Story: “Where Are You Going, Where Have You Been?” 1970
Author: Joyce Carol Oates, 1938 – Present
Central Character: Connie is the main character. She is a vain fifteen-year-old girl. Connie openly gawks at herself in the mirror and knew she was pretty. (664). She had a high breathless, amused voice. Other Characters: Connie has an older sister named June. June is twenty-four years old and still lives at home. However, unlike Connie, June was plain and chunky. Then there is Connie’s mother, “who had been pretty once too,” (664). Moreover, there is Arnold Friend. “He wasn’t tall, only an inch or so taller... he was dressed: tight faded jeans stuffed into scruff boots…he looked as if he did some hard work, lifting and carrying things.” (668).
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Some parts of the story take place at a restaurant.
Narrator: The story is told from the third person point of view. Giving us a clear look into Connie’s thoughts.
Summary: (1). Connie and her friends go to the restaurant where all the older kids hang at. (2). Connie meets a boy named Eddie and she hangs out with him for a few hours. (3). The next morning Connie’s parents are getting ready to go to a family barbeque, to which Connie protests. (4). Shortly after her parents leave, Arnold Friend looks to seducing Connie. (5). Connie says she will call the police. However, Arnold pulls an ultimatum saying he will come and get her. (6). Finally, Connie gives in and finds, “that she is going to it.” (675).
Tone: The tone of the story is one that is ominous. The minute that Connie finds herself being seduced by Arnold Friend. We can only infer that it’s not going to end well.
Style: I thought it was interesting how the story was written. The narrator begins with telling us, “Her name was Connie. She was fifteen…” (664). The story seems to be written in the past tense almost as if these events had already occurred. Because of this, the word, “was” gives the impression that Connie
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AF has come to take her to Hell. When she takes a ride with AF she is really riding to Hell with the Devil. AF tries to persuade Connie further because he, “knows [Connie’s] name and all about you, lots of things” (par. 58). AF continues to prove that he is the Devil by knowing everything about Connie without ever talking to her. He continues to prove that he is knows
A car pulls up with the same station playing; Connie fixes her hair, it says, “She whispers “Christ, Christ” wondering how bad she looked.” Again worrying about her beauty, she does not even knowing who it was. She stands by the front door on the inside; two guys that pull up were Arnold Friend and his friend, Elliot. They are strangers to Connie, but Arnold seems to know a lot about Connie. At first, she flirts with Arnold being flattered by his compliments; however, she was innocent to what he is really like.
Connie and her friends go to the restaurant whenever they hang out and it somewhat symbolizes a safe zone for Connie away from her family and the evils in the world. Along with the drive-in, music is also a very important piece to understanding the purpose of the story. Oates writes, “the music was always in the background like music at a church service, it was something to depend on” (309). When she says it was something to depend on it is as though the music was a constant in Connie’s life. Connie used music as a sense of escape from everything almost as though it was a ritual or spiritual experience for her and her
(25). The quotes demonstrate her mother’s lack of affection and indicate that her mother was resentful. Connie would raise her eyebrows at the familiar old complaints and look right through her mother. She knows that she is beautiful and that was everything, and because her mother does not acknowledge her beauty she looks for validation
At home she had a childlike walk, a pale and smirking mouth, and a cynical laugh; at home Connie was a child. In public, Connie acted like someone different, with a languid walk, bright pink lips and a high-pitched laugh; Connie tried to fit in with the older kids. Based on the way she presents herself, Connie seems to be able to attract guys’ attention and handle any situation with grace. However, just as the confrontation between the two showed Friend’s true character, the confrontation showed Connie’s as well. After her nerves overcame her, Connie reached for the phone to call for help, but all she could hear was a tiny roaring and was “so sick with fear that she could do nothing but listen to it” and then “she cried out, she cried for her mother, she felt her breath start jerking back and forth into her lungs as if it were something Arnold Friend was stabbing her with” (13).
From the beginning, a tone of disappointment and oppressiveness covered the story. Connie always has to deal with criticism from her mother, ignorance from her father, and comparison with her sister. The author gives the readers a tone of suffocation and struggles from within her own house and how her family members treat her. As the story progresses, the author is changing his tone from oppressive to suspenseful and anxious. At this time, Connie's meeting with Arnold Friend is taking place.
In what ways would you transform when presented with a life or death situation? In the prevailing and fast-paced short story, “Where Are You Going, Where Have You Been” by Joan Carol Oates we find out how much a person can change when crucial and demanding situations arise. In this short story the self-indulged protagonist, Connie will have to face her worse nightmares that she believed would be her ultimate fantasy. Connie is a fifteen-year-old girl who, like most young women, are ruled by their hormones and budding sexualities. She is a flighty teen who does not get along with her family and wishes to be an adult.
A repetitive notion made in the story, as June is used as a meter to compare Connie too; which naturally, no one would like: “June did this, June did that, she saved money and helped clean the house and cooked and Connie couldn 't do a thing, her mind was all filled with trashy daydreams” (308). Ellie 's character, even as quite as he remains, presents a conflict with Arnold. First when he over steps his boundary with Arnold and asked "You want me to pull out the phone?" (318), then being told by Arnold to "Shut your mouth and keep it shut" (318), only to ask about the phone again. To which Arnold responds with more conflict: "you 're deaf, get a hearing aid, right?
In that restaurant is where the introduction of a strange person watching Connie takes place. The story states, "It was a boy with shaggy black hair, in a convertible jalopy painted gold. He stared at her and then his lips widened into a grin... He wagged a finger and laughed and said, “Gonna get you, baby,” "(Oates). This statement shows how vulnerable Connie is to the point that someone had been watching what she does, but it wasn't until now that it was noticed.
That also made her become more vulnerable to the real dangers and the evilness that exists in the world. That danger was represented by an old man who pretends to be an eighteen year old boy that seduced and kidnaped Connie. The end of the story Joyce Carol Oates leaves it open to the readers, because that way it makes the reader think of what might have happened, whether she got raped or whether she is killed, after the main character leaves with the antagonist of the story. Oates shows that ignorance, narcissism and the lack of
Reaching the end of the story, Arnold states, “You don’t want them to get hurt” (Oates 71). She ends up making a “christ like” sacrifice in order to save her family, and so she ends up walking towards Arnold Friend, and there’s the ending. Connie “crossed over”, and it never explains what happened after. Through various things like temptation, the 33 19 and 17 numbers, the description of Arnold Friend, the X, all
This clairvoyance also points to the fact that he may be a demonic creature. Connie never actually tells Arnold her name but he somehow already knows it. The last detail that points to Arnold being a demonic being is his mind control over Connie. For some reason she is unable to dial for the police.
“Where Are You Going, Where Have You Been,” is about a teenager named Connie who is trying to come to terms with her transformation from childhood to adulthood. Through this process, Connie attempts to act older than she is an tries to gain the attention of boys. In “Where Are You Going, Where Have You Been,” Joyce Oates portrays Connie as obsessed with men to symbolize how one’s obsession and narcissistic attitude can cause danger to seem surreal. In the short story, Carol Oates describes Connie as having two different personalities, one being a narcissistic attitude.
Primarily, "A & P" is a story about growing up, related circumstances and important transition from childhood to adulthood. At the beginning of the story, the reader meets Sammy, an ordinary nineteen-year-old who works at a grocery store. Though, his inner changes start when he observes the reactions to the girls. Actually, he is amused by these reactions and frustrated at the same time. He feels that he does not want to work at a grocery till the end of his days.