Loss Of Innocence In Mark Smith's The Road To Winter

ot wet pillows, a poem by Josh Cullen invites readers to believe that nobody cares about issues faced by many

In Accomplice by Eireann Corrigan Chloe and Finn fake the disappearance of Chole by hiding her in Finn’s grandma 's basement. They fake the disappearance so they will have something to put on their college applications. The theme of this story is the truth will always come out. No matter how hard you try to hide it, right when you think everything is over the truth will come out.

Edgar Allan Poe’s work has been admired for centuries. One of his most famous works, The Raven is one many people gravitate towards. This 108 line poem consists of assonance and religious allusions to contrast many different types of religion including Christianity and Hellenism. This gives the audience an inside view on Poe’s religious views, or lack thereof.

Community in the dictionary means a group of people living in the same place or having a particular characteristic in common. Everyone belongs to a community or considers themselves a part of one, however communities tends to take away individualism. Anna Quindlen, author of “Commencement Speech at Mount Holyoke College”, spoke to the graduating class and delivered a speech on the effects of society on individuals. The purpose of this was to lead and guide the graduates into a happier life. Being true to self can only bring happiness, conforming to mold never designed to fit will only cause discomfort and unhappiness. Anna Quindlen conveyed this message by using metaphors and comparing a backpack to the weight of perfection.

Mark Smith the author of “The Road to Winter” exhibits that in times of affliction brings out the very finest and least in people. The content is centred around the main character Finn. He remained alive through a pernicious virus that wiped out his entire town and has had to adapt to a life by himself since he lost his family and friends. He learnt to kill animals, defend himself and a whole lot more. Out of the blue a mystery girl shows up with a secret that changed Finns terrene. Smith examines the concept that in times of affliction people can become different in the consecutive ways. People ransacking the general store, Willow being in the hospitality of Kas and Finn and Ken Butlers murder.

Truman Capote’s “In Cold Blood” explores the theme of how trauma affects one’s future life and actions, especially in the character Perry Smith, whose childhood was characterized by neglect and uncertainty, leading him to commit serious crimes. Similarly, in “Poisonwood Bible,” Barbara Kingsolver expresses the same theme in the character Nathan Price, whose experiences in the war, when paired with a deep religious belief, led him to justify the abuse of his family with the words of God.

The protagonist in “The Painted Door", Is Ann who is struggling for happiness in her marriage and inner satisfaction, Ann feels that she is simply an adjunct on her husband, Since she is a farmer’s wife, she feels an increasing isolation especially during the winter month. And on the other hand the fire seems to comfort Ann from the sense of isolation and protects her from the cold; the fire also seems to bring her a sense of security. When the silence becomes too much for Ann to bare, the fire seems to help her cope. "It was the silence again, aggressive, hovering. The fire spit and crackled at it."(50) The fire fights the loneliness that Ann feels. Sinclair believes that when humans have to deal with isolation, the way they behave with certain

In Patricia Smith's’ What It’s Like to be a Black Girl (for Those of You Who Aren’t), she eliminates the use of stanzas in her poem, which makes it appear as a miniature short story to the reader. Without the stanzas, the reader is encouraged to read the poem straight through, only breaking where there is punctuation. Her powerful words keep the reader attentive and truly capture the essence of her life. She begins her poem with the line “First of all”, the F in first being the only capitalized letter in the poem. She does not use other transition words like then, next or second, which one would expect, however, with each line, she takes the reader as she transitions from childhood to womanhood for a young black girl.

The first stanza of the poem uses metaphors portray the writer point of view and imprint on the reader. The line, ‘night that covers me’, refers to death that hangs over him whist in hospital and the pain that never leaves him. He uses ‘black as the pit from pole to pole’ as an extended metaphor to emphasize that he is surrounded and there is no place for him to turn to. Using these techniques push the reader to imagine the hardship of his life and his suffering. With the 3rd and 4th line, ‘I thank whatever gods may be, for my unconquerable soul’, he is not selective in thanking any god in particular but to any higher being able to help him withstand his punishment.

Mark Smith the author of “The Road to Winter” displays that affliction brings out the very finest and least in people. The story is centred the main character Finn. He survived a deadly virus that wiped out his entire town and he has to adapt to a life by himself. Finn lost his family and friends and had to survive on his own. He learnt to kill animals, defend himself and a whole lot more. Suddenly a mystery girl shows up with a secret that changed Finns world. Smith explores the idea that in times of affliction people can become different in the following ways. People ransacking the general store, The villagers not allowing Finn to leave for selfish reasons, Willow being in the care of Kas and Finn and Ramage taking Hope after the death of Rose.

“They outgrow us so much faster than we outgrow them. If growing up is the process of creating ideas and dreams about what life should be, then maturity is letting go again. If growing up means it would be beneath my dignity to climb a tree, I'll never grow up, never grow up, never grow up! Not me!” As displayed in this quote growing up is controversial in many kids’ minds as on one hand, it means maturity and a perspective on life, but on the other hand, it means letting go of that perfect world that comes with a simple mind. Authors often explore this aspect of growing up and write about both the difficulties and experiences that come with age. The passages “Bangs” by Jodi Balfe, “On Turning Ten” by Billy Collins and experts from To Kill

Alice Walker uses imagery and diction throughout her short story to tell the reader the meaning of “The Flowers”. The meaning of innocence lost and people growing up being changed by the harshness of reality. The author is able to use the imagery to show the difference between innocence and the loss of it. The setting is also used to show this as well.

Everyone is born innocent, but for one reason or another, people lose it. It’s an inevitable fact that everyone has to grow up, which Holden Caulfield learns throughout the novel The Catcher in the Rye by J.D. Salinger. One can’t stop or prevent someone from growing up because through life experience innocence gets lost. In this novel there is, the loss of innocence, Holden trying to prevent the loss of innocence, as well as the acceptance that it is all a part of life.

Innocence is a possession that is best not taken for granted. Once lost, it can never be returned. Many wish to preserve innocence in the people around them, but may fail to realize that the loss of innocence is only a part of growing up. In the novel The Catcher in the Rye, by J. D. Salinger, Holden Caulfield tries to preserve the innocence around him. However, he is not able to get away from the "phoniness" nor is he able to keep everyone innocent. In the article "On First Looking into Chapman's Holden: Speculations on a Murder", by Daniel M. Stashower, the murder of John Lennon is justified by the murderer, Mark Chapman, through use of The Catcher in the Rye. The author of the article speculates that Chapman saw John Lennon as an

Turning twenty-one years old puts a person in a position to be universally regarded as an adult. Both Samuel Johnson in his poem, To Sir John Lade, on His Coming of Age, and A.E Housman’s, When I was One and Twenty, recollect memories when they once dealt with this adamant yet subtle time in their lives briskly unaware of the troublesome times that lied ahead. The writers’ use of provoking details, vivid imagery and a hint of irony, create a visually appealing description regarding the stubborn new adults, while both speakers recall and account their own experiences.