At the beginning of the book, we witness Montag entering a stage of panic. We see Montag suffering a panic attack, where rush thinking attacks him mentally and physically. For, the character Montag this would be the first time experiences such a rush of thinking. This marks an important event in Montag's life. After suffering this panic attack, Bradbury allows us to see Montag thinking more clearly and listening to his surroundings more. Bradbury expresses this event is the start of Montag changing mentally, a show of Montag's character growth.
After seeing Mildred, Montag’s wife tries to commit suicide and sees Clarisse’s family laugh with true joy “not forced in any way”. This makes Montag’s thoughts clash with other thoughts. “One drop of rain”, though. “One drop of rain. Mildred,”
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During his panic attack, he felt fear and panic, “which is a new feeling to him, since he never truly felt anything. By the end of his panic attack, he knows nothing anymore”. Bradbury allows this event to change Montag to open his mind to think more clearly and see things he never saw before. The next day, Montag wakes up asking Mildred if “you are alright?” Bradbury lets us see a change in Montag, he cares for Mildred. Something new to Montag since his relationship with Mildred is always dead. When heading for work, he sees Clarrise walking in the rain. "I don't think I'd like that” (19) Montag claims this because he thinks Clarrise is crazy. After Clarrise leaves, “slowly, as he walked, he tilted his head back in the rain, for just a few moments, and opened his mouth” (21). Bradbury shows how Montag has changed. The irony of Montag claiming Clarrise is crazy for liking the taste of rain, then him following the same steps. Montag is now more open and does things he never thought about doing. Bradbury shows this is the start of Montag's character development, Montag being “crazy” like
This is a use of plot development from Ray Bradbury. He writes of Montag meeting Clarisse, and she changes his life as well as the story. He also writes about Montag wanting to give up everything including his job because his opinion is changing. When Montag first meets Clarisse, he is just like everyone else, he doesn’t have an opinion and does what he is told. He is not free nor independent.
When Montag is thinking about how the engineers are pumping out Mildred’s stomach and not caring about what might happen to her “And he remembered thinking then that if she died, he was certain he wouldn't cry." (Bradbury, 41).” Montag thinks about this because even though he is married to her he still doesn’t truly know or care about her, he just sees her as a stranger. When Montag is walking with the people he met on the railroad track Montag says "It's strange, I don't miss her, it's strange I don't feel much of anything," said Montag. "Even if she dies, I realized a moment ago, I don't think I'll feel sad.
Through the course of the book Montag learns he is lonely, unhappy and conflicted. Montag is usually stuck at home with his wife Mildred who ignores him all day or he is at work with the other fireman waiting anxiously for a call about someone with books. When Montag meets a 17 year old girl named Clarisse she opens his eyes up to the harsh reality of the world and makes him realize that he is unhappy with his life. At the beginning of the book he tells us “It never went away, that smile, it never went away, as long as he remembered.
Because the reader is more knowledgeable about the character and can predict how Montag will change, Bradbury creates a moment of dramatic irony by showing Montag's interest in Clarisse. Montag begins to recognize the limitations of his prior self, this is the turning point in his change. Furthermore, As Montag reflects on his conversations with Clarisse, he tells Mildred, “She was the first person in a good many years I've really liked. She was the first person I can remember who looked straight at me as if I counted” (68). Montag conveys his loneliness and social isolation at the beginning of the book through his reflection on his chats with Clarisse.
Just as Montag and Clarisse were getting closer, she suddenly passes away which comes as a complete shock to him. “He had chills and fever in the morning,” Montag felt physically ill after hearing about the news of Clarisse’s death. He hears about her death from Mildred who supposedly forgot to tell him. He is taken aback by this and continues to question her as he can not seem to process this. This motivates him as he does not want to live a meaningless life where he will just die.
In chapter one, “The Hearth and the Salamander”, Montag starts to question the world around him through his interactions with Clarisse, Captain Beatty, and Mildred. For example, as Montag walks home from the fire station,
About something important, about something real?” Bradbury portrays Montag as someone who is beginning to become aware of what is around him. During the course of meeting with Clarrise he finds different things in his life that he never knew were there. Montag is realizing how distraction is
Montag was never really happy with Mildred, his happiness was a mask he didn't know about. The mask had been taken off when Montag's true colors were shown. Mildred wasn't much of a wife, or friend, to Montag. Mildred was only an acquaintance to Montag, as Montag didn't feel devastated for long. ¨Mildred, leaning anxiously nervously, as if to plunge, drop, fall into that swarming immensity of color to drown in its bright happiness.¨ (Bradbury 152)
Montag's experiences with hollow, toxic relationships in his local community represent how an absence of real bonding purges away human qualities such as love and interconnection. Several meaningless relationships expose their true colors in Montag's experiences with Mildred and her friends. Following a frightening night of Mildred's pill overdose, Montag asks Mildred where they first met before marriage. Mildred replies, "It doesn't matter" (Bradbury 41). Montag then deliberates "that if she died, he was certain that he wouldn't cry" (Bradbury 41).
Firstly, Montag stole a book to try and discover what he is missing not reading them. Clarisse at random asked Montag if he was happy, and it had never came across to Montag if he was happy. People in their society really didn't feel at all. The old woman that had rather die with her books than give them up, began to make Montag curious on why they were so special. He began to question every aspect in his life, when he does, Mildred tells Montag he should have thought before becoming a fireman.
(Bradbury 8). Montag is faced, for the first time, with having to examine his life and if he is actually happy. It destroys his “mask”, allowing him to see the problems of his life, and, more importantly, society. The new perspective “kills” a part of him, the part that was content with his perfect life (having a good,
Suddenly things he did every day without hesitation seemed silly. This is when the reader finally is able to identify the theme. For a while, it seems as though it is Montag against the world. The only person who could possibly understand him, Clarisse ,was murdered. His Family isn't an option and his wife Mildred was a lost cause.
Montag starts arguing with Mildred about how she is acting. She is depressed and does not even know it. Mildred thinks that the voices in the walls are her family. Montag tries to get her to see what is really happening in society. She is so unaware of her actions that Montag has top tell her, “maybe you took two pills and forgot and took to more, and forgot again and took two more, and were so dopey you kept right on until you had thirty or forty of them in you” (Bradbury 17).
Montag and Mildred have been married for years, but Montag still feels as if he doesn’t know the woman he’s married to. In the text, Bradbury states, “And [Montag] [remembers] thinking then that if [Mildred] dies, he [is] certain he wouldn’t cry. For it would be dying of an unknown, a street face, a newspaper image, and it [is] suddenly so very wrong that he [has] begun to cry, not at death but at the thought of not crying at death, a silly empty man near a silly empty woman,
The first line of dialogue that Montag says is “it was a pleasure to burn”(pg. 1), which elucidates that he is just like the rest of the society. Bradbury introduces both of these characters as ignorant so the reader is able to draw a similarity between the way Montag is illustrated in the first page and how Mildred is characterized throughout the novel. This aids in tracing Montag’s coming of age journey because as he gets enlightened, the reader is able to distinguish how his mindset starts to diverge further away from Mildred’s. At the very end of the second chapter leading into the beginning of the third chapter, Beatty orders Montag to burn his own house, and as Beatty is speaking to Montag, Mildred runs past them “with her body stiff”(pg. 108). Through the employment of body language, Bradbury implies that Mildred is the one that turned Montag in to