Tim Burton’s film style essay In Tim Burton’s films, he uses various techniques to demonstrate different moods and tones. Tim Burton’s films include Edward Scissorhands, a drama film where a scientist dies before he can finish building Edward, leaving him with a freakish appearance by the scissor blades that the scientist has replaced hands for, and Charlie and the Chocolate Factory, a adventure film where a small group of contest winners get to tour the magical Wonka factory and get a lifetime supply of chocolates, candies, and sweets. In the films mentioned before Tim Burton uses low-key and high-key lighting to create a gloomy and bright effect, and a long shot to create the distance of how far you are away from an object or a place. In
Tim Burton Creepy, unique, and gothic are some of he’s characteristics in he’s movies and clips like Edward Scissorhands and Beatlejuice, and Corpse Bride, and Charlie and the Chocolate Factory and also in the clip of “Vincent”. He’s very dark but creative of he’s use of lighting, costumes, and music in he’s clips, movies, and TV shows. Tim Burton twisted style is best conveyed through his use of showing danger, creating mood, and developing character. Tim Burton’s use of lowkey lighting makes the movie darker and shows something creepy or bad. For example in Edward ScissorHands when Peg, the saleswomen, went upstairs to see Edward the lighting was low key, showing Edward was creepy.
In Tim Burton’s film Edward Scissorhands he explores how global societies are losing the values, idioms, and imperfections that separate them, and instead, we are replacing them with globally accepted beliefs regarding perfection and normalities. In the film, Tim Burton creates a microcosm which allows us to safely view our own imperfections without bias. This problem has become so vast in all societies across the world to the point where it is influencing much of our pop-culture. There is however, a change coming, a change throughout the world calling upon people to embrace their individuality and their
“I always like dark characters.” These are the words of the creative genius that is film director, Tim Burton. In his films, Burton uses eerie and dark overtones to create a whimsical, gentle horror, fantasy film. Burton’s films almost always have a hint of darkness because of his childhood, and influences lide, Edgar Allan Poe, and Vincent Price. Tim Burton has directed works such as Charlie and the Chocolate Factory, Edward Scissorhands, Big Fish, and Batman.
Tim burton, renowned for his incorporation of gothic styling into many of his films, throughs characters and themes to establish his noticeable signature in his films. In, Frankenweenie and Edward Scissorhands, the use of socially incompatible characters, unique identity traits, and contrasting a life of one that has conformed gives the both film a gothic identity with a sense of german expressionism tim burton autuer. Burton does this in order to communicate his thoughts on conformity and to
Tim Burton has used many stylistic techniques to give the audience an eerie and out of place feeling. For example in the film Edward Scissorhands, Tim makes suburban life look boring and pointless to the naked eye. In the film, the neighborhood appears plain and boring, filled with homes painted minty green or butter yellow. The castle where Edward thrived for years upon years is full of dust and spider webs as if the building hadn't been touched in years. We see these same style traits in the film Alice In Wonderland.
Tim Burton uses his mysterious and creepy characteristics and expressed it through his film Edward Scissorhands Burton uses his unique style of editing that helps understand the main character’s, Edward’s, background. In comparison with the editing the sound helps understand the meaning of certain part such as the suspense of what would happen to Edward in the end. The costuming was a peculiar choice, it shows how in the town there was a lot of colors, but, Edward wore an all black steam punk like clothing showing how he was different. Therefore Tim Burton’s character, Edward, is a somewhat reflection of himself. Like Burton he has an imagination in order to create “art”, and the style of clothing is alike to that of Burton’s.
Tim Burton is a famous director who puts a lot of originality into his work. Burton uses editing techniques, music and sound, as well as shots and framing and camera movements to determine the mood of the scene. Editing is one of the techniques Burton uses to create emotion and suspense in the audience. One way Burton does this is by using fade in Big Fish, Edward crosses paths with Karl who was waiting for him on the longer road.
The unknown is often associated with danger because of society. Tim Burton would argue that the abnormal could often be the uttermost significant in life. Through color contrast and physically abnormal characters, Burton displays in his films that society wrongly teaches people to fear the unknown. Burton uses color contrast to show the isolation and the unknown of the outcast characters in his films. For instance, in Edward Scissorhands, Edward was introduced when Peg found him sitting in a corner all alone.
Tim Burton uses many different cinematic techniques to achieve very specific effects in his movies. The most important cinematic techniques that he uses to create his unique style are Non-Diegetic sound, lighting, eye level, and zoom. These techniques that can be seen in the films Charlie and the Chocolate Factory, Edward Scissorhands, and Corpse Bride, create the effects of sadness, dark moments, express the feeling of other without telling. He uses Non-Diegetic sound when he puts a song, he uses sad songs, happy songs, and more to show the feeling of the character, to give us like a hint of something that is going to happen, if it’s going to be bad or sad. He uses lighting to make the moment or scene sad or mysterious.
Tim Burton is a unique and creative director who effectively conveys emotion in all of his films. In Burton’s films, you can track clear contrasts of colors in all of his films: bright, popping colors for the happy or seemingly perfect scenes/sets and dark colors with blue-ish undertones in the scenes/sets where everything is supposed to be sad or eerie. The main characters in his stories normally embark on crazy adventures whilst the supporting characters conflict with the main characters. By developing his films with cinematic categories sounds, lighting, and camera angles, Burton is able to manipulate the audiences’ feelings the way he feels is appropriate for each scene. Tim Burton incorporates the right music in his films to further enhance
In conclusion, Tim Burton proceeds taking advantage of the cinematic techniques; lighting, sound, and camera movements creating a certain mood/tone. He uses each technique to reel in his audience. Tim Burton’s style is based on differences between things or people. However, Burton uses many more techniques than just these three, he uses all kinds to appeal to his
The final film technique Tim Burton uses is sounds he uses. The most popular type of sound techniques is the non-diegetic sounds. In the 1989 Batman film, Tim Burton uses a ton of non-diegetic music. In multiple scenes in the movie, often combat scenes, there is dramatic music playing in the background to enhance the tension in the audience. During the scene in Charlie and the chocolate Factory when Charlie won the last golden ticket and he was running home there was non-diegetic happy and exciting music playing in the background.
Do you have any idea why a raven is like a writing desk? No, Me either. Tim Burton’s Alice in Wonderland is an interesting take on the old Lewis Carroll 's story Alice’s Adventures in Wonderland and this film might not be seen as an adaptation to more than a continuation of the loved story. Tim Burton’s Alice in Wonderland is about an older version of Alice who is dissatisfied in her boring life and is being told how to live her life. When she is at her own engagement party she follows a white rabbit down a hole and ends up in Wonderland.
Tim Burton is an animator, screenwriter, director, and illustrator, best known for the dark, twisted, cinematic flair that his films contain, along with a smooth blend of horror and fantasy. Inspired by animator Walt Disney, and writers Roald Dahl and Edgar Allan Poe, it’s no surprise that many of Burton’s films focus on fairy tales. But, unlike many fairy tales, Burton’s fairy tales contain dark tones and moods that many fairy tales lack. Burton emphasizes these dark tones by manipulating lighting to emphasize the dark aspects of fairy tales that many adaptations simply glance over. In Charlie and the Chocolate Factory, Edward Scissorhands, and Alice in Wonderland, Burton uses high key lighting, low key lighting, and back lighting to emphasize
Tim Burton’s distinct style became evident in his very first films and stayed clear in his later film, while the plot of Burton’s films vary greatly his style stays pronounced. This can be seen across his many movies from Charlie and the Chocolate Factory, Edward Scissorhands, “Vincent”, and “Frankenweenie”. In all of these films his distinct style is developed through the use of a strong contrast of high and low key lighting to show contrast between characters and circumstances, a recurring motif of mobs antagonizing the antagonist, and the frequent use of shot reverse shots to show the development of the relationship between the outsider and the people on the inside. With the use of a contrast between high and low-key lighting, a recurring mob motif, and the use of shot-reverse-shots Tim Burton develops his hopelessly bleak style. One of the most evident cinematic techniques that Tim Burton uses to develop his hopelessly bleak style is the use of a strong contrast of high and low-key lighting or colors.