Franz Kafka Being An Outsider Analysis

Here Gregor is contemplating the impracticality of missing work, while completely ignoring the fact that he turned into a vermin. Gregor’s ignorance to his own personal problems highlights his dedication to pay off his family 's debts (pg 9), at the expense of his wellness. The overcast weather and the mention of his depressed mood creates a pessimistic mood which would feed into Gregor’s already gloomy outlook on life. His want to sleep and forget his problems shows a pressure that Gregor must always be under. His hardworking attitude doesn’t match up to his willingness to ignore his problems. The weight of working his parents ' debt off, must be constant and heavy enough for him to ignore his own responsibility for a few seconds of contemplation, even if he had shaken the thought off. He is so involved and alienated in his job and duty to his family, that his surroundings and

Gregor’s initial reaction to his transformation shows his preoccupation with work. His confusion over his radical transformation does not last long, quickly becoming concerned with work and disregarding that he woke up physically transformed into a monstrous vermin. Immediately after realizing he had transformed, Gregor explains, “Well, I haven’t given up hope completely; once I’ve gotten the money together to pay off my parents’ debt to [the boss] that will probably take another five to six years… But for the time being I’d better get up, since my train leaves at five” (4). The quick transition of Gregor’s thoughts from the initial shock to his economic duties reveals his ironic nonchalant attitude towards his nonsensical transformation and

Before Gregor’s metamorphosis his family treats with moderate respect, for they make sure he is always following his schedule and is never late for work. Gregor before his metamorphosis is seen as an asset to his family, for he provides another source of income for them, a better opportunity to life comfortably. However, along with this sense of comfort his family also treats him rather distant from a son, and a brother. Gregor in a sense is treated like a tenant in his own home; his parents never enter his room, only reminding him of waking, eating and leaving. This emphasizes the strained relationship between Gregor and his family. However, after his metamorphosis his family treats him more so like a burden, for Gregor no longer provides

In The Metamorphosis by Frank Kafka cruelty is what stemmed Gregor’s change into a large bug and subconsciously motivated him to end his life. Gregor’s new form was a depiction of how he already felt in his household, trapped, voiceless, and small. As Gregor’s metamorphosis developed so did the characters cruelty which affected both the perpetrators and the victims. The Samasa family’s cruelty was demonstrated both physically and mentally by Gregor’s father driving him back into his room, throwing apples at him and by Grete’s use of the word “it”.

He tries to keep himself separated from his family and others, but that fails after a while. His family cannot take the sight of what he has become, except for his sister who becomes the one to look after him. In the story, Gregor’s family feels that he cannot communicate with them, but he still can understand everything they are saying. So, they lock him inside of his room away from the world. Gregor’s mother and father feel that Gregor will eventually get better, and turn back normal. But, it is his sister Greta that implies that they should get rid of the furniture in his room. She starts to feel that she does not recognize her brother anymore. Gregor tries numerous times to get his families attention so, they could maybe try to understand more what was happening to him. With every attempt, he tried he failed and was injured by his father in the process. Which caused him to stop eating and drinking water. The Last attempt to get his families attention, he ran off the tenants that rented out the room. His sister insisted on getting rid of him in her eyes, he was causing the family to be held back from greater things and was being a burden for the family as well. The last moments of his life he tried to crawl back into his room, but his body was lifeless he had no energy to go anywhere. He finally took his last breath and laid there and died. His family felt sad at the same time it was a sense of relief for the

Gregor Samsa’s transition from human to vermin was not the only shift that happened through the duration of Kafka’s The Metamorphosis. The novel is centered around Gregor who wakes up as a vermin, presumably a cockroach, which catalyses a series of emotionally traumatic experiences for him and his family, culminating in Gregor’s death. Yet the most significant change is, in fact, the gender role reversal seen both with Gregor and Grete, his sister, as Gregor becomes more effeminate and Grete becomes more emasculate, directly correlating with their societal and emotional transformation due to Gregor's physical change.

To start, even before readers know he has become a creature, they are made aware that Gregor has a particular disdain for his life and his job. He might as well be a visitor to his own home due to his job as a travelling salesman. Already it becomes clear that Gregor is not has happy and stable as he could be, and to top it all off, Gregor is not even all that concerned with his new form (Klingenstein 1.) His reasoning behind this apathy is that he is still the provider for his family, thus not allowing him time to dwindle on his transformation. Gregor’s apathy towards his new form shows not only that he cares deeply for his family, but also that the initial stress caused by his transformation is nothing compared to what he endures in his day to day life. Gregor’s

Change occurs every day involuntarily. When people encounter change they are limited to only two points of views on it, negatively or positively. Some may react by panicking and going into denial whereas others may try to adapt to it and make the best out of the situation. It can affect one’s life drastically depending on the situation and how they portray it. In the movie “Rivers and Tides” and the story “Metamorphosis,” and the passage, “Simplexity”, change is initially portrayed as positive, but after a series of events it becomes overthrown by negativity. Overall, change is portrayed negatively by the authors.

As the main character, Gregor Samsa, transforms from human state to that of a beetle, there are many aspects that are left unexplained and seemingly unstable. For example, in the novel, Gregor’s transformation into a beetle is left unexplained by Kafka. Kafka opens up the novel by stating, “When Gregor Samsa woke up one morning from unsettling dreams, he found himself changed in his bed into a monstrous vermin” (Kafka 1). There is no scientific or physical evidence as to why this transformation occurred, but it can be ascertained that it is a psychological transformation. Another aspect of the novel left unexplained by the author is that of the pain that Gregor feels. Kafka includes the pain that Samsa feels at particular parts of the novel, but also the pain seems to be

Gregor has been changed into a giant bug where he is a not a pleasant eyesight to his family and isn't accepted by his father and mother but only his sister. As the novella begins,”he found himself transformed right there in his bed into some sort of monstrous insect”. This quote implies that we live in a pointless

Cruel actions lead to cruel endings. Gregor Samsa, the protagonist in Franz Kafka’s novella The Metamorphosis, is turned into a bug from the mental and emotional abuse by the hands of his own family. The cruelty in the Samsa household is apparent from the beginning of the storyline. Their neglect and lack of compassion for Gregor's condition immediately sets the dark and miserable mood of the novella. Gregor’s whole existence has been about caring for his family and making sacrifices for their well being. However, his family never realizes these sacrifices and takes Gregor for granted, ultimately leading to his painful demise. Gregors perpetual devotion to his harsh family represents the unconditional love one feels for their own flesh and blood no matter how wicked they may be.

Gregor takes on freedom, responsibility, and love through out the story “The Metamorphosis until he turns into a bug. He then cannot do anything to help his family and they have to help themselves. Gregor did all he could do as the man of the house until he had enough. He was stuck in his room and stuck on his back in bed not able to move out of bed. He tried and tried only to help his family that he was

In The Metamorphosis Gregor is affected in many ways by his transition into a cockroach, and in the end, all of the effects total up to changing who Gregor was. One of the first changes that we see after Gregor 's transformation is the rejection of him by his family members. Another change that we see throughout the story is society rejecting him. A final change that we encounter is the rejection of himself. Gregor was defined by what he thought of himself, and when everyone started to tell him what he was, his thoughts about himself changed.

Almost from the very beginning of Gregor’s metamorphosis, Mr. Samsa has been unwilling to accept Gregor as his son. Furthermore, Gregor’s transformation into an offensive form of an insect, constantly reminds Mr. Samsa of the grotesque, feeble, and pathetic aberration that he has fathered. Consequently, now that Gregor has genuinely revealed himself in all his audacious behavior, his cruel father is driven to destroy him. In his eyes, Gregor has become everything loathsome to him—scrawny, parasitic, and futile—not the kind of son this once successful and ambitious storekeeper could be proud of. Hence, as Mr. Samsa returns to his house in a position of strength and authority, he unfortunately witnesses the sight of his stricken wife down

Franz Kafka, heavily influenced by Ovid’s Metamorphoses, devises the character Gregor Samsa in order to portray a detailed experience of an individual’s metamorphosis. Kafka’s narration style differs greatly from Ovid’s, in that, the narration begins with a first person perspective and changes to a third person narration, which remains consistent to the end of the novel. Unlike the stories within the Metamorphoses, there is a clear contrast in the portrayal of Gregor’s transformation. Ovid and Kafka’s depiction of a metamorphosis incorporates the concept of identity in the individual’s transition, however Kafka emphasizes the family dynamic and the hostility Gregor feels. Gregor’s family’s inability to look past Gregor’s exterior appearance