The Violets Gwen Harwood Analysis

Imagine one day you meet the most talented hypnotist in the world. This hypnotist tells you he can change your memories without even breaking a sweat. Maybe this sounds like magic or just plain nonsense to you but in reality it isn’t that difficult to tamper with memories. Any time you hear a different telling of an event, even one you witnessed first-hand, your perception of the event changes over and over becoming a conglomeration of everything you’ve heard about the aforementioned event. Memoirs and other pieces of literature written from memory suffer from these easily modified memories and can’t always be trusted to be true.

Childhood, like any other part of a person’s life, is only lived once. Once childhood becomes our past, as we all know, becomes a memory. To help the reader become more aware of how heartbreaking this fact may be. The authors E.B white in “Once More to The Lake” with the fact that you can never revisit the past, and Annie Dillard, in “An American Childhood,” through looking back at the past while remembering to be happy in the present.

Life is full of inevitable change ad it is not always easy in order to understand our lives and ourselves, we much understand the sacrifices need to be made and this can mean having to face the unknown. Harwood’s collection of poetry explores the understanding that comes with change, despite the challenges it presents. Through her use of memories and the experience of losing what is valued in life, Harwood teaches readers that although the inevitable changes of life will not come easy, it is important to find ways to cope and move on with our lives.

William suggests that the best way to write a memoir is from a child’s point of view. ”The strongest memoirs, I think, are those that preserve the unity of a remembered time and place…

Between the mid-late 1970s and the early 1980s, Dennis Nilsen began mass murdering young men in Great Britain that had at least 15 men through strangulation (Crime Investigation, 2014). In analyzing his life, many of contributions throughout his life could have influenced his criminal behaviour when committing his crimes. Many theories such as broken home hypothesis and schema therapy theory use psychological explanations that determine how the individual resulted into committing their crimes. With schema therapy theory, not only does it discuss the justification for criminal behaviour, but suggests how to reduce the relapse of criminal acts by identifying the cause or the trigger of the individual’s criminal behaviour (Vos et al., 2016). In Dennis Nilsen’s life, there are several indications such as the abandonment of his family members, the termination of a past relationship, and the reclusiveness from society that could have resulted

of the Classical Association of Canada, vol. 7 no. 3, 2007, pp. 213-245. Project MUSE, doi:10.1353/mou.0.0029

The multifaceted nature of the human condition encompasses all aspects of human life at both an individual and collective level and delves into the notion of humanity and the values it comprises. Gwen Harwood’s poems’ “Father and Child” and “Mother who gave me life,” and Shirley Jackson’s short story, “The Lottery” (1998), explore the dynamic and often contradictory nature of the human condition. Harwood portrays the transience of time and inescapable truth of mortality, illustrating the ever changing complexion of the human experience. Whereas, Jackson examines the capability of all humans to be violent and cruel while questioning whether such tendencies can be masked by a constrictive society’s heartless ideals.

Transitional states of maturity can be challenged or championed by unexpected discoveries which can be confronting or provocative. This is explored through Alice Walker’s 1973 prose fiction, “The Flowers”, as the protagonist’s view on the world is transformed due to the personal zemblanic discovery made. The short story explores the themes of loss of innocence and death in order to address cultural indifference and the prejudice experienced by certain groups within society, which in turn causes individuals to be effected negatively. Walker hopes to evoke sense of political and social reflection in her audience, hoping that intimate discoveries of past inequity by her readers will ensure cultural equity maintains future momentum.

Stories are the foundation of relationships. They represent the shared lessons, the memories, and the feelings between people. But often times, those stories are mistakenly left unspoken; often times, the weight of the impending future mutes the stories, and what remains is nothing more than self-destructive questions and emotions that “add up to silence” (Lee. 23). In “A Story” by Li-Young Lee, Lee uses economic imagery of the transient present and the inevitable and fear-igniting future, a third person omniscient point of view that shifts between the father’s and son’s perspective and between the present and future, and emotional diction to depict the undying love between a father and a son shadowed by the fear of change and to illuminate the damage caused by silence and the differences between childhood and adulthood perception.

Gwen Harwood’s poems ‘At Mornington’ and ‘The Violets’ mirror ideas of circulatory nature of life and relationships between contrasting themes. Through images and references to certain motifs, two distinct stories and journeys are reflected, ‘At Mornington’s’ journey of life and death, and ‘The Violets’ story of the squandering of opportunities. The portrayal of certain voices and the displaying of contrasting ideas, the two poems have both similar and dissimilar aspects.

An individual’s discoveries and their process of discovering can vary according to social context and values. This is evident through different experiences of discovery within Jane Harrison’s ‘Rainbows End’ and Gwen Harwood’s ‘Father & Child.’ Harrison and Harwood present Gladys and Dolly from Rainbows End and the child and father from Father and Child to discover individual growth in themselves with the use of characterisation and various other language techniques. Both texts reflect on a feminine and a father and child context.

When people write they can intentionally or unintentionally use rhetorical modes to communicate their message. Two such essayists who make use of rhetorical modes include Frederick Douglass in his essay “Learning to Read and Write” and E.B. White in his essay “Once More to the Lake”. Douglass describes his struggle as a child slave and how literacy helped him and hurt him on his path to freedom. White reminisces about the past and his trips to the lake while on a trip with his son. While he looks fondly on memories of the past the looming presence of the present and future are very prominent throughout his essay. Their expert use of narration assists the telling of their stories and how they view their past experiences.

First Generations: Women of Colonial America, written by Carol Berkin, is a novel that took ten years to make. Carol Berkin received her B.A. from Barnard College and her M.A. and Ph.D. from Columbia University. She has worked as a consultant on PBS and History Channel documentaries. Berkin has written several books on the topic of women in America. Some of her publications include: Revolutionary Mothers: Women in the Struggle for America's Independence (2004) and Civil War Wives: The Life and Times of Angelina Grimke Weld, Varina Howell Davis, and Julia Dent Grant (2009). The prejudice that the author brings forward strongly is the notion of feminism.

Sigmund Freud never directly tackled the concept of collecting in his psychology but just before he was forced to leave Vienna for London, the photographer ‘Edmund Engelmann’ photographed his 2,000 objects that Freud had kept over the previous 40 years after his father had passed away. These photographs provided a record that served as a replicate to the desk full of specimens that had always dominated Freud’s room in England.

When thinking of personal experiences, “The Mother” by Gwendolyn Brooks touches on the emotional topic of abortion. Even though this poem was published decades ago, it can still be seen very relevant to this day. Accepting abortion and the outcome can indeed be a challenging task for many, while others seem to adapt to it without much of a problem. Gwendolyn Brooks’ writing lets us take a look at the mothers view point of abortion and how a mother responds to her new situation. Throughout the poem, the speaker shows signs of grieving concern of the topic of abortion and its outcomes by presenting emotions of regret and memories, shame and guilt, and contradicting herself to almost justify what she has done.