Introduction The performance we are analyzing is ‘The New Tale of Genji’ from Takarazuka revue, performed and released by flower troupe in 2015. The New Tale of Genji illustrated the story happened around Hikaru Genji in Heian period. Genji was an extremely handsome man with a high political status. Fujitsubo, the new wife of the Emperor, was the first lady that Genji fell in love to. Owing to the high similarity to his mother who passed away, Genji could not help to stop this forbidden love. After years, Genji met a little girl named Murasaki who was revealed to be the niece of Fujitsubo, Genji adopted and raised her to the perfect lady of Genji. Despite the fact that he had many love relationships with various ladies, Genji was only chasing for the phantom of his mother he had lost. From this story plot, we can highlight some key concepts of class, gender, and performativity. Class …show more content…
Everyone in the court should obey and respect the hierarchy structure, no matter what is their identity. Yet, the backing of powerful guardians is also vital for the political figures. Take Genji as an example, although he was the son of the Emperor, due to the lacking of a backing stage, he could only become one of the retainers instead of the Crown Prince. The relationships of Genji also give insight to this concept. Genji, being a son of the emperor, his friends are all from noble class, even if Genji was already been turned into commoner. To no Chujo and other imperial officers, but not a single commoner is a companion of
In Ace, nobility was hereditary. Being a king is the highest noble station there is. The difficulty with this is that the king also decides court-cases, as he is the judge. “… His rearing—often colored his decisions… The king's judgments wrought frequent injustices, but it was merely the fault of his training, his natural and unalterable sympathies (page 140).”
As the administration system became more advanced, people expected their rulers to be virtuous and have good morals. In Document 5, the Chinese bureaucracy discusses the way a government should rule. One debater mentions that the landlords and the elite should not take an extreme advantage of their positions. Those at the top of the social ladder should be fair to both their equals and their subordinates. He also mentions that one of the main bonds between the Chinese commoners and the ruler is that there must exist some sort of trust.
“For all men being originally equals, no ONE by BIRTH could have a right to set up his own family in perpetual preference to all others for ever, and though himself might deserve SOME decent degree of honours of his contemporaries, yet his descendants might be far too unworthy to inherit them” (Paine). The descendent of the throne may be a fool and have no idea how government works leaving the inhabitants defenseless and at a disadvantage as rival empires or nation can attack and usurp the throne and lead to turmoil or anarchy. It also goes against the concept of “all men are created equal,” being royal by birth is a straight contradiction and creates further unnecessary division. “Another evil which attends hereditary succession is, that the throne is subject to be possessed by a minor at any age; all which time the regency, acting under the cover of a king, have every opportunity and inducement to betray their trust” (Paine). A minor as the ruling king may have no grasp onto what they’re doing and maybe swayed against doing well for society.
The Spanish political organization was having a "strictly organized society, with one emperor that was considered a descendent of a sun god, royal family and peasants. "1 The emperor had chose his administrators from among his sons. This means the royal family kept close because the descendent of each emperor was destined to become the next emperor. To
There are bigger wheels rotating than just your circles here. We are not talking about local politics but of Imperial politics. Emperor is not without enemies and in this case you would be aiding them by taking action.” “That in itself sounds like treason to me. You expect me to let a criminal run free just because it is convenient to your political plays?”
Like many children her age, the girl in Julie Otsuka’s novel When the Emperor was Divine had the opportunity to attend a “summer camp.” However, the camps that the girl and her family endured were not like traditional summer getaways but instead state-sponsored prisons designed to keep the populace “safe.” Instead of enjoying the water slides and rope swings that other children her age got to experience, the girl struggled with establishing an identity that fit with the rest of her society. With her use of neutral tone and language, Julie Otsuka explores the creation of the cultural identity that is established by the Japanese-American people as they are confined in Concentration camps designed to keep the nation safe. Pulled from their homes,
The book When the Emperor was Divine, written by Julie Otsuka, follows a family consisting of a mother, daughter, and son through the process of moving into a Japanese internment camp, their life in the camp, and the progression of assimilating back into society afterward. Julie Otsuka did not experience this unforgettable event herself, but through ample research, she was able to piece together an accurate representation of what happened to many Japanese families before, during, and after their encampment. Otsuka uses the experiences of her characters to portray to the audience the injustice of what the United States Government did to the Japanese during WWII (World War Two). The Japanese lived in poverty in the camps, and the government’s
For example, if a king is old and has a son, he passes his position to his son even if he is not mature enough to handle the responsibility of a king. The king does this to keep the power forever or for many other evil reasons. The son who becomes king would not do his duty because he cannot understand the needs and security of the people. In my opinion, the position of king is a power to secure the society therefore only the society should choose another king. The king should not have the power to replace his position.
You’re walking through an underground pass, and you notice something strange. You happen to be near Gloucester, UK, and you see a large mural while walking around with your coffee in your hand. It happens to be a work of Chiho Aoshima, a rising artist of the Japanese Contemporary movement. You stand a few minutes, letting the busy crowd wash over you like busy fish over a stationary pebble in a stream. Your coffee is cold now, but you feel warmed by the vibrant colors of the mural.
Gender binary roles were nonexistent, as the Pueblo believed that as long as one was capable of doing the work, they would do it, whereas in Western culture, strict restrictions are placed upon who does work based upon gender. By using powerful comparisons such as these, Silko elaborates on the Pueblo meaning of beauty and clearly conveys the societal differences between the old and the
As a woman in Japan at this time, Koharu 's social mobility is limited and she is stuck in the role of a prostitute until her ransom can be paid, but despite this, finds herself deeply invested in the impoverished Jihei and refuses to see any other prospective patrons. Complicating this already difficult situation is Jihei 's wife, Osan. Loyal to her irrational husband, Osan must mind not only her children and her husband 's shop, but also mind the stifling social constraints that dictate the manners of women, present at this time. Finally, there 's Mogamoen, flour miller and elder brother of Jihei. More responsible than his brother, Mogamoen ventures to help Jihei when he hears of his increasingly risky behavior in the pleasure quarters.
Although they became more powerful throughout the feudal period, at the beginning, they were considered one of the lowest sub categories in the hierarchy.” Katherine Paterson’s depiction of Fukuji the swordsmith was accurate in the sense that artisans could earn themselves a title in feudal Japan however the fact that a swordsmith would deny Lord Kiyomori a sword is not accurate because they were still thought as one of the lowest positions in the hierarchy. Feudal Japan had unemployed people much like today, a ronin in the japanese feudal system was a samurai without a lord or master. In the book Katherine Paterson depicts a ronin named Takanobu.
The most conspicuous group at court was the civil aristocracy. Based in the capital city of Kyoto, this group of people was the ruling class in society. As an illustration, scholars found this group consisted of around five thousand aristocrats were in the service of the emperor and empress in court (Sansom, 1953; Morris, 1964; Hall, 1970; Hempel, 1983; Hane, 1991; 2013; Adolphson, 1997; 2012; Mason and Caiger, 1997; McCullough, 1999a; 1999b; McCullough, 1999; Shivley and McCullough, 1999; Varley, 2000; Totman, 2005; Schalow, 2007; Hérail, 2013). These aristocrats served the emperor and empress because they were the only source of power in society. In fact, as the only source of power, aristocrats occupied the court that gave them access to
The class could have been presented as a junior class or senior class with
His father left the room displeased and lay down on his bed” (Hesse 10). His mother was not shown at all, she was just barely mentioned which shows how women are classified as a lower class than the male dominance in the book. An expert named Victor Gunasekara says “The Buddhists doctrine of rebirth asserts that gender can change over successive births. Thus in the ‘samsaric’ sense there is no male or female, but only a single karmic stream” (Gunasekara 1).