Romeo And Desdemona Character Analysis

Mindset and grit are equaled to success. Growth mindset is the belief that people can get smarter by working harder and practicing. Fixed mindset is the thought that talent and skills develop success without putting any effort. Grit is determination to stick to one thing until you have mastered it. There are certain decisions that an individual makes that will impact grit. Throughout reading the play Othello by Shakespeare there are connection between Othello , Desdemona , Iago and Brabantio with grit , growth mindset and fixed mindset.

In both literatures, they demonstrate the social structure in the patriarchs of society. Both female protagonists in the literatures are subjective towards men, portraying character traits of submissiveness. However, their subjectivity are either forced by male dominance, or is craving for love of a male figure. Mariam in A Thousand Splendid Suns, demonstrates how the dominance and aggression of male character can force a female character into submission. Rasheed was assertive and aggressive when he was displeased with Mariam’s cooking. Rasheed’s “powerful hand clasp her jaw. He shoved two fingers into her mouth and pries it open, then forces the cold, hard pebbles into it. Mariam [struggles] against him, but he kept pushing the pebbles in…”

The cruelty Iago is able to incite in Othello and Roderigo reveals their deep passions and overwhelmingly trusting natures. The fact that Othello is so vulnerable and susceptible to Iago’s poisoning sheds light on his lurking insecurities about age, race and appearance, which Othello is ultimately unable to ignore. Likewise, Roderigo’s willingness to sacrifice all money and morals by Iago’s bidding reflects his naive passions and an overall lack of personal strength. In stark contrast with Othello and Roderigo, Desdemona, the primary victim of Iago’s cruelty and yet the only one who dies completely unaware of it, turns out, somewhat ironically, to be the only one whose inner self is completely unaffected by Iago. On the eve of her death, even after being horribly mistreated by Othello, she firmly upholds her values of loyalty and obedience, and her belief that no woman would ever wrong her husband. This reveals in part her naivety to the point of foolish ignorance that she met her downfall with, but more importantly, the incorruptible purity and innocence that Desdemona

A world where men dominate women. This idea was the basis of many Renaissance era dramas. Writers always used to perceive certain genders as having distinctive qualities and traits. Men were held up to a higher respect and given more violent roles than women. Their tough archetypes were always present in many plays and reinforced the idea of male superiority. This fact held true, especially for a certain tragic classic by William Shakespeare. There was a misogynistic mentality towards women in Romeo and Juliet, evident through the way women were shown as objects, portrayed as weak, and made to seem unable to dictate their own lives.

never did Offend you in my life; never loved Cassio’ however, he still didn 't believe her. She then says ‘But while i say one prayer!’ Othello responded ‘It’s too late’ and then he suffocates her. Without guilt Desdemona was killed by Othello’s blindness in falling for Iago’s trap. This would’ve ended up differently if only Othello had just talked things out with

Juliet being forced into marriage, showed how little input women had during the Renaissance period. Renaissance is a period in which the ancient writing of Greece and Rome, “Rebirthed”, or came back into practice. During the Renaissance period, women had limited, to no rights. They were required to follow orders made by their husband’s or superior male figure. This is presented in the play Romeo and Juliet made by William Shakespeare. You will notice that throughout the play women’s rights played a huge role in the story, mainly in Juliet’s decision making.

New Historicism is concerned with the political function of the literature and also the concept of

Author Stieg Larsson once wrote, “Impulsive actions led to trouble, and trouble could have unpleasant consequences.” In the play Romeo and Juliet, written by William Shakespeare, each characters have a flaw that are used against their circumstances. Very rarely does a character in this story thought about the consequences of their actions before they did something, resulting in devastating outcomes. Granted, the main characters of the story have a noticeable weakness that contributes to their tragic ends. Romeo and Juliet both have a fatal flaw of being too impulsive when it comes to love and decisions.

In Shakespeare’s ‘Othello’, women are portrayed as either pure angelic beings and jewels, or as whores who are impure. They are objectified and shown as something to be used. The only women in this play are Desdemona, Emilia and Bianca compared to the main 6 male characters, not to mention the minor characters, who are also all male. Their depicted purpose is to belong to a man; Desdemona, Emilia and Bianca’s lives revolve around being wives to Othello, Iago and Cassio. This fits into the idea of a perfect Elizabethan woman, who’s lives are subject to their husband’s rule across all aspects, to be disposed of as men wish. Each female character is treated by men as a possession. However, there are also moments when they are presented as confident and challenge a male authority. This would have been exiting for Shakespeare’s female Elizabethan audience as women

The way these women act and conduct themselves is unquestionably related to the ideological expectations of Elizabethan and patriarchal society. Desdemona, Othello 's wife and Brabantio 's daughter, is represented as the ideal woman. So she would never be disloyal to her husband. On many occasions, Desdemona obeys her husband firmly and calls herself obedient even after Othello hits her. She was loving and loyal to Othello and wishes a long marriage of prosperity and commitment that would lead to her ultimate happiness. She is an independent character because, she confidently defends her love marriage to a man her father hasn’t accepted who is many years older than her. She was interested in adventure when she heard the stories of Othello’s great battles and travels. Then she expresses her own desire to go with him on his journey to Cyprus. Othello thought that she could be unfaithful to him so he felt that murder and violence was the only way answer to his dilemma. The most important argument is that she takes the blame for her own murder. Her final words, when Emilia asks who has done this to her, then she said - Nobody; I myself.

In his play “Othello,” Shakespeare is very compassionate towards the women of his era. He treats Desdemona with special sympathy. She is the victim of two crossed male aspirations — the devilry of villain Iago and the jealousy of her husband. The main cause of Desdemona’s tragedy is the total absence of women’s personal liberty. The lack of self-development without restrictions of society and family constricts the mind. She falls in love with some hero stories and even got married to it. Her life must have been bored and very constrained compare to contemporary time when everyone’s story sounds like a hero. Her father makes her to choose between him or Othello, and she can’t reserve the right to be close to both, similarly the feudal law worked

The following passage is significant to the play ‘Othello’ in retrospect to the plot progression, as it reiterates themes and introduces important facets to the plot development. Through Iago’s cunning manipulation and Shakespeare’s crafting of language, this passage is constructed as a pivotal point of the play, marking the transition of Othello’s personality and revealing his deepest insecurities that eventually lead to his downfall and tragic ending.

Iago’s powerfully disruptive insinuations torment Othello to fall precipitously into his intricate trap, believing in the prospect of Cassio and Desdemona’s fictitious affair. Through the use of linguistic techniques such as elliptical speech, subservient vocative choices and a hesitant tone, Iago is able to construct artful innuendoes to deceive and manipulate Othello. Supplementary to linguistic techniques, dramatic techniques such as dramatic irony reinforces Iago’s role as a two-faced villain, who is making a pretence of being Othello’s loyal ensign. Eventually, Iago’s villainy nature sows a seed of doubt in Othello that germinates into the murder of Desdemona. Through the characterisation of Iago as a notorious villain, Shakespeare is able to hold Iago’s actions accountable for the play’s tragic downfall, establishing a sense of powerlessness amongst the

The most influential, important, and critical relationship amongst humanity is a trusting and attentive friend. A friend is anyone who is supportive of one 's best and compassionate at one 's worst. A friend is an absolutely essential connection to maintain throughout a lifetime. According to the Huffington Post, lack of friendship has been associated with higher chances of a premature death than obesity. Consequently, friendships are required not only for mental health but for longevity. Thus, friendships must be considered a crucial relationship among people. Moreover, one of the interviewees went as far to say, "They become outcasts and incredibly depressed to the point of suicide making it necessary to make close friends." This means

While Desdemona is a remarkably strong character, Emilia also displays independence unmatched by any other female in Othello, and there are multiple details of Shakespeare and his time that may have prompted such a portrayal. In Elizabethan England, many women worked behind the scenes of productions, like Shakespeare’s, as uncredited authors and editors (Crowley). Due to their anonymity, nobody can be sure that women were involved in Shakespeare’s plays nor Othello in particular, but there is a genuine possibility that female writers did have leverage. This may have had to do with how Emilia was portrayed as resilient from the time of Desdemona’s death all the way until her own, standing up for herself regardless of the ridicule it caused her (Iyasere). In fact, it even killed her in the end. Moreover, women may have surreptitiously helped formulate Emilia’s self-sufficiency and valor in order to either live vicariously through her, in frustration with their misogynist society, or at the very least, to comment on it. Additionally, it is likely that Emilia’s independence was inspired by Shakespeare’s own wife and mother, whose atypical authority can both be confidently assumed. Shakespeare’s mother, Mary Arden, very possibly had more sway in her relationship with Shakespeare’s father, John Shakespeare, because before their marriage, Mary was in a higher social class than John, as her father was a gentleman farmer (Andrews). Thus she was not entirely reliant on her husband. As