Does Satan seem to a Hero or Villain in Paradise Lost, Book I? Paradise lost; book I by John Milton starts in midias Res with invocation to the muse. He proposes the subject of man’s first disobedience and loss of Paradise they were placed in, Milton emphasis on justifying the way of God to men through Christen believe of Felix Culpa. Milton portrayed Satan as one of the most dynamic and complicated characters in Paradise Lost, book I. Satan can be argued as villainous character as well as a tragic hero in this book. Satan (Lucifer), the chief of rebel angels to go against God, is the greatest villain with many tragic flaws of hubris.
The Good Side of Satan Since the ancient times up today, the perception of good and evil has always existed. As an example, in the Christian Bible, evil is represented by the figure of Satan who before transforming himself into a demon, he was one of the most confidant and influence angels in heaven. However, due to the fact of his ambitious to become more powerful than the same Creator, God sent him to earth. As a matter of fact, in the bible Satan is portrayed as the cost of temptation and the promoter of mankind`s disobedience toward God. For this reason, people have stereotyped the image of Satan as selfish, evil, and numb and loser.
In the 17th century, John Milton composed an epic poem written in blank verse called “Paradise Lost”. The poem is Milton’s version of “Man’s first disobedience” and the “loss of Eden” thereupon, as the initial lines of the poem informs readers. Milton’s epic is based on the Biblical story of the Fall of Man, in which, archangel, Satan tempts Adam and Eve to eat the Forbidden Fruit. They are hence, expelled from Eden and this marks the beginning of the downfall of humankind. Milton created this poem with the intention of justifying “the ways of God to men”.
Iago is also very similar to the serpent, both are driven by jealousy of what other have. The serpent being the fallen angel Lucifer who is envious of God. Much of this story is what shaped Shakespeare’s concept of jealousy. A concept that very much drives this play. This jealousy in Iago is what leads him to his hatred of Othello.
In Karl Shapiro’s “The Fly,” the typical life of a fly is shown, and the speaker exhibits his disgust for the creature being described. In this six-stanza poem, the author utilizes several literary devices to give the reader a visual of the fly’s life, while also utilizing diction that elicits an abhorrent tone from the speaker. This harsh perspective of the fly’s life is used as justification for the speaker’s act of killing these flies, which are only doing what their creator intended, in multiple ways. Through the theme of man’s savagery, symbolism, and frequent utilization of similes, the author brings a poetic thought to the unusual subject of a fly’s life and his impact on humans. Throughout this piece of literary work, the theme of the savagery of humans is displayed with a tone of power and contempt.
Despite the fact that he does not appear as a human figure, he controls the thoughts and actions of the Puritan society, serving as the ultimate threat. The Devil influences the villagers of Salem, Massachusetts by using their ongoing fear of him to manipulate their thoughts and actions in a manner to set himself in the highest position by the end of the Act 1. As the Puritans lean toward blaming the Devil for their misgivings and suspicions, he gains control of their thoughts. Ruth and Betty pretend to fall ill after Reverend Parris catches them in the forest with Tituba and other girls, partaking in what is considered to be witchcraft: an act that defies the laws of femininity in the Puritan society. Mrs. Putnam does not buy her daughter Ruth’s act; rather, she sees it as “‘the Devil’s touch”’ which “‘is heavier than sick”’ (13).
However, the central theme evident in both the pictures is the notion of sin and punishment. The pictures depict the spiritual predicament of mankind and mankind given over to sin, which is completely oblivious to God’s law and the fate he has prepared for mankind. Lust is evident in both the pictures through the appearance of figures engaged in amative acts. Distinction between various classes of people is also evident in both the pictures. Bosch represents the hellish counterpart of the heavenly mansions in both the pictures, dominating the foreground with new motifs.
The purple used in the clothing of the pope is a sign of royalty, however the leaking purple into his face creates a corpse quality. Bacons technique of dehumanising the Pope is also achieved by having the opened jaw, exaggerating the length of his face, making him look inhumanly. He also manages to chose a very pale grey, white skin tone which gives off a more ghostly appearance than a human. His ridged and skeletal figure is created by the streaky applied paint, which helps characterises his scream as powerful and deafening. This type of scream is emphasised by the vertical lines running down the piece which slowly flare out into a curved line in the bottom half of the painting.
With the correct perspective, it becomes clear that the beast is not a real, tangible creature, but an internal force, a manifestation of evil. Simon understood this beast as the Lord of the Flies, thus the title of the novel. “Lord of the flies” is a literal translation of the Hebrew word, “Beelzebub”, which is a name for Satan. While this portion of the book is minor in the
He is the image of retribution” (Carter 36). In other words, Carter’s emphasizing the horrifying image of the executioner himself, describing him as if he represented death or evil himself. Carter somehow created a direct representation to Satan himself not only through the looks of the executioner, but also through his