How to Read Literature like a Professor Connections Chapter 1: Every Trip Is a Quest (Except When It’s Not) The main idea of this chapter is literally the title. Every trip is a quest, mostly, whether or not it is stated. There are certain factors that you notice while reading that will give it away.
The first chapter in How to Read Literature Like a Professor: a Lively and Entertaining Guide to Reading Between the Line by Thomas Foster, that I was able to draw a parallel with was “Every Trip is a Quest”. Within this chapter the author explains how the standard creator may loosely base their writing around the design of a quest. As a result, the author starts with a character who orders another to journey somewhere, to retrieve something, and then the character comes to a revelation about their life in the greater scheme. Foster stresses the importance in the knowledge that these minuscule errands the characters always seem to detect a growth in self- knowledge. Additionally, Foster introduces the concept of a standard pattern, he describes
Reading the book How to Read Literature Like a Professor by Thomas C. Foster helps the reader see books in a whole new light. Throughout the book, the reader progresses through a series of steps that demonstrate depth and symbolism. Foster focuses on presenting the reader with the idea that there are themes, patterns, symbols and many more literary techniques that inexperienced readers might miss initially. Re-reading Of Mice and Men by John Steinbeck and analyzing it by Foster’s book helps the reader know what to recognize and analyze. The setting is based on Lennie Smalls and George Milton move to Soledad, California, to find a job and new beginning.
In the first chapter of How To Read Literature Like A Professor, Thomas C. Foster begins with the idea that every trip is a quest. Foster theorizes that every trip must meet a certain five criteria to be considered a quest as well. Foster’s theory can be found in literature throughout the ages and into media today. Foster claims the quest always grows during the underlying adventure.
Thomas Foster, a professor at the University of Michigan, taught literature and writing. He was born in West Cornfield, Ohio, and living in such a small town caused him to become very associated with books. In 2003, Foster published a book, How to Read Literature like a Professor, written in second person. The book is written as a guide for readers to know the parts of nonfiction books. It teaches young readers how to include important elements into their stories.
Thomas C. Foster’s novel How to Read Like a Professor teaches readers how to deeply analyze literary works to be able to understand deeper meanings in the work, and to be able to predict what will happen later on in the literary work. The Disney film Atlantis: The Lost Empire contains many of the aspects Foster goes over in this first ten chapters, which mostly include quests, referencing well-known literature, weather patterns, and the gathering for meals. According to Foster, a journey is never just a journey. It is a quest to discovering some sort of Holy Grail, whether it be an object, an idea, or self-discovery.
As Stated by the author of How to Read Literature Like a Professor For Kids, by Thomas Foster, authors use certain varieties of weather conditions in order to set a mood in the story that’s relevant to the scenario present. Foster explains this action as saying, “But an author doesn't have a quick shower of rain, or a flurry or snow, or a flood or a blizzard, for no reason at all (Foster, 59).” What the author is trying to remark is that authors don't put unnecessary weather unless it contributes to the plot or the mood, sometimes even using it as means of ivory. One example of weather being used in the movie clip from Toy Story is rain. The rain didn't start until Sid was just about the release a rocket outside with Buzz attached, which
How to Read Literature Like a Professor by Thomas Foster offers a variety of different ways to analyze literature so the reader can understand all levels of a literary piece to get the most out of their reading. His ideas can be applied to almost any kind of work, including movies, such as Beauty and the Beast. The chapters of HTRLLAP that can best interpret and explicate all levels of meaning in Beauty and the Beast are: Every Trip Is a Quest (Except When It’s Not); …More Than It’s Gonna Hurt You: Concerning Violence; and Is That a Symbol? “The real reason for a quest,” states Foster, “Is always self-knowledge.
In How to Read Literature Like a Professor, Thomas C. Foster teaches readers the meanings behind commonly used symbols, themes, and motifs. Many readers of all ages use this book as a guide to understanding messages and deeper meanings hidden in novels. The deeper literary meanings of various symbols in Margaret Atwood’s The Handmaid’s Tale are explained in How to Read Literature Like a Professor. By using Foster’s book, readers can better understand the symbols in The Handmaid’s Tale.
How does How To Read Literature Like A Professor applies to every piece of literature? This novel is written by Thomas Foster and he gives the better understanding on many things, including patterns, symbols, and other literary devices. He helps the reader to gain knowledge on how to recognize each small detail of the story. This novel makes the connection with The Scarlet Letter and makes it easier to comprehend. The Scarlet Letter is written by Nathaniel Hawthorne; this novel is about Hester Prynne, who is a young and beautiful woman and committed adultery with town’s minister, Reverend Dimmesdale.
When comparing How To Read Literature Like A Professor and To Kill A Mockingbird, many’s first thoughts lead to symbolism. As Thomas C. Foster wrote much of How to Read Literature Like A Professor about symbolism, To Kill A Mockingbird is one huge symbol, including the title itself. By that, I mean that the mockingbird is the overall universal face of this timeless novel, portraying innocence. This theme of innocence is made evident in many instances in the novel by making many characters into that same mockingbird in a way, including the dog, Boo Radley, and Mrs. Dubose herself. However, this theme also includes the innocence of that mockingbird being stolen.
In the book How to Read Literature like a Professor by Thomas C. Foster, the first chapter illustrates the elements and ideas of quests in literature. Foster starts off the chapter with a hypothetical story where an average sixteen year old boy named Kip goes to the A&P, a local super market, to buy a loaf of Wonder Bread. Along the way, Kip unpleasantly encounters a German shepherd but meets Karen, the girl of his dreams, laughing with Tony Vauxhall in his ‘68’ Cuba. Kip continues to search for the bread in the store, but he is disturbed by a marine asking him to join the Navy. The story is immediately paused, and Foster analytically explains how Kip’s trip to the A&P was actually a quest.
Behind each movie lies the meaningful aspects and significant features worth noticing. All movies and books can be carefully examined and interpreted. Thomas C. Foster’s How to Read Literature Like a Professor provides a new view on interpreting literature. In the novel, Foster identifies and analyzes common patterns, themes, and motifs found in literature, many of which are also present in Disney’s film, Maleficent. This movie showcases several of his ideas, including quests, flight, geography, and symbolism.
It is with this that narrative pace is used to help dramatize the heroine’s adventure to the top of an unknown
In the book “Two Kinds” by Amy Tan, it’s about a little girl who is pressured by her mother to become something she doesn’t want to be. Jing- mei , the daughter, is forced to become a prodigy(child actress), by her mother, and she doesn’t want to be one. In the story, Jing- meis’ mother uses allusions such as Shirley Temple to push her into becoming a prodigy. Although at first Jing- mei is excited to become a prodigy, she later realizes its something she just doesn’t enjoy doing. Consequently, the uses of allusion in the story help Jing- mei discover to not be a prodigy and that what her mother wants for her is not always important.
