All The World's A Laugh...
Shakespeare's Comedies On Screen – Part I
We marked the 400th death anniversary of The Bard by featuring some of the best screen adaptations of his tragedies in “To Weep Or Not To Weep... Shakespeare's Tragedies On Screen” (Part I and Part II).
And in this and the next post we will look at screen adaptations of some of his finest comedies.
“Sit by my side, and let the world slip: we shall ne'er be younger.”
The Taming Of The Shrew (written between 1590 and 1592)
The story is about an obstinate and hot headed girl (Katherina) who nobody wishes to marry, and her younger sister (Bianca) with numerous suitors who conspire to get the elder sister married off to Petruchio so that they can then try and win Bianca along
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A contemporary version of the play, the movie was widely acclaimed for not being yet another teen romance.
“The course of true love never did run smooth.”
A Midsummer Night's Dream (written between 1590 and 1597)
One of his most popular works and performed widely, the play is set in the woodlands as well as the domain of the fairies and is based around the wedding of the Duke of Athens to to the Queen of Amazon. The story is about four young Athenians as well as six actors who are manipulated by the fairies.
One of the earliest full length adaptations is “Wood Love” (1925) by German film-maker Hans Neumann while an American version named “A Midsummer Night's Dream” (1935) by Max Reinhardt and William Dieterle won two Academy Awards (Best Cinematography and Film Editing) and was also nominated for Best Picture.
Yet another adaptation was in 1999 which was written and directed by Michael Hoffman and starred Kevin Kline, Michelle Pfeiffer, Christian Bale, Calista Flockhart etc. While a surreal interpretation in the same year by James Kerwin was set against the background of dance clubs and ancient
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And “Strange Magic” (2015) is a computer-animated 3D movie by Gary Rydstrom and has goblins, elves, fairies and imps, fighting over a powerful potion.
“We came into the world like brother and brother,
And now let's go hand in hand, not one before another.”
Comedy of Errors (written around 1594)
One of Shakespeare's earliest plays, it is the shortest and filled with slapstick humour and word play. The story is about two identical twins separated at birth and the hilarity through the confusion that results out of the mistaken identities, as well as charges of infidelity, thievery, lunacy, etc.
This is perhaps the only play that has no known adaptations in the first few decades, the earliest recorded version is “The Boys from Syracuse” (1940) which is a musical by Edward Sutherland director.
The first Indian film on the play is said to be a Bengali film “Bhrantibilas” (1963) by Manu Sen and starring Uttam Kumar. It is based on an old play of the same name by Ishwar Chandra Vidyasagar, which in turn is based on Comedy of Errors. The story is about a merchant and his servant who go to a small town and are mistaken for a pair of
Throughout most written plays, they normally have films or stage performances. Usually the two are very different from each other. Many of the times the scenes are not exactly the same in films. In Our Town the stage performance is very similar to the written play. There are more comparisons than differences between the performance and written play.
Melisa Pierre-Louis Professor Brett English 10 December 2nd, 2016 A Midsummer Night’s Dream Annotated essay. A Midsummer Night’s Dream by William Shakespeare is a comedy that contains a lot of aspects. They communicate in one way or another to the audience, depending on how we (the audience) analyze what Shakespeare is trying to convey.
The play and the movie are both different,but similar, in ways like characters, settings, and plots. The Christmas Carol movie from 1984, is a great example. The director of the movie is Clive Donner. The main character is Ebenezer Scrooge. He is an old man who is very sour and greedy.
A Raisin in the Sun PBA Unit 2 Cinematography and filmmaking are art forms completely open to interpretation in many ways such lighting, the camera as angles, tone, expressions, etc. By using cinematic techniques a filmmaker can make a film communicate to the viewer on different levels including emotional and social. Play writes include some stage direction and instruction regarding the visual aspect of the story. In this sense, the filmmaker has the strong basis for adapting a play to the big screen. “A Raisin in the Sun” is a play by Lorraine Hansberry that debuted on Broadway in 1959.
Shakespeare’s tragedy, Macbeth, focuses on the tumultuous events that surround a regicide. Despite being the shortest of Shakespeare’s plays, in his critical study of the play A. C. Bradley concludes that due to its vehement nature the audience is left with an impression “not of brevity but of speed” . The principal female character of Lady Macbeth is arguably one of his most contentious. Consumed with intense passion, ambition and greed she challenges the subservient role of the traditional Elizabethan woman. She has disturbed, horrified and intrigued both contemporary and modern audiences alike through her powerful diction.
A Midsummer Night’s Dream dealt with the universal theme of love and its complications: lust, disappointment, confusion, and marriage, featuring three interlocking plots, connected by a celebration of the wedding of Theseus, Duke of Athens and the Amazonian queen Hippolyta. The play rotates around different forms of love, two of them being love for friendship (Philia) and romantic (Eros) or true love. Love is the most important theme of the play and the asymmetrical love seen in the play between the four Athenians and romantic encounters cause conflict within the play. There is a strong friendship love between two characters, Hermia and Helena. These two ladies are regarded as sisters as they have grown up together always having each other’s
What does director Tim Burton’s Edward Scissorhands and Mary Shelley’s Frankenstein (1994), directed by Kenneth Branagh, have in common— a mutual underlying story; but their differences are what makes their tales all the more special. Edward Scissorhands is a retelling of Frankenstein, but with a slight twist. In Edward’s case instead of lacking companionship like Frankenstein’s monster, he lacks hands; and is received rather well by the surrounding community. Ironically, in both tales the characters share the same desire to be love; this ignites the question – why do humans want to be love? Are we only important as we are loved?
Parental love and a regular man and woman relationship. The parental love is between Titania and her “Changeling child” she’s taking care of. This causes a lovers spat between her and Oberon who wanted the child. Hermia, Helena, Lysander, and Demetrius have a convoluted love square that changes many times in the course of Shakespeare’s play. In Shakespeare’s play A Midsummer Night’s Dream, crazy love is a major theme.
Finally, the written play and the cinematic version of a Midsummer Nights Dream did have similarities, such as the main characters remain the same throughout the play. However, the film employs a number of additional characters in several scenes. Another similarity connecting the written piece and the film is love. Both in which combined humorous manner, twisted by the jealousy of Helena and Hermia and Titania and Oberon. In other words, the similarities were frequently there however, there were a few inconsistencies that caught my
William Shakespeare’s play Twelfth Night has been made into several film versions. The versions include the Globe Theatre version directed by Tim Carroll in 2012. Another version by Trevor Nunn was made in 1996, and a third version called She’s The Man made in 2006 was directed by Andy Fickman. A comparison of the media skills, characters, and the setting in the various versions of Twelfth Night and She’s The Man shows that
A Midsummer Night’s Dream by William Shakespeare is about a couple who is forbidden from love and they decide to sneak into a forest and things don't really go as planned. Multiple Characters in this story are guilty of controlling other people. A controlling Father, A jealous king, And an overconfident clown but if it wasn't for Egues trying to control Hermia no chaos would have been caused. It begins with Egues talking to Hermia and saying that if she didn't marry who he wanted her to she would die.
“Pyramus and Thisbe” tells the story of two young lovers who are forbidden to be together due to the fact that their families are enemies. William Shakespeare’s A Midsummer Night’s Dream tells the story of the chaos and craziness that surrounds the days prior to Theseus and Hippolyta’s wedding. In both of these stories, the reader is able to find several similarities and differences.
Clairerencia Hudson Ms. Morris English 12- 6th period 1 December 2016 The Influence of Medieval Romantic literature on modern films Does medieval romantic literature influence how modern films are made? Romantic literature started during the mid-12th Century (“Romance,” par.1). Medieval romances are stories and plays in which kings, knights, and damsels in distress go on some sort of adventure (from Sir Gawain and the Green Knight from Morte d’ Arthur). In addition, medieval romances consist of heroic figures showing acts of chivalry.
Love is a very prominent theme in A Midsummer Night’s Dream. Love is very eminent in the aspect that it focuses on two groups of lovers who were not supposed to be together in the first place. Shakespeare, as the extremely well-known playwright he is, did not fail to disappoint in the portrayal of love between the two main sets of characters, showing the variations both the couples loved each other.
This week’s reading was over William Shakespeare’s play, A Midsummer Night’s Dream. This play describes several different points of view about love. The idea I got after reading this play is the complicated human nature and a person’s heart’s desire does not always agree. I also get the impression that arranged marriages were common in this time era and are not for reasonable accommodations. When concerning this particular Shakespeare play, in the end no one gets what they yearn.