Throughout many years, literature has been a way for authors to show certain topics that are not widely talked about, whether they were controversial ideas that led to debates, or just subdue topics. Often times authors might use literature to show transgressions in a society that most would disapprove of or sometimes literature is used to show the social constructs of a society. In the Victorian Gothic Era, many authors such as Joseph Sheridan Le Fanu displayed homosexuality through theme of horror. In the ways how supernatural beings do not fit within societal norms allow them to be a representation for homosexuality. In Le Fanu’s novel Carmilla, in the ways how the female vampire Carmilla is outcasted is a representation of homosexual oppression. …show more content…
Sexuality is known be a fluid idea to which sexuality is defined differently for everyone. The idea of having sex for sexual pleasure is commonplace within modern literature, but it was not always like that. Sex was mostly referred to as sexual intercoarse between a married couple in the hopes that one would produce a child, until later years when the idea of sexual attraction was created. The 1909 Merriam-Webster’s Dictionary defines homosexuality as a medical term meaning “morbid sexual passion for one of the same sex.” This definition of homosexuality implicates how the idea of homosexuality was viewed as abnormal disease based on the implications how same sex couples cannot procreate. The concept of homosexuality was looked down upon because it was interpreted as sexual pleasure, rather than procreation. Heterosexuality was viewed in the same light, but not as much since most married couples consist of a male and female figure. People were used to understanding the idea of sex in the terms of sexual reproduction, so when people found out that sex can be used for sexual pleasure, they may have been uncomfortable with that fact of a society that moving from traditional family structures to a more modernized society. In the Victorian Gothic Era, homosexuality as well as
The first vampire started out as not a vampire at all, but as a human man named Ambrogio. He was an Italian-born adventurer who fate brought to Delphi, in Greece. Basically he was cursed and was the first vampire in world history. He was also still a young man.
Another noteworthy example of the way Stoker’s lascivious thematic begins outside the immediate circle of ‘good’ characters and then worms its way within is Mina Harker’s decent into vampirism. After Dracula manages to get into Mina’s bedchamber her forces himself upon her, drinking of her blood and forcing her to drink of his. “I was bewildered and strangely enough, I did not want to hinder him” (305), Mina declares as she realizes that even while she had tried to fight against the Count’s urgings she found it difficult not to yield to his demands. This is an intense moment where a pure hearted, if not pious, character is defiled and forced to recognize their own very human, and lustful desires. It is the basis of these humanizing desires
During the 1950s and 60s, society looked down on homosexuality. The general public opinion was that homosexuality was something to be ashamed of and threatening to wholesome family values. In a 1967 CBS News documentary called “The Homosexuals”, anchor Mike Wallace said, “In preparing this broadcast, CBS News commissioned a survey by the Opinion Research Corporation into public attitudes about homosexuality. We discovered that Americans consider homosexuality more harmful to society than adultery, abortion, or prostitution.”
Do you believe in vampires? Vampires are hidden, dark, unhuman creatures. They pray on the living, and create more monsters with one bite. In the novel “Dracula” By Bram Stoker, many symbols, motifs, themes, are hidden in with the plot. Throughout the book, you get an interesting insight from each character.
Chapter Three: The essentials to the vampire story are: an attractive or illusive older figure, with corrupt values; a young, virginal, innocent female;The destruction of the female; and the continuing life force of the older male. An example of a movie that displays these simple acts of vampirism is Forrest Gump. One of the main characters, Ginny, is sexually abused as a child by her drunken father. Ginny’s father ripped away her youth by stealing her virginity and. Due to her father’s actions Ginny unconsciously fills the void with a drug and sex addiction.
Sexuality, sterilization, and birth control all have a long history that has led to the current laws and approaches on these topics. These issues have caused many conflicts among societies and people in general. Sexuality revolves around a person’s orientation or preference. The main purpose for sexual relations was reproduction. “An accurate portrait of sexuality in the colonial era both incorporates and challenges the puritanical stereotype (D’Emilio & Freedman: 1 &2).
Feminist Reading: Dracula between Beauvoir’s and Roth’s Ideas In her article, “Suddenly Sexual Women in Bram Stoker’s Dracula” Phyllis Roth argues that Dracula is a misogynistic novel which is obvious in the system of power in which men are dominant and active figures whereas women are just followers and obedient to their system. She draws on Simon de Beauvoir’s idea that “ambivalence as an intrinsic quality of Eternal Feminine”, in order to show that women are victims to men powers. In her chapter, “Myth and Reality”, Beauvoir discusses the way that anybody in the society, specially men, doesn’t do their job in taking a step towards the oppressed women, but to act just like what the system of myth impose them to act.
Bram Stoker, describes one of the verbal taboos of the Victorian era, violence, through the representation of vampires as “monsters” through the point of view of their victims in his novel Dracula. Stoker portrays violence in three distinct categories- physical, visual and psychological. Each one of these categories is described by one of the antagonists in the Novel, with Count Dracula as the physical aspect of violence, his underlings, the female vampires as the visual and Renfield, the patient at Dr. Seward’s mental asylum, as the psychological aspect of violence. This essay looks at the portrayal of such Categorical violence as different renditions of a “monster” and considers why Stoker would segregate violence in such a manner.
The literature pieces help explore the subject of female sexuality, as time progress the amount of female sexuality increases. Women can desire, they can have aspirations, even though shown as vampires the text still suggests that they are women. The gothic writing of Victorian era such as Dracula, Carmilla, and Christabel help
In Bram Stoker’s, “Dracula”, the novel shows many examples of its characters both subverting and reinforcing the traditional gender roles of the victorian age. During this time period, a very cliched version of gender roles is portrayed. The subversions shown throughout the novel were very scary in a way to the audience of the Victorian time. This was due to the very uptight culture of people during this time and the very unconventional actions performed during the novel. Many characters show these subversions through their personality, but also through their actions.
Any analysis or understanding of any aspect of Western culture is incomplete and degraded if it does not incorporate a critical analysis of modern homo/heterosexual definition (Sedgwick 2008,
Joey Cho Mrs. Middleton English 10 17 October 2016 Persuasive Research Essay Outline Introduction LGBT/ same-sex marriage is one of the most heated and controversial debates in our current society. Unlike the past thousands of years whereas marriage was defined as a legal union between a man and a woman, now the concept of marriage has been extended to a broader context. “Homosexuality” in most cultures is viewed as a disgrace, and it is often considered as a great sin from a religious aspect.
This unsettling evokes some of the key features of the Gothic, such as the use of phantasmagoria, transgression, and excesses, all of which disturbed the reader by surrounding them with dark reflections of a reality portrayed through fiction. Pacts with the devil to obtain one’s desires, monks and aristocrats who revel in luxury — even if this means they must stain their hands with blood —, vampires and mad scientists: all corrupt one’s morals, all corrupt the false appearance of serenity. Likewise, the female vampires who torment Jonathan Harker disturb the harmony of the domestic sphere and unsettle the delicate balance between the private and the public domain. These vampiric women are marked by heightened sensuality and tacked to other fatal women that permeate art and European literature at the end of the nineteenth century. In this novel, fear and desire are often confused, a clue modern anxieties surrounding desire toward sensuous but degrading bodies.
“Gay doesn’t use the word sex,” she said. “Lesbian doesn’t use the word sex. Homosexual does. ” It also contains ‘homo,’ which is an old derogatory,” she added. “They want to have that idea there.
“Nature created many beautiful beings including Humans, Witches and Werewolves that kept balance and protected the life that had been given to them; but such a presence could never remain perfect. The Original Witch grieving from the loss of two children adapted a spell; invoking the sun for life, the blood of an immortal Doppelgänger and one of nature’s eternal objects; the White Oak Tree. This powerful spell turned her children into the first vampires, colloquially known as the Original Vampires. But such an act caused nature to turn on this abomination and for each object that had given them life it could take it away. The sun became their enemy and burned their flesh on contact and the very tree that gave them life was the only object that