The Importance Of Violence In Rap

“Gangsta Rap and American Culture” is an enlightening essay written by Michael Eric Dickerson, where he counters the claims made by political activist, Senators, and other Congressmen to censor “Gangsta Rap”. Dickerson made a highly effective, fair, and accurate argument by bringing to light several reasons on how “Gangsta Rap” could possibly represent the voice of the outspoken and oppressed people of the black community; As well as larger underlying issues plaguing society that need to be focused on before we condemn rappers and their music. Dickerson’s background and current position as a professor and minister, along with his open-minded view on the allegations paved the way for a superb rebuttal to censorship of “Gangsta Rap.”

Mr McBride, you claim that “It is a music that defies definition...remains an enigma, a clarion call, a cry of ‘I am’ from the youth of the world” (McBride 8). This is true, as hip hop has disseminated everywhere and has transformed into a style, and has become a way of expressing the social problems our world still

Since the beginning of its creation in 1970 rap music has always been judged. People think of rap in a negative way because of the subjects it normally references. In some cases this is understandable but in most cases it is not. Rap just like any other form of music is a way to express thoughts and feelings that not everyone can relate to but this doesn’t mean individuals should be able to criticize the music and its listeners based off the lyrical content.

In her essay “hip hop’s betrayal of black women,” Jennifer McLune implies that “(h)ip-hop owes its success to the ideology of women-hating” (193). She does not agree with Kevin Powell’s article that hip-hop does not mean to “offend” black women, but instead artists are only letting out their temper throughout their music. McLune feels infuriated that many artists in hip hop (including black men) rap about their community and downgrade their own women. In the hip-hop genre, sexism is mainly used, not only by black men but also by many other race hip-hop artists. Artists assume that women-hating in their rap songs will be accepted by women, but do not realize that it is affecting all women.

Hip Hop is seen as something inspiring, but most people see it as a way to speak out the truth about a problem. As in “Hip Hop planet” being able say the truth can sometimes worsen any situation because sometimes what we say can promote violence and whatever happens after is not in our control. The essay is about how hip hop has changed into speaking out the issues that need to be taken care of in order to maintain a proper society. McBride talked about how rappers use violent lyrics to degrade women and gays and because of this it shows how the music has evolved into something entirely different that no one would have ever expected to have changed. In James McBride's essay “Hip Hop Planet,” he argues that hip hop has a negative influence on American Culture despite people thinking of it as inspirational and how people live through different experiences in life despite of your race.

As detailed in Can’t Stop Won’t Stop, hip-hop was born through the explosion of creativity within America’s forgotten youth. The music spoke to the individuals in these forgotten communities. The music had a purpose and illuminated the political issues of the time. Sadly, over time, the increasing commodification of hip-hop as an art has gradually altered the audience of the music. As the audience has slowly changed, the meaning of some of the music has also changed.

Even though my parents listened to KRS-One and Public Enemy, while my sisters engaged in Kanye West and OutKast, both eras of the hip hop genre purpose were to discuss economic problems and push people toward the right path of life. In Yan Dominic Searcy’s article, he says, “Many rappers grew up amid violence, police harassment, poverty, drugs and promiscuity. Rappers will tell you they rap about what they know. If the community wants to change rap lyrics, the community must change reality.” (Searcy)

Hip Hop was the wildfire that started in the South Bronx and whose flames leapt up around the world crying out for change. James McBride’s Hip Hop Planet focuses on his personal interactions with the development of Hip Hop culture and his changing interpretations of the world wide movement. Many of his encounters and mentions in the text concern young black males and his writing follows an evolution in the representation of this specific social group. He initially portrays them as arrogant, poor, and uneducated but eventually develops their image to include the positive effects of their culture in an attempt to negate their historical misrepresentation.

The block parties, graffiti art, rapping, disc jockeying and diverse forms of dancing built Hip Hop by the black youth. They expressed their feelings, thoughts, but most importantly the problems they had to face, which were related to their race, gender and social positions. The rights that were given to black people during and after the Civil Rights Movement left the following generations at a lack of how to continue the fight for black rights. Hip Hop gave them this platform and with the usage of black nationalism, Hip Hop can explore the challenges that confront American-Americans in the post-Civil Rights Movement era. In the 1990’s Hip Hop lived its prime, sub genres started to appear and famous groups, MCs led the whole community, providing a voice to a group of people trying to deliver their message.

sharpest young critics, believes that male rapper uses violence as a symbol to express macho power, as a way to resolve all the disagreements between blacks and as necessary for individual protection. Due its popularity, hip hop exacerbates the criminal image of black men in a criminal justice system that has an overpopulation of black men in the prison system. Sorrowfully, many believe that this is the direct product of overly increasing black male criminality as opposed of blaming the social structure. With the enormous success of hip hop what started as pure art and a mechanism to bring awareness of what was going on in the black community, has transformed in a lucrative business. The negative aspect of this is that since big corporations control the music’s distribution channels, in many cases the rap artist is forced to produce the type of music that according to the owner is marketable.

As Can’t Stop Won't Stop continues to progress to the 1970’s, Jeff Chang addresses the developments, changes and increasing influence of hip-hop. Hip-hop’s influence and popularity seemingly spread globally overnight. Hip-hop culture took on new aspects and the motives for expressing the art continued to grow and change for artists. Throughout the chapters, Chang highlights the evolutions of hip-hop, hip-hop’s new audiences and the increase in drugs and violence in hip-hop during a rebellion ear. In the late 1970s, many citizens in the Bronx began to see a dramatic change in hip-

Because the lyrics of many rap songs tell stories of an artist’s personal experience of their everyday lives growing up, urban youth can relate and connect to the lyrics because they see and experience very similar things. Listening to the artist’s lyrics about their own experiences can teach the listeners to not make stupid mistakes and if they continue to follow the right paths, they can achieve more and be successful like the rappers. Hip-Hop literacies can be applied in and outside of the classroom. Students can identify themselves through Hip-Hop culture. In the article, “You Don’t Have to Claim Her”, the author and English teacher Lauren Leigh Kelly, explains that women of all ages can use Hip-Hop to identify themselves despite the genre

(Wahl, 1999) As new black artists began creating music leading into the 80s, historical events were beginning to allow artists to use music as a platform to discuss social and political injustice in ways that had never been seen before. One specific gangster rap group, N.W.A (Niggaz Wit Attitudes), used this so-called platform to shed light on the injustices of a black man living in the city of Compton in the most raw and purest way possible. (Wahl, 1999) During the late 1980s, Compton was often seen as a city of violence and even got the label of the most dangerous city in America throughout the nation.

Misogyny is a prevalent characteristic of rap music. Women are described in a derogatory manner, being called “bitches”, “thots”, “hoes”, or “whores”. Lyrics sexualize the female body and normalize the objectification of women. This can lead to negative stereotypes towards women. Male rappers often emanate hyper masculine demeanors which manifests the idea that they have the ability to disrespect women. Male rappers will attempt to justify their violent or blasphemous behavior towards women by stating that it heightens their manliness. By putting women down, it feeds the male ego and proves to others their legitimacy as an alpha male. The censorship of certain language within rap music does not alter nor improve the ultimate meaning behind many songs

“Beyond Beats and Rhymes” Summary This movie was a broad discussion about hip-hop music (or more specifically gangster rap) and what kind of social issues the music not only showcases but seems to promote. The producer of this film, Byron Hunt, interviewed people involved in all aspects of the hip-hop industry, including famous rappers, to try to get to the bottom of this. Some of the most prominent issues discussed in the film were the over-sexualization of women, gun violence, and anti- homophobic attitudes. Hunt would ask those involved in the industry about why they think these themes are so prevalent.