The Orlando Museum of Art, also known as OMA, is a hub of Central Florida when it comes to pulling in remarkable works of art for the public eye to pay patronage to. Today I visited such a place for the annual Antiques Vintage and Garden Show, which took place between February 19th through the 21st. Included in the price of a ticket was also admission to The OMA’s current exhibitions, which included Women of Vision: National Geographic Photographers and their other running exhibits, which contained an array of work, ranging from Pre-Columbian sculptures to more contemporary works of the 21st century. The specific exhibit which held my interest most was the Pre-Columbian, Mesoamerican gallery titled “A Trek from North to South”, which was organized by geographic locations in Latin America. Since my girlfriend, Illiana, bought me tickets to the show for a …show more content…
Knowing that I am an arts ' enthusiast, she searched for local events pertaining to art and stumbled across tickets to this event on the OMA websites list of attractions. The intended exhibit of the Antiques Vintage and Garden Show was a bit of a snooze and we ended up spending over two hours in the room designated for the Pre-Columbian art works instead, which happened to line up with the time period of the art works studied in this course of Art History. Through my experience at this exhibit it was revealed to me the importance of the natural world in every Mesoamerican cultures form of art. Specifically, this was proven by the fact that the materials utilized were part of each cultures stomping grounds, literally, in reference to clays and ceramics, also by the subjects and scenes depicted in such works revolved around the natural environment at hand, and lastly shown by the value of animal life depicted through their representation and symbolism. As we entered a small, yet brightly lit room we were overwhelmed by the sheer quantity of authentic Mesoamerican art works and
never out of all of his variety of his pots never had two alike each other (Powell 269),but in 1894, a vast fire swept through the coast taking most of George Ohr’s pottery with it. Thinking that the pottery was a wonderful treasure and afraid it would sell for less than it was worth, he put thousands of baffling shapes of “eggshell-thin walls and sensual, richly textured glazes” into creates (Powell 269). His beautiful pieces were identified for their inspirational appearance in the 1960’s (Wiggins 6). His gift of pottery that was over seven thousand pieces of the art were founded by the world in the 1970’s (Powell 269). “Now Ohr’s vessels are stored in The Metropolitan Museum of Art in New York in addition to the Ohr- O'keefe Museum in Biloxi” (Wiggins 6).
Native American artwork, no matter when it was created, often has an extremely profound meaning or symbolism for a particular tribe or ancestry. Undoubtedly, the style of art that was being created by Native American artists was impacted by European domination. In this assignment, two Native American pieces will be analyzed in order to compare and contrast them. The contemporary sculpture The Spirit of Haida Gwaii by Bill Reid and the traditional Chilkat blanket of the Pacific Northwestern tribes will be examined.
The Aztec sun stone is an essential artifact for our continued understanding of the Aztec
Nina Irwin is a Kansas City artist, globally known for her watercolor landscapes and ceramic pieces. She has had many shows across the country, and several overseas as well. Originally hailing from Chicago, Illinois, Irwin’s family moved to Kansas City when she was six. As the child of two successful artists, she was surrounded by art throughout her childhood, but did not pursue it as a career until her mid-twenties. She attended college for a variety of disciplines, including archeology, anthropology, and English, and had many interests, though none truly appealed to her as a degree.
Schedule of Activities Introduction (10 min) Aztec Masks (40 min) Clean Up & Wrap Up (10 min) Objective Discover the process, materials and original uses for Aztec masks, while creating Aztec mask replicas. Aligned Standards (CCSS or NGSS, 1+) ISTE-S.6.b Students create original works or responsibly
The museum will be fresh, new, and have modern technology, while still preserving the original integrity of the artifacts. It will not only present the history of the Cherokee people, but take the audience on a journey. The entrance
Let me start by express my gratitude for meeting with me tonight. I have followed your work and I am thankful for this opportunity. I am a museum archivist, currently employed by the National Art Museum of Mexico City. Formerly, with the years of experience, I had helped with the setup of some exhibits in different museums around Mexico. Enough about me, I know you’ve created some monumental sculptures such as The Thinker (1902) and The Kiss (1882–1889); but tonight I would like to review one a particular sculpture that captivated my attention, the Young Mother in the Grotto (1885); presently on display in the Philadelphia Museum of Art.
For the Mu’tafikah, the exhibition of the arts from African, Asia, and Amerindian
From my visit to The Native American Voices Exhibit at The University of Pennsylvania a there was a collection of historical memorabilia that indeed celebrates this community. The presentation as a whole set out descriptive displays that certainly memorialized The Native Americans as well as those Native Americans (The Lenape) who were the first to live locally in Delaware. The objects that I chose to take a picture of were at first very visually appealing. After taking a deeper look into those objects, I realized that all had significant value to this community.
The Aztec Marketplace at Tlatelolco is a section from the book The Conquest of New Spain, written by Bernal Diaz del Castillo. The book was originally written in 1576 and published in 1632. Bernal Diaz del Castillo was a Spanish soldier born in the mid-1490s in Medina del Campo, Spain (Davidson). Castillo served in the expedition of Hernán Cortés, where the conquistadores conquered Tenochtitlan, the Aztec Empire, in 1521 (Brown 2000). After the conquest, Castillo was awarded with an encomienda, which was a grant of land and/or labor, for his services as a soldier (Davidson).
For many relatives, simply standing on the grounds evokes a feeling of faithfulness. “For reasons still unknown, sometime in the 15th century, the Sonoran Desert people abandoned the walled village compounds. Remaining examination, visitor center remodeling, repairs, programs, interpretive, and ruins are all segment of the remaining strength to postulate the greatest sightseer capability promising, and to satisfy the National Park Service 's undertaking to preserve, keep, and make accessible for present and the future inventions the many phenomena of Casa Grande Ruins National. Today, the Casa Grande serves as the main area for the public to visit at Casa Grande Ruins National Monument providing visitors with a direct connection to the people who once lived there. A stop at the visitor center, followed by a self-guided walk around the Casa Grande, will provide visitors with a memorable view of Hohokam technology and society” (National Park Service).
Guáman Poma was an Incan man who was born in 1535, just after the Spanish conquered the Incan empire. He wrote a 1,189 page book entitled El Primer Nueva Corónica y Buen Gobierno, or “The First New Chronicle and Good Government.” The book was intended for King Philip II of Spain to explain to him the history of Andean civilization and to show the king how the Spanish colonists had damaged the Inca way of life. In addition to text, Guáman Poma illustrated the book with 398 original drawings depicting Inca life and history, and Spanish cruelty. The images below come from El Primer Nueva Corónica y Buen Gobierno.
I visited the Portland Art Museum of Thursday the 22nd. RIght away, I noticed the architecture of the building. Primarily how the sections of the museum were very orderly, separated. It allowed me to be able to walk through each of the sections and look at almost all the of the art without getting lost. So, that is what I did.
Introduction The Columbus Metropolitan Library (CML) is one of the most-used and top-ranking library systems in the United States. The library consists of the Main Library and 20 branches located throughout the city of Columbus and Franklin County. Additionally, CML operates jointly in cooperation with partner libraries in central Ohio to share resources and catalog information. As a top-ranking library system, the CML initiative is to update their aging technology infrastructure through modernizing their email server system. As a part of the initiative to modernize, the potential costs and benefits need to be assessed, analyzed, and evaluated to determine whether CML should replace the current Novell GroupWise (Novell) to the Microsoft 365 (Microsoft Exchange) email system.
To begin my trip at the Huntington Museum of Art, I read a bit about the Caribbean Art I was going to be observing. I gained the knowledge that most of the work came from Haiti that was designed by a guy named Winslow Anderson. Much of his work came from late 1940’s and early 1950’s. Many of the Haitian masters were included in the work, such as Hector Hyppolite, Rigaud Benoit, Seneque Obin, and Philome Obin. These masters helped create the “Haitian Renaissance”,