Femme fatale Essays

  • Casablanca Femme Fatale Analysis

    1546 Words  | 7 Pages

    as the femme fatale which literally translates to, fatal woman. The particular focus of the femme fatale and its characteristics is Ilsa Lund, female star of Casablanca, who exhibits the major and auxiliary qualities of the femme fatale character as well as her hidden intentions. The importance

  • Femme Fatale Analysis

    3797 Words  | 16 Pages

    times) and Salome (Biblical figure). Merriam-Webster defines females classified by the term as “seductive [women] who [lure] men into dangerous or compromising situations”. A more elaborate description by Mary McMahon illustrates that “A classic femme fatale hides her true nature with seductive attitudes, ensnaring her prey so thoroughly that by the time he realizes what has happened, it is too late. A vixen with sinister

  • Femme Fatale Archetype

    935 Words  | 4 Pages

    The most common archetype seen in noir is the femme fatale. The femme fatale becomes a distinct part of film at the end of World War II as well as a threat to transgress the patriarchy (Grossman, p.4). The origins of the femme fatale comes from "the historical need to reconstruct an economy based on a division of labor by which men control the means of production and women remain within the

  • Characteristics Of Femme Fatale

    984 Words  | 4 Pages

    1. My definition of a “good” feminist is someone who pursues equality between genders and in society. I believe the femme fatale character does celebrate a women’s agency by placing women into less traditional roles. Before this type of character became popular, women in movies where portrayed as being weak and not important. The femme fatale character gave women the opportunity to prove that they can be more than a “damsel in distress” who needs to be saved by the male hero. The introduction of

  • Hemingway's Femme Fatale

    1594 Words  | 7 Pages

    Her name is Margo Macomber, who is characterized by all the adjectives Ernest uses to describe the admirable kind of women 'femme fatale ', even murderous. She is practically in control of her husband 's life, that she leaves a trademark in this novel. Margo Macomber is devious, brave, strong, appealing, beautiful (even compared to Africa), opportunistic, unfaithful, deceitful,

  • Femme Fatale Film Analysis

    1771 Words  | 8 Pages

    Independent Study “No Place For Women: Femme Fatale in Noir” IB FILM HIGHER LEVEL SESSION MAY YEAR Elita, Gendler WESTERN ACADEMY OF BEIJING Mrs. EJ Callahan, Instructor Documentary Rational: pg. 2 Documentary Script: pg. 3 - ? Sources: pg. ? Documentary RATIONALE: I made this documentary to investigate how a femme fatale is characterized within classical film noir. A femme fatale is a woman who is dangerous and mysterious, thus shaping the narrative of many film

  • Femme Fatale Research Paper

    1200 Words  | 5 Pages

    Ways Of Becoming A Fun, Fearless Femme Fatale – Let The Games Begin! Want to be femme fatale, which literally means “fatal woman” in French? What are you waiting for then? Dig in for some sure fire tips! Introduction You know exactly what femme fatale means in French, and you might also know some women who have gained the ‘femme fatale’ title – like the Poison Ivy, Cat Woman and who can forget, Jessica Rabbit?! According to the movie Mildred Pierce, a femme fatale can be described as, “the kind of

  • Femme Fatale Research Paper

    2133 Words  | 9 Pages

    The Femme Fatale has been in society, whether from imagination or from women who were seen as taboo or different from the norm. Where did this title come from, and has it always been around? I will be examining what the femme fatale is, and why the title has stayed with us throughout the years. I will also be analyzing as to why the femme fatale’s brother, the homme fatale has not been as widely known as the former. The idea of the femme fatale is everywhere within our media. Whether it be through

  • Casablanca Film Noir Analysis

    1687 Words  | 7 Pages

    Those that believe Casablanca is not film noir usually perceive Film Noir as a genre. Noir is not a genre; Noir transcends genres and behaves more accurately as a style of cinema. As styles go, there can be variations of them as we see now with Post-Noir and Neo Noir, noir elements in a different time period of film technology which makes these films slightly different than the style of classic film noir. Themes of cynicism, impending doom, loss, jeopardy of life accompanied by visuals dominated

  • Sunset Boulevard Film Noir

    834 Words  | 4 Pages

    Sunset Boulevard is a classic black comedy/drama, the most acclaimed, but darkest film noir story about Hollywood and what happens behind the scenes written by Billy Wilder. It shows the true deceitfulness, emptiness, the price of fame, greed, narcissism, and ambition it really takes to be an actor or actress during the 1950’s in Hollywood. Norma Desmond was one of the main characters and she showed viewers how easily they can perceive their characters on screen for their real life and get them twisted

  • Where The Sidewalk Ends Film Analysis

    1287 Words  | 6 Pages

    rampant crime and corruption, with the characters and protagonist being morally ambiguous. Where the sidewalk ends was created in this style with its stylistic choices and its focus on settings with police corruption, an anti-hero protagonist, and a femme fatale. The film Where the Sidewalk Ends directed by Otto Preminger is a film noir that was praised for its even grittier take on this style of filmmaking. In this film the protagonist (Detective Dixon) kills Ken Paine in self defense while interrogating

  • Double Indemnity Movie Analysis

    1081 Words  | 5 Pages

    Phyllis, the femme fatale, was the literal downfall of Walter Neff caused by his emotions towards her. As critics have remarked, Phyllis was the perfect femme fatale because she was like a robot; emotionless and targeted towards her goal. She did not care who she had to use to gain what she wanted, and in this case, it was money. To contrast

  • What Is The Femme Fatale In Film Noir

    571 Words  | 3 Pages

    is caught up in a love triangle between her husband and his employer. The film focuses on the weakness of males, which is money and women. The appearance of the Femme fatale is very important because with her beauty she is able to seduce her way into a man’s life. As mentioned by Winfried Fluck, "The power (and hold) of the femme fatale over the main character derives from the fact that she is an imaginary construct, so that an important part of the suspense derives from the question whether and

  • Brigid O Shaughnessy In The Maltese Falcon

    1316 Words  | 6 Pages

    acting. But nothing can escape Spade's hawk-eyes, and he sarcastically compliments her on her skillful acting abilities. Miss Wonderly a.k.a. Miss Leblanc a.k.a. Brigid O'Shaughnessy is the classic femme fatale. What's a femme fatale, you ask? Good question. A French term meaning "deadly woman," a femme fatale is a seductive, mysterious woman who uses her femininity to lure men to do her bidding, leading them into compromising, often deadly situations. Which makes her such a great example of pathos like

  • The Role Of Sigmund Freud In Double Indemnity

    614 Words  | 3 Pages

    In 1944, Billy Wilder directed an award winning film noir Double Indemnity. Film noir was a popular genre of film during the 1940’s. Film noirs were crime dramas placing an emphasis on sexual motivations. In addition, film noirs were recognized by movie critics for the dark lighting and themes expressed throughout the films. In Double Indemnity, Walter Neff, an insurance salesman, perfectly fits the role of the anti-hero seen in many film noirs. In Double Indemnity, Walter Neff expresses the theory

  • Pulp Fiction Analysis

    1015 Words  | 5 Pages

    Universal Design Film Review Does the film fall into any particular genre? Quentin Tarantino 's Pulp Fiction is a mixture of a few different types of genres, it is considered a gangster movie but there are more layers to it than one genre, at the time when it was made it was an independent film (Indie Film), black comedy, Drama and a Thriller. How does the film address the themes/issues of adversity? In general, the film is about American nihilism, the transformation of the characters involved

  • Saving Mr. Banks Analysis

    798 Words  | 4 Pages

    The movie saving Mr. Banks is about how Walt Disney and his employees, Travers Robert Goff, Richard Sherman and Robert Sherman works as a team to produce a show based on a book entitled “Marry Poppins” written by P.L Travers. This is more to a Biography featured film featuring P.L Travers story. In Travers' story, Saving Mr. Banks speak about the author's fortnight meetings during 1961 in Los Angeles, and was persuaded by Walt Disney in his attempts to obtain the screen rights to her novel. Disney

  • Influences Of Film Noir

    812 Words  | 4 Pages

    To pinpoint the exact influences of what we know today as film noir can result in a convoluted mess. Film noir itself is not necessarily a genre in the same way the western or musical is. Film noir is characterized by shadowy cinematography, thematic elements, and a generally somber and cynical mood. The notable films generally accepted as the characteristically noir include White Heat, Double Indemnity, The Big Heat, Detective Story, The Maltese Falcon and several others. Modern viewers might be

  • Sunset Boulevard, Directed By Billy Wilder: Film Analysis

    511 Words  | 3 Pages

    Sunset Boulevard in 1950, directed by Billy Wilder, was famous in its time for being one of the first films to show the darker side of Hollywood. Lighting is one of the important aspects of mise-en-scene in film noir. As we know film noirs are much on dark nature therefore the lighting uses on low key lighting and shadow to create moody atmosphere and the sense of danger and mystery that will occur. In the Sunset Boulevard (Billy Wilder, 1950) film, it is full of shadows in a very figurative way

  • Examples Of Hegemonic Femininity In The Little Mermaid

    1393 Words  | 6 Pages

    The Little Mermaid: Hegemonic Femininity The transition from a girl to a woman is created by the socially constructed ideals of femininity often depicted in commercials, books, and mainly films. One of the famous animated princess Disney films, The Little Mermaid can be easily added to yet another Disney film portraying hegemonic femininity. In the 1989 film The Little Mermaid, (Ron Clements, John Musker) a beautiful, young mermaid is willing to make a risky deal with an evil sea-witch because she