Figurative Language In Beloved

A child leaves in the morning to work endlessly until midnight. She arrives home with work-torn hands and tired eyes as she prepares for another day of weaving, spinning, sewing, braiding, and knitting. This image of a child having her life toiled away in a factory is one that Florence Kelley does not tolerate. In her speech for the National American Woman Suffrage Association, she opposes the unfair and immoral treatment of children in labor. Kelley applies figurative language and pathos in her speech in order to push women to encourage men to vote for strict child labor laws, and to convince women of the need for their suffrage.

In the book anthem by Ayn Rand starts off by saying that “Its is a sin to write this.” Why does he start the character by saying these words?

In The Outsiders by S.E. Hinton, the author, uses an array of figurative language in her writing. She uses similes, idioms, and hyperboles in her book to make them interesting and intriguing. Similes help compare scenarios, idioms interpret a meaning by giving an object a role, and hyperboles exaggerate an action. Figurative language captures the reader's attention and gives sensory detail.

Motherhood is a major theme of Toni Morrison’s Beloved, as multiple characters often lament the futile extent to which they can be mothers. In Chapter 5 Beloved, the reader is introduced to two new motherhood dynamics, both relating to the mysterious Beloved. Wherever motherhood is mentioned, water imagery—with its established connections to birth, healing, and life—used as well. Because it factors into Beloved’s symbolic “birth” and nurturing, water is an important image that relates to giving and sustaining life and motherhood in Beloved.

The book Beloved by Toni Morrison is a very interesting but peculiar book. The book flashes back from the present, past, and future, so often, you really have to pay attention or you will get lost. The book overviews slave's life, but goes into detail about one slave, Sethe. Toni Morrison, of Beloved creates a magic-realistic story based on the life of Margaret Garner, who escaped slavery just like the main character. Between Sethe and Beloved, there is always a dramatic situation occurring.

"'What worries me, Billy,' she said - I could hear the change in her voice - 'is how your poor mother is going to take

Throughout Beloved, milk becomes to symbolize the general sense of nurturing. When Sethe, Denver and Beloved got back to 124 from their cold trip to the woods," Sethe warmed a pan of milk and stirred cane syrup and vanilla into it. Wrapped in quilts and blankets before the cooking stove, they drank, wiped their noses, and drank again (Morrison 97)." The milk comforts the women after being out in the cold. Morrison uses milk in this instance to represent healing and nourishment, feeding the three women with a substance previously deprived of them. In this scene Sethe reclaims the nourishment she was and human generosity she was denied as a slave and reclaims her identity as mother while preparing milk for the two young women she wishes to care for.

The novel Beloved by Toni Morrison fundamentally relies on the relationship between the former slave Sethe and the daughter she murdered as an infant, only known to the reader as Beloved. In one scene, Beloved is attempting to make Sethe feel guilty as Sethe argues that her attempted murder of her children was out of love, and that she intended for them to be “together on the other side.” Beloved’s response, in which she points out that, after she “died,” “ghosts without skin stuck their fingers in her and said beloved in the dark and bitch in the light,” shatters the intensely loving, devoted tone that Sethe attempts to establish in favor of a more dramatic, graphic tone and creates intense juxtaposition, a device which is continually used throughout the text. (254)

Beloved, the novel by African-American writer Toni Morrison is a collection of memories of the characters presented in the novel. Most characters in the novel are living with repressed painful memories and hence they are not able to move ahead in their lives and are somewhere stuck. The novel, in a way, becomes a guide for people with painful memories because it is in a way providing solutions to get rid of those memories and move ahead in life. The novel is divided into three parts; each part becomes a step in the healing ritual of painful repressed memories. The first stage is the Repression of memories. For example, Sethe, throughout the first and the second part of the novel is haunted by the memory of murdering her child. The second step is the painful reconciliation with these memories. This happened when Beloved, the ghost of Sethe’s murdered child comes back in their lives. The third step is the clearing process which takes place in the end of the novel where Sethe tells Paul D about the murder she committed. These three steps not only apply to the individual memory but also to the collective memory. In this novel, the memory of an individual is not just his or her memory; it’s actually the memory of a community that has gone through the same pain, cruelties and humiliation. That is, Sethe’s character represents every black woman who was tortured, raped and whose children were taken away from her.Thus, her character represents the pain that every black woman in

story as well. Her name, or lack thereof, is allegorical and the most defining character trait that she has throughout the whole book. As a character, she is a mysterious entity who latches onto Sethe and her family who feeds off their attention, and reveals little to nothing about who she is. Besides these traits, her name leaves most readers to believe that this character is the ghost of Sethe’s unnamed baby that she murdered; as we know the baby’s headstone has the word “Beloved” written on it due to Sethe misinterpreting what the pastor said

Morrison’s authorship elucidates the conditions of motherhood showing how black women’s existence is warped by severing conditions of slavery. In this novel, it becomes apparent how in a patriarchal society a woman can feel guilty when choosing interests, career and self-development before motherhood. The sacrifice that has to be made by a mother is evident and natural, but equality in a relationship means shared responsibility and with that, the sacrifices are less on both part. Although motherhood can be a wonderful experience many women fear it in view of the tamming of the other and the obligation that eventually lies on the mother. Training alludes to how the female is situated in the home and how the nurturing of the child and additional local errands has now turned into her circle and obligation. This is exactly the situation for Sethe in Morrison’s Beloved. Sethe questions the very conventions of maternal narrative. A runaway slave of the later half of 19th century, she possesses a world in which “good mothering” is extremely valued, but only for a certain class of women: white, wealthy, outsourcing. Sethe’s role is to be aloof: deliver flesh, produce milk, but no matter what happens, she cannot love. During the short space of time (which is 28 days) Sethe embraces the dominant values of idealised maternity. Sethe’s fantasy is

Louie has no love interest back at home nothing but his family, why is he so determined to keep going and keep living, after 47 days on the ocean, in these POW camps where he is treated as less than an animal?

In the first Act of A Midsummer Night's Dream, main characters are introduced in a way that sets the tone for the rest of the play. Egeus' first speech, found on lines 23 to 46, is a perfect example of this; through his speech themes of domination and control, and his accusatory themes, he affirms the accepted positions of power of his time. Language and grammar used here all give the reader an important first impression.

Toni Morrison’s 1987 novel Beloved is a multiply narrated story of having to come to terms with the past to be able to move forward. Set after the Civil War in 1870s, the novel centers on the experiences of the family of Baby Suggs, Sethe, Denver, and Paul D and on how they try to confront their past with the arrival of Beloved. Two narrative perspectives are main, that of the third-person omniscient and of the third person limited, and there is also a perspective of the first-person. The novel’s narrators shift constantly and most of the times without notifying at all, and these narratives of limited perspectives of different characters help us understand the interiority, the sufferings and memories, of several different characters better and in their diversity.

The book Beloved is composed of three parts, each part begins with an observation about 124, the house occupied by Sethe and her daughter Denver. 124 is haunted by the abusive spirit of Sethe’s dead daughter. At the beginning of the novel, the ghost rages with anger, that is definitely a baby’s. In chapter 5, however, the baby ghost manifest herself in the form of Beloved, who is the reincarnation of the baby Sethe murdered eighteen years ago. Throughout the novel, Beloved will become more powerful, Until, in part two chapter 19, she is said to hold the force of a collective “black and angry dead.” The ghost will cause a lot of destruction on 124 until