Life is the span between the birth and death of a living species, especially a human being. The average lifespan of a human being today, is about seventy-one years. Full of ups and downs, life is too short to stumble upon the negative aspects and remain stuck. The blessings and successes should be some of the main focal points, which will provide happiness if life is lived in the moment. In the book Our Town, it reveals the stages of two families’ lives and how quickly it progresses. To develop the theme of living life to the fullest, Wilder establishes a particular plot, uses literary devices, and implements tone.
The introduction of two middle-class families, the Gibbs and the Webbs, is the dominant factor of the plot. These two families are most important to the play because the children, Emily Webb and George Gibbs get married. In act one, Wilder emphasizes on “social relationships rather than individual character”(Stephens 2) which enables his audienc to establish a deeper understanding between the two families. He portrays the families doing ordinary everyday activities such as the kids going to school, the fathers going to work, and the mothers staying at home to prepare food and care for the children. …show more content…
In this act, Emily and George announce that they are getting married. “People were meant to live two by two”(Conway 4) the stage manager explains, emphasizing the social relationship the couple has. The plot shifts from the daily lives of both families to a new beginning between George and Emily even though they have known each other their whole
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We go on to learn that his homelife isn’t very good because of his father. Mr. Hoodhood owns a business, Hoodhood and Associates, and all he really cares about is his son taking over his business. For example, Holling is Ariel in a play called “The Tempest”, and his father not only refuses to go, but doesn’t pick him up on time making him late for his date. Mr. Hoodhood strains the relationship between him and his son significantly. Holling has an older sister named Heather.
Both Emily and Robert are prematurely judged by the narrators in both stories, and the assumptions are so far fetched from the reality. Miss. Emily is perceived to be a lonely old woman, whom nobody ever spoke with. Since they never talk with her or learn anything about what is going on in her life, the townspeople begin to gossip to make up for this. They knew her father had driven away any man from becoming close to her, and they just thought to themselves, “ poor Emily” (32).
The two characters show the two opposite ends of society. Matlock, who lives a simple, hard-working life enjoys life to its full potential. Masters writes, “Enjoying, working, raising the twelve children,” to show Lucinda and James enjoyed the tasks they completed throughout their lives (7). In addition, Masters writes, “gathering many a shell, / And many a flower and medicinal weed,” to show they enjoyed the simple aspects of life like gathering items from nature (13-14). However, the man who has everything in life decides that life is no longer worth living and takes his own
Through this play, Wilson is trying to show the audience that fathers definitely have a lasting impact on their kids throughout their lives. An audience sees this through the character Troy, in how his rough relationship with his father causes him to treat his two sons with a strict and demanding attitude. Although Troy distanced himself from his father at the age of fourteen, he still had a burdened relationship that affected him in the long term. This recurs again with Lyons and Cory when they both try to set apart from what their father wants them to do, and at the end of the play, they feel as though they turned out just like their father. The main ideal that Wilson is trying to show his audience that those who we surround ourselves with have such a lasting influence that can change our whole way of living and carrying ourselves.
Paul uses the disconnect between the Upper East Side couples and children to get his way. Throughout the play, Paul is able to figure out what makes people tick and exploit it. For the Upper East Side families, he’s able to give the parents the perfect child that they never had—and never deserved. He is able to shed light on the image of their perfect lives, and show the reality that their kids really hate them. In the play’s first scene, Louisa talks about elephants—everyone knows they exist but there’s an agreement not to discuss them.
The Hadley family lives in a Happylife Home, which takes care of all household responsibilities including cooking, cleaning, and bathing. The home is so effective in it’s purpose that it leaves the parents absent from the lives of their kids. Lydia tells George, “I feel like I don’t belong here. The house is wife and mother now, and nursemaid. Can I compete with an African Veldt?”
The parlor families create the illusion of a new ‘family’ and a new life which allows the characters to lose all sense of reality and common sense. The characters become focused on the ‘families’ and do not acknowledge the significance of their own lives or the events
Have you ever gone and seen a play with no set? None whatsoever? Where instead of a house, there’s just an empty space, or maybe card table chairs instead of bar stools in a soda shoppe. Whether you have or have not seen a play with this type of staging, there are plays like this. They fit into a dramatic genre called theatricalism.
“People share a common nature but are trained in gender roles”- Lillie Blake. In A Raisin in the Sun by Lorraine Hansberry not only are social and economic issues of African Americans displayed, but also the changing gender roles of the mid-twentieth century. The characters through their ethics and values show a clear split in their way of thinking. A gap in age and values from Mama to Beneatha shows that the play showcases the change in gender relations and establishes the character’s identities. Gender plays a crucial part in establishing and defining the characters, setting the time period and way of life, and showcasing the struggle between culture and modernity.
The first 2 characters introduced in the narrative are George Hadley and Lydia Hadley. George Hadley is Lydia’s husband and the father of the 2 children, Wendy and Peter. He is portrayed by the author as the more strict parent while Lydia defends the children more so than George. George bought their HappyLife Home which is fully autonomous. Lydia is the mother and is introduced in the very first page.
Emily is judged for loving a man who is less fortunate than her . In the following line the townspeople’s reactions to their relationship is obvious, “’Poor Emily’, the whispering began. ‘Do you suppose it’s really so?’ they said to one another” (102). The townspeople did not to much care for the relationship between the two because of the barriers set up by social class saying poor date the poor and rich date the rich.
In other words, the good life means to me when life looks like a blessing than a burden. This essay aims to provide more than one answers about what makes people live a good life mean. Human beings, since their apparition is often misleading, what it is really mean a good life. We have been seen on the television or magazines that having a good life means being rich or famous when many of them, in reality, are miserable by a problem that wouldn’t affect ordinary people. Personally, I believe that there are many factors that should be considered when it comes to a good life.