Eka Kurniawan’s Indonesian epic / family-tale is being haunted by history in his Beauty is a Wound. Set in the riotous period in the pre-World War II era through the predominant parts of the 20th century, the book pulls off a fearless retelling of Dewi Ayu’s family history and of Indonesia’s history, in a graceful, non-oppressive, and unforced manner. It is a period of constant extraordinary shifts and turns spanning from the Dutch colonial rule to the shift onto the Japanese control, and even up to the Indonesians’ affiance on engagement on the uproar and revolution, attempted, successful and some failed coups, and the violent elimination and overthrowing of the republic’s first president. Far from dead and buried are history and a few characters from the book manifested in the way at least one character rises from sleep, while the others found their way in various forms of spirits. Indeed, the novel commences remarkably:
“One afternoon on a weekend in May, Dewi Ayu rose from her grave after being dead for twenty-one years.” (1)
Dewi Ayu was born to Henri and Aneu Stammler in the 1920s, was raised in the port city of Halimunda by her grandparents who both lived as Dutch plantation owners (a rich family). Her parents share the same father but different mothers, making them
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Yet for all that, its length, its brave attempt on history and the times, Kurniawan’s novel never lacked just one bit short a sensibility. It is filled with witty humour and which language is evocative and masculine. A soldier urged, “feel free to make love here as if you were in your very own home,” and the other responds: “That’s ridiculous. All I’ve got at home is my mom and my old granny.” A ghost, when asked how he is, replies: “Terrible, Comrade. I’m
Instead of disguising his service as an action movie, he discusses his battle against the elements, oneself, and politics. Although some specifics have been changed, the do not change the grand scheme of the novel. For example, in the two chapters “The Man I Killed” and “Ambush,” O’Brien admits that he condensed various ambushes into one event. Although the book does not hash out every single detail of O’Brien’s service, O’Brien still writes about the “simplicity of the true,” confronting the reality of every war:
“Nineteen”, by Elizabeth Alexander uses language and tone to form a multi-sensory poem about remembering her youth and desire to connect to her past Vietnam vet lover. These aspects of language and tone are embedded in the outer form of the poem, as the author forms an imaginative recreation of her young adult life, which directly impacts the reader to allow for an enjoyable simple read. The elements of language and tone formation ensure the translation of Alexander’s emotions or feelings of her youth for the audience to relate and understand. In the first place, the language within “Nineteen” is casual and not really poetic.
Amit Majmudar’s poem “Dothead” demonstrates the stigma that the speaker experienced—as well as what many foreigners still undergo—while living as a child in a different culture by utilizing figurative language and a shift in tone from descriptive to agitated. This poem begins with a discussion format to portray an expressive tone in which he tells both his grammar school peers and the reader what his mother’s “dot” truly is (1). Though the speaker sees this colorful mark as something beautiful, the speaker’s fellow classmates see the red dot as a figurative “Chernobyl baby” because it is so strange and unfamiliar to them (5). While this dot—more properly named a bindi—has a significant meaning that the speaker understands, the other schoolchildren are unaware of this knowledge and begin to laugh at the sight of such an absurd-looking object (11-12).
Through Farquhar, Bierce shows how soldiers on both sides were merciless in their acts, a fact that would never be mentioned if Romantic writings were all that remained from this era. Fast forward several decades, World War Two has consumed the planet, and officers are just as cruel as they were in the Civil War. “Death of the Ball Turret Gunner” by Randall Jarrell, announces, through the form of a poem, the callousness of the military in WWII. A man thinks he is safe under the protection of the State, but the poem tells that, “When I died they washed me out of the turret with a hose.” (“Death of the Ball Turret Gunner” by Randall Jarrell).
In the civil war novel Soldier’s Heart by Gary Paulsen, within pages 52- 57, Nelson, a fellow soldier was wounded in the stomach. This made it difficult for him to fight or even breathe. Stomach wounds were known as untreatable injuries meaning that when a soldier got one they were practically left to die. When soldiers were super injured like in this situation and didn’t have enough strength to keep fighting, they had to be left on their own to die.
In Phil Klay’s Redeployment, the war in Iraq is described as an intense masculine experience. Through the pages, the presence of women is marginal, if there is any woman in the short stories, and the reader enters in a realm of men and, more important, of what it means to be a real man. The assumption of war as a complete masculine experience might seem pretty obvious; however, Phil Klay is able to offer a crude and clear depiction of it. The author tells twelve different short stories of men who have only one thing in common: the experience of the Iraq War. But this is not simply a book about the war, but also about the consequences that this terrible experience has on the soldiers.
This chapter “The Ghost Soldiers”, showed us how Tim O’Brien and the other soldiers were dealing with the war both physically and psychologically. It also shows us how the Tim O'Brien behaved and felt when he was shot, wounded and had a bacteria infection on his butt and how the war changed the way he thought, and viewed the other soldiers around him. This chapter also contain a lot of psychological lens. From the way Tim O’Brien felt when he was shot and separated from his unit to a new unit to when he wanted revenge on Bobby Jorgenson for almost “killing” him.
In Sherman Alexie’s short story, “War Dances,” the narrator unravels in thoughts and takes us through events in his life. He picks up by speaking about a cockroach that ends up dying in his Kafka baggage from a trip to Los Angeles. The cockroach still appears many times throughout the story. The narrator spends quality time in the hospital with his father, who is recovering from surgery due to diabetes and alcoholism, all along the way while he, himself, discovers he might have a brain tumor, leading his right ear to talk about his father. Using a style of tragedy and care both incorporate together a symbolic story that would make even a plain reader feel touched, leading to the major occurrence of a theme of the importance of family.
Every war is hard to survive. In the end of Milkweed, a historical-fiction book written by Jerry Spinelli, Misha gets married, has a kid, his wife leaves him, and he grows up a mirthful life with his daughter and granddaughter. Milkweed’s ending may have not been joyful to every reader-or every character- but in the end, Jerry Spinelli did a prodigious job illustrating what it was like in the will of survival of the
In Leslie Marmon Silko’s novel Ceremony, the reader follows Tayo’s inner journey to heal the psychological damaged caused by his time in the war. In the beginning of the book, Tayo is introduced in the middle of a night terror. From here, Silko weaves together a story, relatable to the Native American World War II vets, where one must regain balance with the past, present, and future. This close reading is going to explain why Tayo life and Ceremony resemble spider webs. When Tayo return from the war, his ability to exist in reality is limited by his trauma.
The theme of the premature burial is very prevalent in many of Poe’s stories. It is seen time and time again throughout his works because at the time he was writing them, the theme of premature burial or fear of being buried alive was extremely commonplace and it got people talking about his writings. It is clear to see that the theme of burial while alive is so developed and widespread in Poe’s works. This is because it is what the general public were interested in at the time and he was using this to his own benefit to gain more popularity. Poe was completely obsessed with the whole idea of being buried whilst still alive.
The Wars is a symbolic masterpiece that illustrates the great impact war brings on the microcosm of society and how individuals juxtaposed to the war are affected. The novel itself requires active reading; because without it, the novel would seem very simplistic; however, after further examination, readers can evidently recognize the complexity of Robert’s character with the aid of many heteroglossic components, techniques, devices, and the reworking of literary conventions. Robert’s physical, mental and emotional journey he endeavours, followed by the constant re-evaluations of his truths and becoming a more proficient soldier, can be seen through a formalist perspective with the use of foreshadowing to signify Robert’s transition from a sane to insane soldier; the utilization of animal imagery highlighting Robert’s development through the horrific experiences of war; and the several themes in the text to illustrate Robert’s evolution as a soldier through his inner
In the chapter “The Man I Killed” O’Brien struggles to understand the implications of his actions, as well as to cope with his guilt. Through the constant repetition and the vivid description O’Brien attempts to humanize the soldier, and assign meaning and purpose to the life of the man who suffered such an idle death. O’Brien writes a meaningful chapter
The story “Soldier’s Home” by Ernest Hemmingway depicts the wounding and post-traumatic experience of the First World War of the main character Harold Krebs and his family. Like most soldiers’ experience of the war, upon return to their lives back home, their lives virtually had no more meaning to them. Krebs presents a painful realization in this manner in which he interacts with his mother. She tries to think of her son as a hero and make him feel like one by encouraging him to re-tell his tales from the war. Krebs knows that the impressions his mother is making are not authentic and she, just like the rest of his fellow town folk are tired of hearing and reading the same stories from the war (De Baerdemaeker 24).
A Thousand Splendid Suns’ was written by an Afghan American writer, Khaled Hosseini. The novel narrates the strength and resilience of two women who endure physical and psychological cruelty in an anti-feminist society. It also demonstrates how The Taliban uses fear and violence to control the people of Afghanistan, particularly females. Throughout this story the novel exposes the way customs and laws endorse Rasheed’s violent misogyny and it tells the tale of two women who endure a marriage to a ruthless and brutal man, whose behaviour forces them to kill him. The protagonist Mariam is a poor villager who lives in a remote area in Afghanistan, in contrast to Laila who is a smart, educated daughter of a schoolteacher.