Tim Burton has used many stylistic techniques to give the audience an eerie and out of place feeling. For example in the film Edward Scissorhands, Tim makes suburban life look boring and pointless to the naked eye. In the film, the neighborhood appears plain and boring, filled with homes painted minty green or butter yellow. The castle where Edward thrived for years upon years is full of dust and spider webs as if the building hadn't been touched in years. We see these same style traits in the film Alice In Wonderland.
Tim Burton has a bigger number of chances as a director instead of a creator to show state of mind and tone. In some of his past motion pictures, for example, "Edward Scissorhands" and "Beetlejuice" he utilized different procedures to exhibit evil mind-sets and tones. The tones of his films are quite often dull in view of his youth encounters. Tim Burton utilizes lighting, sound and camera developments to portray a remarkable gothic artistic experience. Lighting is pivotal to demonstrate the state of mind of a motion picture.
Well-respected, director Tim Burton has always been credited for the uniqueness of his many films. He has directed, produced, and written many classic films in his life, and there is no doubt he will make any more. Often influenced by Edgar Allen Poe, Dr. Seuss, and Vincent Price, Burton’s films are regularly remakes of well-known tales, reimagined as twisted with dark spins. His films Alice in Wonderland, Charlie and the Chocolate Factory, and Edward Scissorhands all demonstrate how one of a kind his screenplays are. Though Burton uses many meaningful cinematic techniques across these films, his use of lighting stands out.
Two iconic films that express his eccentric style are Charlie and the Chocolate and Edward Scissorhands. In Charlie and the Chocolate Factory you learn about a poor boy named Charlie who received a golden ticket to a famous chocolate factory owned by Willy Wonka, who then offers a great prize at the end of his visit. In Edward Scissorhands you watch the main character Edward who has been isolated his entire existence try and live a normal life with scissors as hands. In these two movies Tim Burton's use of close ups and low key lighting help to create his eerie style.
“I always like dark characters.” These are the words of the creative genius that is film director, Tim Burton. In his films, Burton uses eerie and dark overtones to create a whimsical, gentle horror, fantasy film. Burton’s films almost always have a hint of darkness because of his childhood, and influences lide, Edgar Allan Poe, and Vincent Price. Tim Burton has directed works such as Charlie and the Chocolate Factory, Edward Scissorhands, Big Fish, and Batman.
Tim Burton, a well-known film director, has many more opportunities to display tone and mood than an author would. In movies such as Edward Scissorhands and Alice in Wonderland he uses various cinematic techniques to display eerie moods and tones. Burton’s films astonish many audiences because of his brilliant use of sound, angles, and lighting to display a unique, gothic, and unusual style for himself. Tim Burton, in Edward Scissorhands, uses lighting to create different tones and moods, as well as displaying his unique style. In Edward’s mansion the lighting is always low key.
The unknown is often associated with danger because of society. Tim Burton would argue that the abnormal could often be the uttermost significant in life. Through color contrast and physically abnormal characters, Burton displays in his films that society wrongly teaches people to fear the unknown. Burton uses color contrast to show the isolation and the unknown of the outcast characters in his films. For instance, in Edward Scissorhands, Edward was introduced when Peg found him sitting in a corner all alone.
Tim Burton is a unique and creative director who effectively conveys emotion in all of his films. In Burton’s films, you can track clear contrasts of colors in all of his films: bright, popping colors for the happy or seemingly perfect scenes/sets and dark colors with blue-ish undertones in the scenes/sets where everything is supposed to be sad or eerie. The main characters in his stories normally embark on crazy adventures whilst the supporting characters conflict with the main characters. By developing his films with cinematic categories sounds, lighting, and camera angles, Burton is able to manipulate the audiences’ feelings the way he feels is appropriate for each scene. Tim Burton incorporates the right music in his films to further enhance
In Tim Burton’s film Edward Scissorhands he explores how global societies are losing the values, idioms, and imperfections that separate them, and instead, we are replacing them with globally accepted beliefs regarding perfection and normalities. In the film, Tim Burton creates a microcosm which allows us to safely view our own imperfections without bias. This problem has become so vast in all societies across the world to the point where it is influencing much of our pop-culture. There is however, a change coming, a change throughout the world calling upon people to embrace their individuality and their
Burton uses shots and framing, camera movement, and contrasting lighting to give a gloomy and dark mood. Tim Burton was influenced by fairy tales, working at Walt Disney Studios, and Dr. Seuss books. His films are characterized by childlike innocence and playfulness coupled with dark and somewhat grotesque sensibility.
Throughout, Tim Burton’s movies, you can see his techniques evolve and become what is known as Tim Burton’s style. Burton’s movies have become a popular style, and his movies always bring crowds to the theaters. His fame grew with the production of Edward Scissorhands, from then, his techniques only grew, developing into his own unique style that many try to imitate. Several of his most obvious and aggressive techniques are his use of lighting, music, and colors. I am using several examples from his movies, Edward Scissorhands, Big fish, and Charlie and the Chocolate Factory.
Do you have any idea why a raven is like a writing desk? No, Me either. Tim Burton’s Alice in Wonderland is an interesting take on the old Lewis Carroll 's story Alice’s Adventures in Wonderland and this film might not be seen as an adaptation to more than a continuation of the loved story. Tim Burton’s Alice in Wonderland is about an older version of Alice who is dissatisfied in her boring life and is being told how to live her life. When she is at her own engagement party she follows a white rabbit down a hole and ends up in Wonderland.
In conclusion, Tim Burton proceeds taking advantage of the cinematic techniques; lighting, sound, and camera movements creating a certain mood/tone. He uses each technique to reel in his audience. Tim Burton’s style is based on differences between things or people. However, Burton uses many more techniques than just these three, he uses all kinds to appeal to his
Tim Burton’s distinct style became evident in his very first films and stayed clear in his later film, while the plot of Burton’s films vary greatly his style stays pronounced. This can be seen across his many movies from Charlie and the Chocolate Factory, Edward Scissorhands, “Vincent”, and “Frankenweenie”. In all of these films his distinct style is developed through the use of a strong contrast of high and low key lighting to show contrast between characters and circumstances, a recurring motif of mobs antagonizing the antagonist, and the frequent use of shot reverse shots to show the development of the relationship between the outsider and the people on the inside. With the use of a contrast between high and low-key lighting, a recurring mob motif, and the use of shot-reverse-shots Tim Burton develops his hopelessly bleak style. One of the most evident cinematic techniques that Tim Burton uses to develop his hopelessly bleak style is the use of a strong contrast of high and low-key lighting or colors.
Tim Burton is an animator, screenwriter, director, and illustrator, best known for the dark, twisted, cinematic flair that his films contain, along with a smooth blend of horror and fantasy. Inspired by animator Walt Disney, and writers Roald Dahl and Edgar Allan Poe, it’s no surprise that many of Burton’s films focus on fairy tales. But, unlike many fairy tales, Burton’s fairy tales contain dark tones and moods that many fairy tales lack. Burton emphasizes these dark tones by manipulating lighting to emphasize the dark aspects of fairy tales that many adaptations simply glance over. In Charlie and the Chocolate Factory, Edward Scissorhands, and Alice in Wonderland, Burton uses high key lighting, low key lighting, and back lighting to emphasize
