Attempting to break free of social constructions and otherness, Rochelle Brock delves into deep inquiry for the advancement of her pedagogy. Brock utilizes an interesting style of writing where she inserts an explanation, through a quote or internal dialogue, about the situation at hand; whether it be with her students or with the god to whom she was seeking guidance, Oshun. Dissecting the conversations inside her own head and those of the four students invited over for dialogue on the matter, she is able to examine the difference in rhetorical strategies used to suppress others and to combat otherness. The chapter, “Sista to Sista to Sista,” takes up a decent portion of the book and revolves around dialogue between Brock and four students regarding their experiences as Black women. Split into different arcs, one for each of the main concerns they faced. The first comes from a young woman named China, where she talks about the problems she faced in internalizing her emotions as a result of …show more content…
Grace, another one of the students, takes her concern to the table as she realizes what she is struggling with “every day is how society sees me, how [she sees] herself through society’s eyes and what [she] feels inside,” (58). In turn, she is able to critically analyze her personal construction for the purpose of seeking an identity against the categories she had involuntarily inherited from others. China points out that people feel that their generation is spoiled as a result of the efforts their predecessors had put in to create a more just world for people of color. Yet, she mentions that while that was a step forward, it was not the end and that the generations following have to fight in a different manner in this world where the social element is still unaccounted for
This passage really stood out to me because it is a fond and genuine moment between two characters that often come across as lost and are exploited incessantly by Russell. The story that Suzanne retells is humorous and preposterous, revealing the personality and the carefree attitude that any ordinary teen should possess. You can see a real warmth and friendship between the two girls, as an episode of something close to normality briefly suspends itself in their portfolio of otherwise offbeat experiences. Instead of running towards crazed situations charged with danger and immorality, the two are simply content with just being typical girls, enjoying each other's company with sunny
Susie O'Brien's article 'It's time to honour gay couples and allow them to marry' (The Advertiser, November 20, 2010, p. 27) is arguing the side of pro-gay marriage in the debate of marriage equality. This argument is made using ethos, logos, pathos and suggestive language as to guide you to her side of the argument. Susie begins by talking about herself and her experience on the subject of whether or not she had a choice when growing up straight or gay. She demonstrates her knowledge on the topic by referencing her personal history; however not truly showing why her opinion should be listening to rather than others. Her argument is very personally based and draws examples such as herself and her family or friends.
Through the implementation of various rhetorical strategies, sensory imagery, and eloquent phrasing, Leah Hager Cohen effectively depicts the predominant idea that despite the stereotypical assumption that the audibly impaired cannot possibly be normal, her grandpa is, indeed, quite normal. The author employs vivid sensory imagery strategically throughout the essay. By strategically, she applies the images meticulously in order to fortify her ideas. She writes, “He smacked his lips and sucked his teeth…” (2, 5-6).
Emma Marris uses many types of persuasive elements in her essay “Emma Marris: In Defense of Everglade Pythons”. In her writing she persuades her readers that the pythons should be allowed to be in the everglades since it is not their fault that they are there in the first place. She uses metaphors to relate to the reader and word choice to enhance her writing.
Before August 18th, 1920, only men could vote in the United States. One person that helped to right this wrong was Carrie Chapman Catt. In Carrie Chapman Catt’s address to Congress on women’s suffrage, she uses logos, pathos, and other rhetorical devices to convince Congress to give women more rights. One tool that helps make this speech as effective as it is is logos. She demonstrates logos when introducing the second reason as to why women’s suffrage is inevitable.
In the musical Hamilton by Lin Manuel Miranda, the writer uses a variety of appeals to connect the audience of today to their past. Throughout the forty six songs used, Miranda uses many different techniques to create a deeper understanding and connection for the beginnings of America in a way a contemporary audience of today can relate to. One example of the unique way Miranda is able to give life to the past is with the song “You’ll Be Back”. It’s constructed in a way that sounds like a person bitter over a breakup and that they’re writing a letter to their ex. Not only does this bring a humorous aspect to the song, in that its sung by King George to America, but it also provides a sense of relatability to its message by simplifying the complexity of politics down to something more human which many more people can understand.
Maria W. Stewart Analysis In this excerpt of a lecture given by Maria W. Stewart in the year 1832, she has a strong point: Although the African Americans in the northern colonies were free, they were not treated equal as the white people were. Stewart uses a variety of rhetorical strategies to bring her point in the situation, such as argument, compare and contrast, and appeal to ethos. Along with the persistent and serious tone, it is clear that she sees the unfair treatment of African Americans a major problem.
The Prison Door In this Chapter from The Scarlet Letter, Hawthorne introduces the setting of the book in Boston. He uses a gloomy and depressed tone in the beginning of the chapter. He is able to convey this tone using imagery while describing the citizens, the prison, and the cemetery. However, as he continues to discuss the rose-bush, he uses parallelism to shift the tone to be brighter and joyful. To create a gloomy and depressed tone, Hawthorne uses imagery.
Of the twenty-five children in the class, there was only one student who wasn’t, as the others said, “like the rest of us”. I knew exactly what that meant, but I didn’t care. She was a nice girl, and, to me, that was all that mattered. But, the other kids didn’t see it the way I did. They blamed her for things she clearly didn’t do, and they did so solely because her skin was darker and she saw things a little bit differently.
The United States is made up of some of the most diverse and interesting cultures in the world. Jamila Lyiscott proves this by showing her different dialects and how they are all equally important. Lyiscott believes that the way she speaks towards her parents, towards her friends, and towards her colleagues are all one in the same. Throughout the entirety of her speech, Lyiscott changes up her vocal patterns and dialects so that the audience can understand first hand what each of these dialects are. When she talks about her father, Lyiscott uses her native tongue, when she talks to her fellow neighbors and close friends she switches it up to a more urbanized dialect, and when she is in school she masks the other two dialects with a professional sounding language.
In every novel around the globe you can find carefully constructed paragraphs, written by the author to send a specific message to the readers. In The catcher in the Rye by J.D. Salinger, one particular section overflows with symbolism, metaphors, and hidden messages. By analyzing the passage’s diction, setting, and selection of detail it is possible discern the less overt statements hidden in the text and reveal the turbulent nature of the main character, Holden Caulfield. The diction of this passage appears to be the key in unraveling Holden’s mood swings.
Puritan’s harsh beliefs represented the beginning of the Nineteenth Century in the newly colonized America. Their community ruled with an iron fist: unforgiving, pitiless, stern. In The Scarlet Letter, Nathaniel Hawthorne expresses his disagreement with puritan priorities by revealing the hypocrisy widely practiced throughout their community. Hawthorne’s utilization of dim diction aids in the establishment of his scornful tone, while inclusion of symbols and intricate juxtaposition all serve to accentuate the Puritan’s duplicity. All these factors combine to develop a critical tone which rebukes puritan society.
In “A Raisin in the Sun” by Lorraine Hansberry, the author uses diction like abstract diction and details by explaining what he exactly wants in life to demonstrate Walter and his dream. To begin, Hansberry uses diction to demonstrate Walter and his dream by using abstract diction. She does this by explaining how he will give Travis anything for his seventeenth birthday and that he will “hand you the world!” (2.2). This shows that he wants to make his sons life as good as possible.
Throughout the entire novel, the mothers and daughters face inner struggles, family conflict, and societal collision. The divergence of cultures produces tension and miscommunication, which effectively causes the collision of American morals, beliefs, and priorities with Chinese culture which
As a child, she recognized that her imitation of ‘White” afforded opportunities of mobility, education, acceptance and privilege. Her mother’s appearance as “Black” afforded opportunities of poverty, inferiority, and inequality. So, she fails to mention her mother’s identity and occupation to classroom peers and teacher. Sarah Jane wants cultural assimilation and white privilege.