A significant theme of Station Eleven is life and death. The text explores death on a personal but also on a universal level. On a personal level, the reader gains an insight into the life of actor Arthur Leander before he reached his death. It appears that Arthur is the character in the text that connects the remaining characters together once he has died. As a result, his death causes personal consequences and affects on the lives of those that are left behind, both in a positive and negative sense. For example, as Jeevan encounters Arthur in his different occupations throughout the text, it is in their final union that Jeevan realises his calling in life, which is to help others by becoming a paramedic. Therefore, Arthur’s death brought …show more content…
The text depicts memories from before the collapse but also tells the story of the present day. As the text largely deals with death, memories play an important role as they act as a coping mechanism especially for Kristen who does not have a family around her. However, it is evident from the text that Kristen is thankful that she cannot remember any of the first years after the flu as she avoided the trauma of the deaths and the drastic change in civilisation. “I can 't remember the year we spent on the road, and I think that means I can 't remember the worst of it. But my point is, doesn 't it seem to you that the people who have the hardest time in this—this current era, whatever you want to call it, the world after the Georgia Flu—doesn 't it seem like the people who struggle the most with it are the people who remember the old world clearly?” (Ch37, P195). A reoccurring aspect of the text in relation to memory is Kirsten’s knives tattoo, which demonstrates the people that she had to kill to survive. Furthermore, the knives are a symbol and a reminder to her that she has survived the most traumatic, difficult and psychologically challenging time in her life so far. As well as that, the tattoo also symbolises her change as a person from when we first encountered her as an eight year old girl at the beginning of the
“Shifty- Shifre. She could remember that.” Pg. 47. But, even though they’re small details in the book, they do create a huge theme. Since remembering is a huge contribution, there are many other parts of the story where remembering is a factor.
Memories can express many emotional times and events in your life, but it’s terrifying when you can’t remember anything at all. In the novel Breaking Beautiful by Jennifer Shaw Wolf, the main character, Allie, goes through her life after a tragic accident where her boyfriend, Trip, drove off a cliff in his truck. Allie was found near the cliff but she has no memory of the accident. Allie is forced to return to her life before the accident with the exception of having Trip. Allie experienced some traumatic events that influenced changes in herself as well as some people, some being Trip’s death/the accident, having to go back to school, and having Blake there for her every step of the way. .
Within Tim Winton’s novel Breath, Sawyer, Australia seems to hold most of the major events of the story in the first 50 pages. Although the novel begins at a scene of an apparent suicide of a teenage boy, the narrator, Bruce, almost immediately takes the readers into the memories of his childhood. He changes the setting suddenly, despite already establishing a clear tone and mood of his current living situation. At first it is a strange transition, as he tells the story of his boyhood through a series of memories rather than one continuous narrative and weave between the past and the present almost seamlessly. However, it becomes clear that by bringing readers back to this period of his life and where he grew up, it provides readers with another window of understanding of Bruce’s character through Winton’s use of external and internal reality of Sawyer.
In the novel Station Eleven, Emily St. John Mandel creates a parallel between a pre-apocalyptic and post-apocalyptic world affected by the nation-sweeping epidemic: The Georgia Flu. This dystopian world opens up the conversation about the following unresolved dilemmas: displacement, disorientation, dislocation, alienation, and memory. Each of the main characters faces a certain level of uncertainty while fighting for survival, evidently affecting them mentally, emotionally and physically. For this reason, some readers may question Mandel's choice to have her characters continue suffering from their inner turmoils.
The memories of the tragic events of the Holocaust live on through Spiegelman and almost overwhelm him, although he did not actually live through the war himself. It is also the relationship between kin that post memory is shared. In a way, he almost inherited the memories that his father experienced. In addition, post memory builds up self identification, and this helps Art figure out who he really
Memory affects the way people think and what they do after an epidemic. In the novel Station Eleven, by Emily St. John Mandel, memory plays an important role for Kirsten, Clark, and François. These three characters all create and collect to live in their memories; Kirsten gets tattoos and Clark makes a museum, while François creates a library and publishes newspapers. Kirsten Raymonde, an actress who has seen death right before her eyes multiple times, gets tattoos to remember what she did. The first death she saw in front of her was on stage before the collapse.
In Station Eleven by Emily St. John Mandel, she frames human life under two different eras in which they undergo a pandemic. The characters are in their present life living with concerns of their past life, in which ended twenty years ago after a worldwide collapse. Mandel seems to frame human life on both sides to let the reader know how civilization becomes affected through a great catastrophe. The story shows how human life was before the pandemic and its new meaning after the event. Throughout the novel, characters find material things that connect them back to the past.
Jeevan first becomes a paparazzo for Arthur to earn money in life to support himself, however Jeevan dislikes his job as a paparazzo, he believes “work is combat” (103). Many years later after Jeevan quits his job as a paparazzo, he is in Toronto watching a play that Arthur was playing in, during the play Arthur has a heart attack on stage and loses consciousness, Jeevan quickly dashes up on stage and preforms CPR, unfortunately Arthur does not survive. but Jeevan comes to the realization, “Being a paramedic was the right thing to do with his life” (16). Jeevan had been searching for profession for so long, “he’d been a bartender, a paparazzo, and an entertainment journalist, then a paparazzo again and then once again a bartender, and that was just a past dozen years” (16). During the collapse Jeevan is a person people would go to for medical assistance, he told one his patient's spouse that, “I trained as a paramedic, before the flu.
Arthur’s life is not very different from day to day and he does not have an exciting life. This part of Arthur’s life is easily seen as the Ordinary World of the Hero’s Journey, where Arthur’s life is nothing out of the ordinary. After the Ordinary World, the hero is given the The Call to Adventure which is when there is a calling to change the character's daily life to adventure on a new path. This stage is parallel to the novel The Sword in the Stone when Arthur is given an order, by Sir Ector, in T.H.White, Sir Ector,”...to start a quest for a new tutor as soon as he had time to do so…” (White 11).
Grief V. Love: The Ultimate Emotional Brawl “Grief is like the ocean; it comes on waves ebbing and flowing. Sometimes the water is calm, and sometimes it is overwhelming. All we can do is learn to swim,” was once written by the author Vicki Harrison. In the short story Catch the Moon, by Judith Ortiz Cofer, the character Luis learns to “swim” with the assistance of the power of love. Cofer creates this story with the underlying message, grief has negative effects on people, however, love has the power to overcome the obstacles created by grief.
Alcott uses metaphor at the end of her essay to make john’s death more real to the audience. She expresses how “. . .he looked a most heroic figure, lying there stately and still as the statue of some young knight asleep upon his tomb” (Alcott 3). Alcott never describes John as weak or ill, even in death she sees him as brave and noble. Through comparing his body to that of a sleeping knight, Alcott informs her audience of how his self sacrifice immortalized him as a hero, revealing the lasting impact of selflessness.
The memories that Kirsten grasps onto in the novel Station Eleven also display her human qualities, because humans commonly look to their past to define themselves. For example, Mandel mentions in Station Eleven how Kirsten would look through abandoned houses to find old articles in search of any remnants of her past (40). At another point in Station Eleven, Mandel offers insight into Kirsten’s mind as she reflects on the moment when she witnessed Arthur passing away in the play King Lear, and she remembers the stranger who comforted her and the lady who gave her the paper weight trinket which she treasured so much (41). Each of these moments connects the reader to Kirsten, because of her obvious desire to look to her past to better define and understand herself and simultaneously causes the reader to search his past and understand one’s self more introspectively. Although I would argue that each of these instances represents a positive moment Kirsten reflects on, Jordan also points out the moment when Kirsten said that “the more you remember, the more you’ve lost,” referring to the comparison between the pre-apocalyptic and post-apocalyptic world (195).
When thrown in a unique situation, how one reacts may not reflect their normal social behavior. In fact, it may push an individual to react in a way that could be deemed negative, regardless of having a genuine and positive nature. In the novel Station Eleven written by Emily St. John Mandel, the author explores the conflict desires between good and evil in a post- apocalyptic world. Mandel shows the conflict between good and bad through the characters of Kristen, the Prophet and the boy.
Station Eleven is a story filled with many different plotlines and backstories, all intricately woven together to paint a fascinating image of life after the Georgia Flu pandemic. The character development is one of the most intriguing parts of the novel, as the reader is surprised again and again with the actions and connections of each figure. Many of the characters enter both as background members in some scenes and as main characters in others, so that their stories flow smoothly with the others. Two characters that this can be applied to are Tyler, Arthur’s son, and Kirsten, a child actor turned into a performer with a travelling groupe after the near-extinction of the human race. They both grew and developed out of this tragedy, being
Repaying debts, justice, friendship, charity, contests, the mixing of classes and good versus evil are important themes in A Gest of Robyn Hode. A lot of debts are repaid in A Gest of Robyn Hood, like the one the knight at the beginning of the story has to pay back to Saint Mary’s Abbey. At first, he is unable but willing to pay back, but when Robyn lends him money, he does pay the abbey. Later on, he has to pay Robyn back and does this generously, by not only giving him the required money, but crafting him nice bows and arrows as well.