The way you speak says a lot about you. Victor created his creature in a manner that even he was afraid of it and ran off, so he never had the opportunity to show him how to speak. However, the monster learned to speak and act in a very proper manner. The eloquence and persuasiveness make it easier as a reader to sympathise with Victor’s creation because you learn he’s not evil, has humane characteristics, and forget he’s a monster. Rejected by his creator, the monster seeks shelter, however, he is disoriented and with the basic concepts that will allow him to survive.
The creature’s mental knowledge is very small-minded and intolerant, causing his understanding of justice to be exceedingly narrow. The monster’s isolation from society is forced by its fate. Nobody could with handle the hideous looks given by the creature 's appearance, this made it nearly impossible for the creature to have any interaction with any sort of human. To illustrate, the creation said while reciting his tale to Victor “And what was I?
While the blind man is accepting of the Monster, once the blind man’s fellow cottagers arrive, the Monster is “struck violently with a stick” by one of his own “protectors” (Shelley 134). The Monster states during the reciting of his story to Frankenstein, “I could have torn him limb from limb… But my heart sank within me as with bitter sickness, and I refrained” (Shelley 134). This shows that the Monster never had murderous intentions, but the prejudice he faces from society pushes him to do
In the book , the main goal that is given off through the creature 's thoughts and actions is that he wants to be loved due to the lack of attention Victor has given him. He only wants love and someone to accept him and look past the flaws of being just a monster. In the book , the creature requests Victor to create another monster like him so he won 't feel lonely anymore and make peace with the human race. The creature says , “ We shall be monsters , cut off from all the world; but on that account we shall be more attached to one another. OUr lives will not be happy , but they will be harmless and free from misery “ (Shelly 63).
The monster explains that he has worked hard to try to break the communication barrier with humans. He attains social skills that are similar to those of his human counterparts and is able to adequately communicate when speaking to a blind man, however, when the monster communicates with people that are not blind, they can only see his flaws in his appearance and are afraid of this monster. The monster is unable to conform to society and is prevented from being accepted by his peers. Conversely, Eliza is able to conform to society and is accepted by most of her peers: “I shall always be a flower girl to Professor Higgins, because he always
Some people may say that light will always have an opposite, darkness. Someone will always have a selfish desire that ends up hurting other people. In Frankenstein, he approaches the old man, who is blind, and confesses to him that he is the one who has been doing all of the nice deeds for the family. He asks for the comfort of their home and not to be afraid of him. The rest of the family comes home and sees the huge, scary creature with their father.
In the novel, Frankenstein, by Mary Shelley, the two main characters, Victor Frankenstein and his creature, both display a sense of moral ambiguity. Each character has committed both good and evil alike, and neither knew the consequences of what they had done. However, Victor Frankenstein is generally the morally ambiguous character by his treatment of his creation and his own imperious personality. He wanted to be able to help science by recreating life or bringing it back, but at the same time, he did not want to consider the consequences of doing so. Victor tries to prove himself as a good moral character in the relationship between his creation and himself.
The first major aspect that leads to the Creature’s fall from grace is appearance. Victor works tirelessly in academia because he believes to have found the solution to generate life. Once Victor succeeds, the Creature’s demonic appearance mortifies him. Victor describes his work with disdaining imagery, stating, “I had gazed on him while unfinished; he was ugly then; but when those muscles and joints were rendered capable of motivation, it became a thing such as even Dante could have conceived" (Shelley 36). Although Victor successfully creates what would be his greatest academic achievement, he abandons his creation, showing that the Creature's ugliness is a prevailing factor for his isolation from civilization.
This short story is dystopian; an offshoot to Orwell’s utopian world. Winston too is weighed down by his own society; he is forced to be a lesser version of himself, all for Big Brother. They don’t do anything to physically change him, but if he is thought to break the rules or is simply too smart for his own good, off to the Ministry of Love. In the end, Winston decides to break the rules - he is prepared to die in the name of
The search of knowledge can help take away the doubt, but it can affect the ones around you. Victor doubts and knowledge cause the death of his wife, best friend, and his brother. Victor should have known that bringing something back to life would had consequences. His relentless search of knowledge did brought him suffering because he involved his family and didn't thought about the consequences. Victor’s passion about learning new things brought him to the creation of an ugly monster.
This is reinforced by the rhetorical question that serves to convince Walton that the Monster hated having to turn to violence. In both situations, a friendly and accepting hand could have led both monsters to happiness and kindness, but the lack thereof sparked the violence. Grendel and the Monster from their respective works, Gardner’s Grendel and Shelley’s Frankenstein, find themselves with no companionship, nobody to share in their joys or sorrows, which leads to violence being taken out on those who rejected them; if those victims had initially accepted and loved Grendel and the Monster, this would not have
When Frankenstein attempted to join society, he was rejected and chased out due to his differences, but he wasn’t as interested in joining the society as Grendel was. The monster was content staying away from humans until he happened upon the family of
The feeling of happiness after helping someone is perhaps the only sure thing a hero can expect, and when even this is not fulfilled, it hurts the hero even more. Fitz from the Farseer series of books is the best example of this feeling of betrayal. He is tortured to death for the amusement of his uncle, but is then brought back by his mentors with magic. However, he is forced to stay dead to keep everyone associated alive, and cannot see them again. When he finally recovers, he is forced to flee after a raid on his home, while leaving the raider 's bodies behind.
The events of the past always leave deep enough scars to still be felt way into the future. The two works Androids and The Handmaid’s Tale Illustrate this by use of flashbacks specifically in the Handmaids tale. In regard to Androids, the lurking influence of the past can be seen in the alternate history that the novel itself follows and the subsequent events that spawn from the scars that the events created in the future world of Androids. The Handmaid’s Tale is the story of a Handmaid named Offred and how she lives in a world radically different from the world she used to live in the past.