Similarities Between Big Fish And Edward Scissorhands

Often the people that stand out from the crowd at younger ages are the people that will do incredible and amazing things. When Burton was young he was an outsider giving him time to become great at what he loves, he spent his time drawing and writing some of his childhood work that inspired films that he is recognized. Burton uses long shot, flashbacks, and low key lighting in both Charlie and the Chocolate Factory and Edward Scissorhands to show the characters insecurities about the obstacle of society.

Creepy, unique, and gothic are some of he’s characteristics in he’s movies and clips like Edward Scissorhands and Beatlejuice, and Corpse Bride, and Charlie and the Chocolate Factory and also in the clip of “Vincent”. He’s very dark but creative of he’s use of lighting, costumes, and music in he’s clips, movies, and TV shows. Tim Burton twisted style is best conveyed through his use of showing danger, creating mood, and developing character.

We have all had a time in our lives when we were fascinated by a sight or sound, whether it be a song, scene in a movie, excited fans and their cheers at a football game, or just the wonderful sights and sounds of nature. Tim Burton has mastered fascinating viewers through sights and sounds in his movies. In “Edward Scissorhands”, “Charlie and the Chocolate Factory”, and “Big Fish” Tim Burton uses the cinematic elements light and sound, to emphasize the characters and/or scenes.

Tim Burton also uses high/low angles in order to show characteristics of the characters, seen in Alice in Wonderland and, Edward Scissorhands. For example in Alice in Wonderland when Alice is fighting the dragon on the castle staircase, high/low angles are used to make Alice seem very weak with a high angle while making the dragon seem very powerful with a low angle. High/low angles were used in order to emphasize the difference between Alice and the dragon. Similarly in the film Edward Scissorhands, while in Edwards mansion, Tim bursts in the room and shoots Edwards, standing over him, high/low angles were used to reveal personalities and characteristics of the characters. It is seen that Edward is innocent, scared and not a killer with

In Edward Scissorhands, the use of crane shots is mainly to capture the entire setting, that somehow foreshadows the meaning of a certain object or action. For example, when Peg is entering Edward’s home at first glance, the camera is aimed at the highest altitude to capture the scale factor of Peg to the home, along with the conclusion that something terrible may happen due to the color contrast that resembles danger. Unlike the use of long shots that limit the view of the setting to character level, the crane shots allow for a complete vision of Peg and her area. Additionally, in Big Fish, close-ups are mainly used to assist in the emphasis of the character’s reactions towards a certain action. This is mainly shown by the countless stories of the father, and how specifically during the “road less traveled by” scene, he encounters many dangers such as flying spiders and menacing trees, where the close-up shot allowed the horrified looks of the father to be observed. Different in the use of long shots during the encounter with the town in the center of the road, which allowed readers to infer of the positive mood of the characters, the close-ups allow for a complete vision of the character, and the formed facial expressions that may infer of the

Film enthusiasts might know the famous movie director Tim Burton. In all his fame and glory audiences probably wouldn't expect him to be a loner and not part of the cool group in high school. Burton was not part of the cool group, he was not liked, and was a loner, according to The FW. But if it wasn't for his childhood isolation, Burton wouldn't have produced all of his movies today. Burton has a unique type of style, that could be described as dark and ominous. In "Frankenweenie” Burton uses dark lighting to create an ominous feeling. He uses this technique in Edward Scissorhands also. Burton likes to use dark colors and likes to try and make his films look scary, creepy, and out of the ordinary, which is why many teenagers liked his films.

In Tim Burton films he uses cinematic techniques such as music and sound, lighting, and editing to emphasize the emotion and reaction of and to his movies. These techniques influence and the manipulate the audience's view on the film. In the majority of Tim Burton films, he produces a with underlying gothic themes, Claymation, yet they also contain a fairy-tale style on top of it. Tim Burton definitely has a unique and different style, that is very well recognizable. Using cinematic techniques makes his uniqueness more visible than you can imagine.

In Edward Scissorhands, Jim becomes jealous over Edward and Kim’s developing relationship. He begins to threaten and push and try to overpower Edward. Throughout of the drama and trouble, the camera was always at a low point and shot at an upward angle, to make Jim look as if he had all the power. Giving that effect to someone and making them bigger than all the others around them, added more drama and made the movie more enticing. Burton wants you to see that, that person has more can have more power and that they may be someone to watch out for throughout the movie. Another key point would be in Vincent, whenever the little boy, Vincent Malloy, would pretend to be his role model, a man who had gone crazy. Every time his mind would switch from himself to the man it would get darker around him and he would become what it seemed to be a larger more powerful man. Burton used this effect most when he wants you to worry about the danger that character may bring upon

To begin with, one major cinematic technique found in Tim Burton films is the different types of lighting. For example, in Tim Burton's, Charlie and The Chocolate Factory, low key lighting was used immensely to illuminate an eerie or intense feeling. Primarily, when the 5 main characters and their guardians enter the factory with Willy Wonka, the setting looks dark and as though there is mystery ahead. It also gives the watcher a feeling of suspicion of what is to come next in the movie. Also,

Tim Burton uses low angle shots to make characters seem powerful. For instance, in Edward Scissorhands, when the neighborhood women are staring at Edward at the barbecue. This low camera angle gives a view at the women that they are large predators that are going to take advantage of Edward who is naive and clueless. The women continue to take advantage of him throughout the fil. Tim Burton also uses eye level shots to show reaction on a character’s face. In Big Fish, when Will is talking to his wife in bed about his father, Burton uses a eye level shot to capture Will’s facial expressions. In the film, when Will’s father is mentioned, the has a negative expression because he thinks his father is a liar. This negative attitude starts with Will until the end of the movie when Will’s father is dying, and Will has to tell his father a

As a movie director, Tim Burton began his career with Disney in the early 80’s. He produced his first film, Vincent, in 1982 which caused Disney to reconsider his position as a result of the fact that he was “too dark” for the targeted audience. Burton often exploited childhood innocence when revealing the destructive side of nature. These ideas were heavily influenced by writers such as Roald Dahl, and Edgar Allen Poe. In many films, Burton interweaves Dahl’s display of the misunderstood outsider, and believing the impossible, while juxtaposing these themes with Poe’s gothic influence of macabre and violence. Although, containing dimmer moods he persuades the audience to perceive the imaginable. Using the dark color scheme of exaggeration,

Tim Burton uses an ironical approach to lighting to give a new perspective to the audience about certain topics

In specific, Burton uses dolly and tracking to see Pegs facial expression of the big and beautiful bushes. The purpose of this shot shows that Edward is not as bad as people make him out to be and that he has the potential to have a caring and heartwarming side. To achieve that effect the dolly and tracking shows a lot of Pegs facial expression but also shows the bushes. This allows the audience to see Pegs astounding expression of her wide eyes and her mouth slightly open. Peg is not the only thing in those shots, during those scenes you get to see Peg and the well kept bushes. This lets the viewers have there own opinion and creates a sense of connection between Peg and the audience as she was looking at all the bushes. The suspenseful, beautiful and angelic mood is accomplished while using the cinematic techniques; dolly and

Burton used camera angles in Big Fish when Edward Bloom first met Karl the giant. Burton made Karl look bigger because he was using a high angle on the back of Karl making him seem more intimidating and big, while we worry for Edward because he seemed small and helpless. He repeats this technique in 9 when the 9, the main character was being introduce, Burton used a high angle on him to show just how small and helpless he is in his world where there is danger in every corner. Alice in Wonderland also has a lot of camera angles one scene in particular shows how Burton uses camera angles to make us feel threatened and feel sorry for the character, that is when Alice and the Jabawockee were about to fight, Burton is using a low-angle when the camera is facing towards the Jabawockee making him seem powerful and big, while he uses a high-angle on Alice which is the opposite to make her look more vulnerable and

First of all, Burton uses low angle to make a character look intimidating. For example, when Edward Scisscorhands came out from hiding in the corner the camera swithced to low angle and it made him look bigger and more intimidating. Unlike the low angle that shows a characters courage, this one was used to make Edward look frightning.