Gender in communication studies indicate that social institutions can shape several individuals’s personality and perspectives. Social institutions can help these individuals determine what’s correct and incorrect or enforce specific norms, especially in early childhood development. Academic facilities and restrooms are examples of social institutions. However, the media is known to be ranked the highest in the list of social institutions, specifically the television industry. The television industries has been producing infamous animation for numerous decades, thus allowing them to obtain extremely high levels of income. Would such a production that’s booming with business have some type of sovereignty on their audiences? Indeed, because cartoons …show more content…
Disney also owns a history of controversies with their “magical” ideologies in films. In a study conducted by Chyng Feng Sun and Erica Scharrer, college students were asked to create a critique and analysis of Disney’s film, The Little Mermaid and Hans Christian Andersen’s The Seamaid. Obviously the students were highly entertained with the colorful images and the sing alongs in Disney’s version of the story, but they’ve made crucial statements. “I know they had to have changed the story because of the portrayal of Ariel and other women and how they have stereotyped Disney thin, more developed bodies than a girl of that age” (p. 50), states a student in Sun and Scharrer’s article. Then after reading The Seamaid, another student claims, “I realized how much the Disney version influenced me . . . while I was reading the little sea maid, I was picturing Ariel, from the Disney story. I was actually quite disappointed to see such an old-fashioned frumpy-looking girl in the pictures. Isn’t that terrible? I was conditioned to expect the long-haired, doe-eyed, big-breasted girl from Disney, not a “normal” looking mermaid/girl!” (p.50), indicated in Sun and Scharrer’s research. Andersen’s The Seamaid lies in the same genre as the Grimm Brothers’ tales, meaning that the story consists of darkness, sloppiness and of course no happy ending. Disney wanted to create a family-friendly movie, resulting in producers beautifying the entire story. Which consists of portraying all the women in The Little Mermaid as having a primary body image of skinny figures, wearing revealing clothing and being
Throughout the entirety of literature, mermaids are depicted to be extremely beautiful, living the perfect life, and finding their other half in the form of a prince. Timothy Schaffert may be widely recognized for doing the exact opposite in “Mermaid in the Tree”. In Schaffert’s “Mermaid in the Tree”, the author portrays the mermaid’s life as a pitiful one, filled with heart break and deceit. Timothy Schaffert brings this to light through a character named Axel. Axel is recognized as an evil character due to his greediness and his detrimental behavior towards others, especially the Mermaid.
Most Disney princesses are beautiful and feminine, becoming the damsel in distress
Most Disney princesses act as a “damsel in distress” which portrays them to be taken care of in order to survive. This is not true in feminist eyes, being able to take care of your self but also love and cherish someone is how a Disney princess should portray a girl. Having girls watch these movies is just showing them that you need a man to take care of you always which is not true a girl can take care of herself with the help of her parents and taking care of her school and social life. One of the lessons that children learn throughout watching these movies are bad people are always fat, old, and/or ugly. During childhood, a child’s brain learns morals, language, recognizable patters, and social skills.
Through their films, Disney uses gender to their advantage, to portray a false sense of what it means to be a man or woman. More so, in portraying princess characters in their films, Disney is affecting how
“The Little Mermaid” is a fictional show fantasy and magical aspects according to many reviews about the Broadway production and the website. For example, one of the biggest hints is that main characters are merfolk and talking fish. Another example is how Ursula uses magic to transform Ariel 's tail into legs and takes away her voice and stores it in a seashell. That can and would never happen in the real world. The sea creatures helped stop a big wedding on a ship is a great example of fantasy.
Femininity includes the code of beauty and sexuality, which is well reinscribed in The Little Mermaid. Therefore, the flawless body images represented in the film are telling girls how they should look in order to be considered beautiful and therefore loved. The Little Mermaid reinforces the hegemonic code of femininity by making all the princesses look physically
However, the later Disney films have gradually attempted to break away from this stereotype resulting in stronger female characters like Ariel, Mulan, and Elsa among others. Keeping this transition in mind, this paper uses semiotic analysis of four popular Disney films, namely, Snow White and the Seven Dwarfs (1937), The Little Mermaid (1989) and Mulan (1998) to depict the influence of societies ' changing perceptions of women on the portrayal of Disney princesses. These films taking into account the earliest film and certain popular characters that have represented a shift from being the coy damsel in distress to a woman who plays an active role in determining her own destiny. The portrayal of the Disney princess has changed in accordance with the development of women in society over time (1937 to 2013) from demure and traditional to
In this article, Andersen’s story of the mermaid wishing to be loved by a human prince is one of the few classic made-up fairy tale. It’s one of the greatest Disney musical version to the young readers. An artist duo Metaphrog serves a great example in recreating the little mermaid though the young readers that’s only familiar with their vision that can be shocking by the end, which is true to the original story. The author keeps both rhythm of Andersen’s writing as well as the unhappiness that he loved so much, but none of the character in the story smiles and their brows are crumple by the worry
The Little Mermaid which was produced in 1989, was the first Disney movie to challenge the traditional gender roles, for the fact that Ariel wanted to explore, and was more independent and assertive in her desires than the earlier princesses of the 1930’s and 50s films. Also the prince in The Little Mermaid went against traditional gender roles as well, simply because he was more affectionate and loving than his prince counterparts in other Disney films. “Both the male and female roles have changed over time, but overall the male characters evinced less change then the female characters and were more androgynous throughout.” (Descartes & England, pg.566). Disney movies have been for a long time a strong media target for children, and can serve as a way to address stereotypical gender roles (Leaper, 2000).
The characters in The Little Mermaid are stragetically designed in a way that conveniently adheres to stereotypical ideas of how males and females should behave, value, and appear according to their gender roles in a patriarchal society that demeans women. In order to do this, the main male characters, including King Triton and Prince Eric, must depict hypermasculinity to dramatically contrast from the creation of their fragile and inferior female counterparts. This is to also exhibit the men’s hypothetical ownership over these women, and using their displayed incompetence as justification of their assumed possession of Ariel. Ariel, the central female character, is depicted as beautiful, because she meets stereotypical standards of beauty
The Little Mermaid is all about coming of age. In other words Ariel the main character of the story believes that she is old enough to do as she pleases. Ariel loves going to the surface. On the other hand her dad didn’t want any humans to lay eyes on her, as a result of him thinking that they are barbarians. All Ariel wants is to do what she wants when she wants.
Taking into consideration the first and main version of The Little Mermaid, author Han Christian Andersen’s, Little Mermaid, written in 1837, has different characters than the 2006 interpretation of the short story, Aquamarine. From an addition of two new female characters to the subtraction of the royal titles that each character possessed, Aquamarine is based on a twenty first century setting. The plots between the two also greatly differ and even lead up to different endings. Similarly, both mermaids are searching for love and both mermaids asked to be human. Both mermaids have a due date that forces them back into the ocean if they do not find love.
In the movie The Little Mermaid, Ariel starts out as a brave, curious, and adventurous young mermaid. She explores the sea with her friends and saves Flounder and Prince Eric from drowning. Once she develops a crush on Prince Eric and is briefly transformed into a human, however, she becomes quiet and reserved, spending most of her time obsessively admiring the prince. Prince Eric, of course, loves this version of Ariel. She then goes on to trade her voice with the evil sea-witch in exchange for human legs.
Andersen brings in the “Christian message of selfless love,” as said in The Influence of Disney on Children’s Literature. A person must do enough good deeds as to offset the wrongs they have done and will get an immortal soul. The little mermaid had done enough good to be given a chance at a soul, which is explained in The Influence of Disney on Children’s
Aristotle said that man is by nature a social animal; an individual who is unsocial naturally and not accidentally is either beneath our notice or more than human. Society is something in nature that precedes the individual. Anyone who either cannot lead the common life or is so self-sufficient as not to need to, and therefore does not partake of society, is either a beast or a god. As a result, man is a social being.