raised from it, and it determines the way one view the world and others. Imagine being in place with others that have different perspective of culture. Culture greatly informs the way one views the world and others. Ones behavior can be affected by culture as well. Based on numerous essays on cultural identity, we can see the extent of each culture from multiple characters. In "An Indian Father's Plea" by Robert Lake, Robert Lake shows a character name Wind-Wolf who faces a public school. Just like any others who's acquired with different culture, Wind-Wolf realizes that kids in the school are very much …show more content…
As far as Wind-Wolf's behavior, he has to adjust to a new culture, which is completely different from his original culture. With his Indian culture beside, it's more challenging for Wind-Wolf to slowly fit into the culture surrounding him. outside of how he was raised. A person may view the world and others as faulty or even judge other individuals based on their cultural lenses. "Two Kinds" by Amy Tan is a personal essay that was written about a mother and daughter. Daughter named Jing Mei was born Chinese prodigy with an high expectation from her mother. "America was where all my mother's hope lay" (18). The mother viewed her daughter with an high hope of prosperous. Seeking only through her own thought, it started to become transparent of mother's cultural identity on having a thriving child for her generation. "Only two kinds of daughters.. those who are obedient and those who follow their own mind" (24). The mother shows her strictness towards Jing Mei for her to follow and obey. For Jing Mei, her belief of being herself stands out to her. The two character's point of view on the world are very unlike, Jing Mei believes of being herself nevertheless what the mother forces her to
(Vanity Fair) Jing-mei’s mother is always bossing her around to make sure that she will have a good future. It is not just the children who have weights on their backs, it is also the parents. “It’s about giving your kids a better life-- as if parenting didn’t come with enough pressures already.” (Vanity Fair) Jing-mei’s mother has a lot of pressure on her because she does not want to be embarrassed by other parents who are better at parenting than she is. She is always trying to make sure her daughter is better than the other kids.
Being surrounded by people of different cultural backgrounds can be overwhelming as shown in “When Worlds Collide” by Pico Iyer, and the way a person perceives them is influenced by their own culture. Although there are many factors that affect an individual’s perspective of the world, culture always shapes perception because it introduces a basis for what is usual in life and what is uncommon in their eyes. In An Indian Father’s Plea, culture strongly influences Wind-Wolf, the speaker’s son, in all aspects of his life. Wind-Wolf has been raised with certain values that have changed the way he interacts with others.
When Jing-mei is young she ignore her mother’s hopes, but as she grows up she finds herself by understanding those hopes of her mother; as for Junior he finds himself by searching the white-part within himself, however, both of them go on the journey not only physical, but also spiritual to find who they are and Jing-mei finds her Chinese part on the journey. By looking inside herself and
This “organization” of the first half of the story is key to allow the reader to really delve into each character’s story, personality, traits, and their cultural aspects. Now, what this essay will focus on will be the effects that these character’s different cultures take on each other (mothers versus daughters, Chinese culture versus American, respectively), something that a reader might understand and accept as a legitimate question, seeing as all mothers were born and raised in Chinese culture and all daughters had the same experience but with American ways. In the first chapter, “Jing-Mei Woo: The Joy Luck Club”, of the first section of the book, “FEATHERS FROM A THOUSAND LI AWAY”, the reader can identify a not-so-crucial but still noticeable clash between cultures. This is found in a line said by Jing-Mei Woo about her mother Suyuan Woo.
Jing Mei's mother believes "you could be anything you want in america". Mother believes that since America is a free country you can do anything . In reality you can't because there are rules and because everyone judges you. For your appearance ,culture,religion etc . Mother has always wanted jing mei to become "Shirley Temple" .
Jing Mei’s responses to her amassed stress instigated by her mother is often superfluous, where she always attempts to develop her identity, as she failed to comprehend the major perceived severity and benefits. For instance, when her mother “presented her tests, I performed listlessly, my head propped on one arm. I pretended to be bored. And I was” (182). This emphasizes the datum that Jing Mei was not able to understand and appreciate her mother’s goodwill of wanting her to be prosperous in her future.
Culture is the building block for life. It sets society's standards, it sets our own standards, and everything we know is all because of our culture. Culture is a way of thinking, a way of behaving and learning. We express our opinions based upon our beliefs, and define ourselves by what aspects of our culture we choose to show. Culture's impact on someone's perspective of others and the world is greater than its other influencers because it can change how you interact with people, your ability to change, and your opinions of the world.
(Lake,Robert. An Indian Father’s Plea. Pg.78 paragraph 4.) This quote from the book would help people understand why people view others and the world differently because wind-wolf grew up with a tribe so
The Chinese culture, that is exhibited in the high expectations of the mother, and the American culture, where anyone can be a star, form together to create a harsh childhood for Jing- Mei. The difficult upbringing of Jing- Mei can be contributed to the mother's actions. The mother has a blurry image of the American Dream, and believes that anyone can be a prodigy as long as they try. While this may be true, she is forgetting that prodigies are geniuses born loving what they do, something not seen in Jing- Mei’s piano skills. For example, Jing- Mei states that “[Old Wong] taught me all these things, and that was how I also learned I could be lazy and get away with mistakes, lots of mistakes” (197).
In The Joy Luck Club, written by Amy Tan, we are introduced to Suyuan and her daughter Jing-Mei “June” Woo. As with any relationship, there is conflict between Suyuan Woo and her daughter, as it seems that Jing-Mei doesn’t understand her mother’s Chinese culture and ambitions. In the Chinese culture, women are seen as inferior and often lack basic rights such as the right to marriage or financial holdings, thus deprived of their potential. This is why the rights in the U.S. are seen as privileges to Chinese women, among other minorities, and why Suyuan endeavored for her daughter to become a prodigy and excel in anything and everything. Yet as Jing-Mei was forced into this ideal, and the more her mother tried to enforce this idea, the further she begun to despise her mother for attempting to turn her into a “fraud”.
A person's view on culture heavily influence how one sees and views the world around them. People are influenced by the cultures surrounding them as well as where they live. In the personal essay Two Ways to Belong in America ,written by Bharati Mukherjee, Bharati and her sister Mira were both born in Calcutta, India , but later moved to the United States. Bharati loved America and said "I am an American citizen and she is not" speaking to how she had embraced and been influenced by her surroundings but her sister had not.
Suyuan, Jing-Mei's mother, sees America as a land of success wanting her daughter to take every advantage of the opportunities this land has to offer; she gave her
Jing-Mei from when she first introduces she is reflecting on her Chinese heritage. She remembers once telling her mother, Suyuan, that she does not feel Chinese and that her lifestyle in California has little connection to her Chinese heritage. During Canning’s and Jing-Mei’s visit with his relatives, Jing-Mei learns more about her family history and begins to feel a stronger connection to her Chinese roots. Late one night, Jing-Mei talks with her father about her mother’s past.
This peculiarly specific list showed that as a first-generation American, she was constantly scrutinizing the small actions that her mother demonstrated, and she was embarrassed, although it is not likely anyone else ever noticed. However, as she got older, Jing-Mei realized the fact that she was “becoming Chinese.” She still did not truly understand her mother or the beauty of Chinese culture, but her acceptance was the first step of the long excursion of
Jing Mei, while portrayed as an obedient child, is only willing to listen to her mother to a certain extent. Throughout the story, it is consistently hinted that Jing Mei would eventually explode against her mother as an attempt to free herself from her mother’s chains. In addition, after the fiasco at the piano recital, she eventually derives further from her mother’s wishes as she “didn 't get straight A...didn 't become class president...didn 't get into Stanford...dropped out of college.” (54). On the flip side, Jing Mei’s mother is a stereotypical Chinese parent who is fully determined to ensure her daughter’s success in a new environment.