magine being in love with someone and then having that stripped away only because of social class. From the lovers point of view, all it is, is seamless love, but the government sees disrespect among the social class system. This is one of the many ways Marjane Satrapi demonstrates a perspective in not only social class, nationalism, but in the loss of innocence as well Iranian war in the 1980s. For instance, Marjane 's perspective changes from when she was a naive respectful little girl at the beginning of the novel, to an unruly, rebellious young adult towards the end. For example, this young boy is drinking alcohol, you aren’t even allowed to drink alcohol until you are 21 years of age. Marjane does not use this exact example, but she …show more content…
Get out of my life!!! I never want to see you again.”(70). Equally important to the theme of loss of innocence, nationalism also plays a big part in Persepolis. This picture shows a nationalist, this is relevant to the novel Persepolis because nationalism played a big part in Marjane 's family household, despite most of Marjane’s friends fleeing Iran due to all of the bombings and terror attacks, Marjane and her family stayed because they were Iranian nationalist. Marjane 's parents loved their country, and they went to many demonstrations and protest to make it a better place, they played such a big part in the Iranian protest that, “Her photo was published in all the European newspapers.”(5). Another key factor contributing to the nationalism in Marjane 's family is that, her great grandfather was an Iranian emperor along with her grandfather who, “..was a prince.”(22). Since there were royal blood in Marjane 's family, this persuaded her family into being nationalist. There were two sides to this. Many fled families fled Iran and others like Marjane 's family decided to stay in Iran. This is another way Satrapi integrates perspective with a given theme.In like manner, theme discussed throughout Persepolis is the role and influence of Iran 's social class system. The picture shows the different levels of social class which play a big role in the book Persepolis. Marjane best displayed social class when her maid fell in love with their family 's neighbor. The text says, “You must
She grows up in a more Westernized household than any of her friends. Her dad wears a tie, drinks alcohol and they are even richer than most others, with their Cadillac and maid. As a little girl she even attends a French school, until at the age of ten years old that school is closed down and she is forced to attend a public school that teaches what the government wants the children of Iran to believe. Even a young girl such as Marjane is fascinated with things outside her own countries. Punk is a huge influence on her life and not only symbolizes her inherent need to rebel, against those that demanded her to live a life under their boots, (i.e. her oppressors), but it also shows that Marjane is an open minded, risk taker and ready for new experiences much like the times she puts herself on the line to enjoy the products of another
In the beginning of the book she isn’t involved much at all, but as time goes on she gets sucked in gradually, like a tornado. Marjane’s first experience with the revolution was when she was 10 years old and “-It became obligatory to wear the veil at school (Satrapi 3).” The older she got the more defiant she got towards the new fundamentalist regime, she also was more willing to get involved for example after her Uncle Anoosh was executed because he used to be a spy (Satrapi 69-70), from that point on her rebellious side took hold. Marjane gets more involved in the revolution when she goes out with her parents to protest for the first time, she sees some extremely grotesque things such as people being beaten and even a woman getting stabbed. This is evident when she says, “ So I went with them to pass out flyers..
The imperialism that took place in Marjane’s country, the religion that Marjane strongly believed in, and Marjane’s loss of innocence while she was very young, all affected her perspective throughout the graphic novel, Persepolis. As a demonstration
While the words are much more powerful in this scenario the fact that there is nothing helps to add the extra bit of depth and emotion to the story and it shows us how Marjane feels, empty. Through the way the visualization of Marjane losing her innocence is one of the more powerful parts of the story as it helps to show her growing up. Overall, The story of Persepolis is good on its own, but the pictures make superb. Marjane Satrapi does this by making them convey so much more than what words could have expressed. This applies to everything in the book, but particularly helps in showing the Islamic religion, the revolution and Marjane 's loss of
Most nations can be identified with a particular culture; this is evidently important. A country establishes a culture which allows other individuals to understand the background on a country like Iran. Within the bearings of certain cultures, individuals can face dilemmas. In addition, these dilemmas can turn into social differences within a society. In the country of Iran Marjane Satrapi encountered many social discrepancies in her youth.
Persepolis In Marjane Satrapi’s Persepolis, we see juxtaposition being used throughout the book. Juxtaposition is shown in Persepolis numerous of times and how it can help shows the reader I will be arguing on how Persepolis shows juxtaposition in the novel and show how it helps show the author’s message. Book one of Persepolis on page 6 we see an image of Marjane standing in the middle and on the left it shows a hammer, ruler, and some cogs and on the right it shows some art. In the text she is talking about the veil and whether or not if she liked it or not also showing being confused because of her blank or lost expression.
The strength of all of the revolutionaries, including Marjane’s parents, easily matched the Shah. Essentially, the Shah and the Iranian people, such as the Satrapi family, had a negative relationship. Reza Shah was the successor of his father, and may have been even less popular with the Iranian people. Having a leadership style too unique for the Iranian’s taste, he quickly became very unpopular. The Shah “increasingly involved himself in governmental
Persepolis by Marjane Satrapi is a graphic memoir that reveals the life of a woman growing up in pre-revolution and post-revolution Iran, as well as her experiences in Western countries. In this book, Marjane recalls and highlights historical events that affect her life during her upbringing in Iran. These include the oppression of the Shah, along with the rise and effects of the regime. These events are integrated into Persepolis in order to showcase their effects on Marjane and the other citizens of her country. These events’ inclusion are important due to the context and understanding that they grant readers unfamiliar with the text.
Marjane can be compared to spoiled milk. She starts off her life being good, but then over time becomes sinful and rotten. Satrapi demonstrates this idea of loss of innocence a lot throughout the book. One example is when Satrapi says, “at the age of six I was already sure that I was the last prophet” (6).
The story begins with the life of marjane and ends with her life. But in the background, the novel involves the war in Iran. Iran is always at war which includes the Iranian revolution and the struggle of people after the revolution. Though these are not implied does not affect their significance. They have a very important function of shaping the actions of the characters of novel which have long lasting effects.
The role of politics in Marjane Satrapi 's life is a critical one, as seen in her graphic novel Persepolis, which narrates her experiences as a young girl raised by revolutionaries during turbulent times in Iran. Particularly, Satrapi uses juxtaposition between her parents and children to highlight the hypocrisy and myopia of the upper class revolutionaries when it comes to the interpretation and implementation of their political ideology. Satrapi builds the foundation of her criticism through the superficial comprehension her child self exhibits regarding her parents '—and, by extension, upper class communists '—ideals, then warns about the dangers that such lack of understanding presents through child soldiers who are fed ideologies and then sent to war. However, while pointing out the shortcomings of the movement, Satrapi 's use of children as the vessels for comparison entails that there is room for the communist community to develop, like Marji does as she matures from child to teen, and encourage equality through the removal of social barriers created through binaristic thinking to truly promote communist ideals. The first point of juxtaposition is Marji herself, particularly her initial myopic thinking as a child.
In this chapter Marjane’s parent had just gotten back from their trip with all their smuggled goodies for Marjane. The fourth panel on page 132 depicts Marjane walking down the street in her denim jacket singing about kids in America. Not only does her jacket and neck scarf oppose the Islamic regime but her singing cheerfully about kids in America does as well. In the background you can see angry adults yelling and pointing at her most likely because of the casual clothes she is wearing. This demonstrates opposition to the regime because it shows her going against laws in her own free will to show what she loves.
The theme of repression is an ever-present issue in Persepolis. The picture on the right shows a bearded Islamist explaining to children why the veil needs to be imposed to counter Westernization. However, Satrapi’s home was a place of liberal values and free expression. This is shown in the scene where Marji is split between
However, Marjane 's expression is sad while she says this and shows she is not alright. This reveals that Marjane is in denial and how contradictory her words to her emotions are. Furthermore, the next page displays
Clothing and fashion as a marker of cultural identity in Marjane Satrapi’s Persepolis. Marjane Satrapi’s graphic novel Persepolis, presents the central tension of Marjane struggling with the relationship of her nationality and herself by seeing the transition of clothing, makeup and accessories that female characters wear in the book. During her teenage years, she had been to a lot of countries and she always felt like she couldn 't find her real identity, either as a westerner or an Iranian. The book presents a lot of struggles with her trying to figure out her relationship, nationality, and her identity.