American Writer and Musician, James McBride has written multiple books and has voiced his opinions in magazines as well as newspapers. In this particular essay, which appeared in National Geographic in 2007, he talks about how hip-hop has influenced the world and how he realized that he has missed an important part of his life. There are many rhetorics used in this essay, -“Irony, Metaphors, Hyperbole and Allusions. ”- are some of the more notable ones. While talking about his biggest nightmare, a feeling of disjoint comes into his mind, “It is no longer…hip-hop planet.”
The summary of “Hip-Hop Planet” by James McBride In the essay Hip-Hop Planet by McBride, a national book award winner, he states that he believed the newer music like rap wasn 't meaningful. McBride talks about how he never understood why rap was so popular, he didn 't see why everyone liked it. In the essay he describes the first time he listened to rap and how he found it absurd. McBride noticed no one really cared where rap come from or how it came to be, people just liked it regardless of who created it.
In this particular article, Ivan Fernandez discusses the unique connection between hip-hop and indigenous people. In the past few years, many more indigenous music artists have begun to voice out their stories of oppression and their traditions that have been suppressed for such a long time through hip-hop. This is because hip-hop is utilized as a medium for indigenous artists to take back their culture and tradition. This is connected to the historical material that we have studied because it pertains to the history and background of hip hop. Hip-hop and its culture originated in the rough neighborhoods in South Bronx.
In “Prophets of The Hood”, by Imani Perry, she discusses and expresses her thoughts on the complexity of politics and poetics in Hip Hop. The novel describes Perry’s true meaning of Hip Hop. Throughout the novel, the author reveals four elements that make Hip Hop “black american music”. Two out the four elements that were discuss are political location of black americans and black oral and literary tradition. I agree with Perry’s idea that political location of black americans and the discourse of english in african americans creates black english/ebonics in hip hop that makes it their music.
The article “Hip Hop Planet” by James McBride is about how hip hop is not his favorite type of music but, it needs to be heard. McBride shows us this by explaining that he avoided hip hop most of his life. In the article McBride says that he basically ignored “the most important cultural event in my lifetime.” James informs us that hip hop has influenced the world globally and that it has become a phenomenon. Furthermore, McBride made clear that he eventually realized that hip hop is much more than just music, it has a message.
Hip Hop was the wildfire that started in the South Bronx and whose flames leapt up around the world crying out for change. James McBride’s Hip Hop Planet focuses on his personal interactions with the development of Hip Hop culture and his changing interpretations of the world wide movement. Many of his encounters and mentions in the text concern young black males and his writing follows an evolution in the representation of this specific social group. He initially portrays them as arrogant, poor, and uneducated but eventually develops their image to include the positive effects of their culture in an attempt to negate their historical misrepresentation.
a. Throughout Tricia Rose’s work of the Hip Hop Wars, she goes back and forth between a couple different topics relating to the genre, such as the debate about hip hop causing violence, or reflecting a violent ghetto culture, along with if hip hop is sexist, or if people against the music or just anti-sex. She talks about how hip hop has made a positive impact on society as a whole, by giving people who may feel left out a voice and allowed those in working-class and poor communities a way to express their social and political beliefs. But she also describes the genre as a topic which has created tension among numerous different people, for promoting violence and other anti-feminist ideals. “Members of the hip hop generation are now facing
This cultural revolution is now a part of everyday life in today’s society. Many famous hip-hop artists like Drake, Jay Z, Eminem, and Nicki Minaj are frequently played on the radio and loved by many. Hip-hop has evolved throughout the years and continues to change. While people continue to enjoy this art form, it is essential to know how hip-hop
Hip Hop is seen as something inspiring, but most people see it as a way to speak out the truth about a problem. As in “Hip Hop planet” being able say the truth can sometimes worsen any situation because sometimes what we say can promote violence and whatever happens after is not in our control. The essay is about how hip hop has changed into speaking out the issues that need to be taken care of in order to maintain a proper society. McBride talked about how rappers use violent lyrics to degrade women and gays and because of this it shows how the music has evolved into something entirely different that no one would have ever expected to have changed. In James McBride's essay “Hip Hop Planet,” he argues that hip hop has a negative influence on American Culture despite people thinking of it as inspirational and how people live through different experiences in life despite of your race.
In “Colleges Embrace Hip-Hop Studies”, Darrell Dela Rosa argues that hip-hop should be deemed scholarly due to the cultural and historical significance it holds. On the contrary, “Black Culture Beyond Hip-Hop” by Thomas Chatterton Williams comes from the stand point of hip-hop not being worthy of scholar because it is not what defines black culture but has attached itself to black street culture. While each article addresses hip-hop in a different light, both are geared towards how the world views hip-hop. Whereas Dela Rosa remarks that hip-hop is worthy of studying due to its historical value, Williams states that the hip-hop culture is not praiseworthy because of the correlation between it and black street culture. Dela Rosa claims that
The block parties, graffiti art, rapping, disc jockeying and diverse forms of dancing built Hip Hop by the black youth. They expressed their feelings, thoughts, but most importantly the problems they had to face, which were related to their race, gender and social positions. The rights that were given to black people during and after the Civil Rights Movement left the following generations at a lack of how to continue the fight for black rights. Hip Hop gave them this platform and with the usage of black nationalism, Hip Hop can explore the challenges that confront American-Americans in the post-Civil Rights Movement era. In the 1990’s Hip Hop lived its prime, sub genres started to appear and famous groups, MCs led the whole community, providing a voice to a group of people trying to deliver their message.
Nowadays, everyone wears the identity with pride. The genre was a testament to triumphing over hardships, to having enough confidence in oneself not to let the world drag you down, and to rising above the struggle, even when things seem hopeless. Violence in rap did not begin as an affective agent that threatened to harm America 's youth; rather, it was the outcry of an already-existing problem from youth whose world views have been shaped by the inequalities and prejudice they have experienced. The relentless wave of heroic new rappers arriving on the scene formed the golden age of hip hop in the 1980s, a newfound voice which rose from the impoverished ghettos during the 1980s and inspiring a generation of black youth to fight the police brutality they faced on a daily basis.
The Impact of Hip-Hop Ever since its birth in the 1970s in West Bronx, Hip Hop has been known as “Gangsta” music and most commonly associated with black culture. Since its creation it has become a fast growing genre of music and has growing fame all over the world. The popularity of it has increased to all races, age and gender. However the growing popularity of hip hop has come with several controversies among scholars. Some scholars argue that the growing popularity of the genre is very helpful to low income families who can use this as their outlet into going to Universities, on the other side some believe associating the genre to black culture is bad for the culture as a whole and they should not be associated together.
Hip-hop culture has been the topic of various academic, social, and political discourses. Rap music, in particular, has made its way to mainstream media which is evident in the numerous films and movies that centers on what was once a part of an underground culture. Scholars explain that the popularity of hip-hop in both music and films are partly due to its potential to disseminate information, address an issue, and promote social change. Tinson and McBride (2013), for example, note that hip-hop is a “…form of critical education at the intersection of, and inseparable from political engagement” (1). Scholars further note that hip-hop’s current state “…requires frequent accounting of its engagement with the social, political, and cultural climate
This paper presents the discussion on how popular music can have the greatest impact on the music students’ behavior of the students of the College of Performing and Visual Arts in Silliman University. The first part talks about popular music influencing bad values on the students’ behavior. The second part contains how it (popular music) can discourage patriotism among these students. The third part addresses the deprivation from their own culture, the Filipino culture. Popular music can greatly influence bad values on the students.
