Hamlet Strengths And Weaknesses

She is aware something is not right with Hamlet, but completely oblivious to the fact that it’s mainly her recent marriage to Claudius. Mother’s tend to turn a blind eye to any bad acts their child could be apart of, and perhaps that was exactly what Gertrude was doing for Hamlet when she tells him, “This bodiless creation ecstasy/Is very cunning in” (Shakespeare 179).  Insanity is much more tolerable to face than hearing that Gertrude’s child is seeking revenge, or murder, on her husband. This is why Gertude quickly assumes Hamlet’s madness and overlooks his wise plans. Gertrude is told upon multiple occasions of her son’s deceiving fits of lunacy, a few times she is told this by Hamlet himself, “That I essentially am not in madness/But mad in craft” (Shakespeare 183).

None of the men in the play ever acknowledge the emotion sadness. Even after Laertes’ father is murdered by Hamlet, he shows anger rather than sorrow by impulsively threating to kill the king. On the other side of the spectrum, Hamlet immediately expresses weakness and grief at the beginning of the play, due to his own father’s death. He finds himself talking about the pain he has been hiding because of this, “But break, my heart, for I must hold my tongue. ”(Pg.

murder”(Beasley 1985). Again, he does not see Claudius as just ordinary person considering how the father’s ghost referred to him as “Ay, that incestuous, that adulterate beast, with witchcraft of his wits, with traitorous gift. O wicked wit and gift that has the power to seduce” (Act I, Scene 5). These strong words of the ghost makes Hamlet to be very careful in approaching Claudius, even he already knows Hamlet plan.

The novel The Tragedy of Hamlet, Prince of Denmark, written by William Shakespeare, is about a prince that discovers the secret of the malicious murder of his father, King Hamlet. The main character of this novel, Hamlet, is seem to be quite a mentally disturbed man after he discovered his deceased fathers murder to be his uncle. Hamlets obsession of uncovering the murder mystery and exposing his uncles lead to his strive for vengeance, yet his procrastinating ways keeps him from doing so. Though he appears sane at the beginning of the novel it is truly obvious he doesn’t remain as so while the plot thickens.

Pg 27-29). Even tough we see him arguing with himself and feeling disgusted, showing that he is very much humane, and his only fault being way too ambitious. That was interesting because we get the feeling that something out of the ordinary is coming up and our anticipation gets into the story straightaway. At the very end, in the beginning of Macbeth’s downfall we didn 't expect that a murderer like him would, even in defeat, display conscience and bravery. "I will not yield to kiss the ground before young Malcolm 's feet,...

Who on earth could have been born of hate from heaven? (Sophocles, 29) Although not by choice, Oedipus commits the most horrific acts of killing his father and marrying his mother. The tragic events that follow in his life, seem to be a punishment, not from the gods but from his own wrongdoings. His unreliable decisions guide him to such a miserable ending.

As many researchers know there is much evidence for both his sanity, and his madness. But which is true? In the play, Hamlet is constantly talking to himself, which is already one sign of madness, but the things that he says to himself are murderous and even suicidal quotes. One of the quotes in the play being, “HAMLET: O, that this too too sullied flesh would melt, Thaw and resolve itself into a dew, Or that the Everlasting had not fixed

After the three murderers killed Banquo, they go to recount the news to Macbeth. Showing no reaction to the news of his former comrade’s death, Macbeth only thinks of himself: “Then comes my fit again. I had else been perfect” (Shakespeare 99). Macbeth, asking if Fleance is dead, is only tormented after hearing that Fleance escaped and remains a threat to his crown. Macbeth’s quick transition of concern from Banquo to Fleance exhibits his disregard to the people close to him, a distinct behavior often tied to sociopathic people.

Hamlet and Masculinity What defines society’s portrait of a man? Perhaps it is his fighting skill, his ability to lead, or his valiency. Within the play by William Shakespeare, Hamlet, Prince of Denmark, Hamlet is a prince who struggles with his father’s death and lacks any sense of responsibility. He spends the whole play making excuses and never facing his problems head on.

Although Hamlet is a tragic hero, he is also a pathetic coward, choosing to accept his father’s request and to avoid

Although Macbeth experiences guilt before he kills Duncan, he reaches an entire new level of paranoia and fear after he chooses to complete the plan. The Thane of Glamis has nightmares, hears voices, and refuses to talk or think about the deed. While Macbeth chooses to pin the blame on others and convinces himself that the death needed to occur, the murder was of no fault but his own. The death of King Duncan is the most prominent event in Macbeth that not only commences Macbeth’s mental deterioration, but also shows that he was not forced by anything or anybody to commit any sinful acts. Following the moment when he paints his hands with King Duncan’s scarlet blood, Macbeth slowly spirals toward the realm of

Hamlet’s intelligence is shown when he does not blindly listen to what the ghost said “Hamlet is aware of the unreliability of otherworldly apparitions and consequently reluctant to heed the ghost’s injunction to perform an action that to him seems objectively evil.” [Foster 2], and instead makes his own plan to see if Claudius is truly guilty of murder because. Hamlet plans to “...have these players / Play something like the murder of my father / Before mine uncle. I’ll observe his looks” [Shakespeare II, ii, 596-598], and see how his uncle reacts to the play , which is like the murder of King Hamlet because “Hamlet believes that he must have greater certitude of Claudius’s guilt if he is to take action.” [Foster 2] he does not rush into anything without analyzing the facts that he has, and checking to see if they are true.

Hamlet feels inadequate and frustrated with his own lack of action. The Player is able to generate and convey passion and emotion in his speech about Hecuba's grief over the death of Priam, yet this situation is not a real one; the Player is just acting. Hamlet, on the other hand, has real cause to feel grief and to act, yet he has done nothing. He asks what would the Player do "Had he the motive and the cue for passion/That I have?" So he questions himself: "Am I a coward?"

Women are conveyed as dispensable, hysterical characters ruled by their feelings. Consequently, their motives and thoughts are insignificant and only become of relevance when in relation. This reflects attitudes of that rime when men dominated and womens submissive role was clearly defined. The interpretation of Ophelia’s character depends upon whether she is viewed by a Shakespearean audience or a modern one.

In William Shakespeare's Hamlet and Jane Austen's Pride and Prejudice, the authors show the development of individuals and perspectives, as a result of exposure to outside events and internal struggle. Since changes are often subtle, both authors use the literary device known as foil characters-- a character that contrasts with the protagonists, to highlight specific temperaments or qualities. The protagonists, of both works, have widely different interactions with the foil characters; in Hamlet, Laertes and Hamlet, are mismatched and create conflict. Alternatively, they can compliment the protagonist, such as Jane Bennet to Elizabeth Bennet in Pride and Prejudice. Shakespeare and Austen use the foil characters to highlight the protagonists'