The wake of September 11, according to Amira Jarmakani, came to form an ‘imperialism-through-freedom discourse’, which represented the events of this day as a symbol of shock rather than a tragic, continuation of hostilities in the political relationship between the Middle East and the United States. In this discourse, the Arab and Muslim world is home to a set of oppressive, fundamentalists, who hate American freedom and their ways of life. Moreover, Jarmakani also described the cover of the movie American Bellydancer, which displays an image of the destroyed Twin Towers of the World Trade Center in New York City with a belly dancer standing in front of it in the frame of the Statue of Liberty. As she explained it, this image represented the alignment of belly dancing with freedom, allowing the viewers to feel that belly dancing is not affiliated with the negativity surrounding the Middle East. This soon allowed people to associate belly dancing as a symbol of …show more content…
Members of this movement focus on one thing: “the capacity of belly dance to help women cultivate a sense of inner freedom” (Jarmakani, AlSultany, & Shohat, p. 147). Belly dancing has also been a form of escape from the restrictive body images which are sought after in the West, in which this type of dance allows for a fuller, more curvaceous body type than ballet dancers for example. This alternative to the skinny bodies promoted in Western advertising and fashion, replaces both the fears and modernizing impulses rooted in Orientalism (Dox, p. 55). Thus allowing the women to feel that her body, regardless of size, is accepted and appreciated reclaiming their body as “powerful, creative, [and] sensual” (Maira, p.
There are certain days in history that are memorable to people everywhere. Thinking back on significant days in his life, Thomas Beller explains the way he remembers September 11th every time he is reminded of this tragedy. When anyone brings up the 9/11 attack, it means something to Beller; this was not just another average day in his life. In Beller’s fiction work “Ashen Guy: Lower Broadway, September 11, 2001” he uses details and imagery to explain his story.
After the attack on the World Trade Centers in 2001, conspiracies began to fly, fingers were being pointed, and accusations were being made. Nine years after the attack, Omar Ashmawy wrote an essay “Ten Years After 9/11. We’re Still in the Dark” to the Washington Post. In his essay, he argues that US citizens are not well enlightened on the cultures of the Islamic and Arabic people and that ignorance gets in the way of obtaining a healthy relationship with Arab and Muslim countries. With his wise use of pathos, logos, and ethos, Ashmawy creates a well written essay that captures the heart of his readers and gives an inspiring glimpse into the effects of 9/11.
9/11 Shout-Outs: A 9/11 shout-out is a reference to the September 11 terrorist attacks. They are meant to show the significance on a cultural item. Melnick compares the concept of “shout-outs” to name-dropping in hip-hop songs. 9/11 shout-outs are essential towards American Studies on the grounds that they add profundity to 9/11, and “add dimension to what might otherwise appear flat or lifeless”
9/11 Attacks Impacts Throughout Times On September 11, 2001, Arab terrorists crashed into the World Trade Center, killing hundreds of Americans and causing widespread panic in the U.S. The 9/11 incident has dramatically altered the course of society through its integrity and stability with a haze of everlasting paranoia of Middle Easterners and the oncourse of foreign policies. Such haze has conjured an ensemble of unity within international politics. Ever since 9/11, xenophobia against the Middle Eastern community has persisted and stirred among the U.S. in various forms.
In Richard Kearney’s article “Terror, Philosophy and The Sublime”, he begins with the statement “how can we understand the ‘terror’ of September 11th?” (23), Kearney begins to summarize the event of September 11th and the decision the United States made after the attack. In his second paragraph he relates his own experience from visiting a exhibition about “Terrors and Wonders” showing the representation of different monsters and how we see them today. Kearney uses his personal experience by trying to understand the “terror” of September 11th along with extensive research to show his credibility. The rhetorical appeals of logos, pathos and ethos creates an argument showing readers how we as americans are able to get through a monstrous situation.
Samantha Garcia Nile Hartline ENG 105 USE 12187 26 September 2015 Three Dancing Figures, Version C “I think public art (unless there is a specific political or ideological message) should make people feel comfortable, and brighten their environment.” As I walked through the Pappajohn Sculpture Park, there were a few sculptures that I found appealing but the one sculpture that caught my eye in particular was the Untitled Three Dancing Figures. The sculpture itself has an interesting design in which all of the Dancing Figures are touching each other and it seems as if the figures are marching and dancing in order. The sculpture was designed by Keith Haring in 1989, but was not assembled until 2009 when John and Mary Pappajohn commissioned
The easy reader I chose is Bootsie Barker Ballerina by Barbara Bottner. The main character of this story are Bernie and Lisa, but the story is told from Bernie’s point of view. Lisa invites Bernie to her ballet class because she is afraid of Bootsie who is the stories antagonist. Bernie wants to quit ballet because Bootsie’s bullying but his basketball skills are improving from balance training ballet provides. The setting of the book is in ballet class the school.
In her article, Embodying Difference, Jane Desmond argues that dance offers important insights into the ways moving bodies articulate cultural meanings and social identities. In other words, she explains the importance of studying the body’s movement as a way of understanding culture and society. She has two main arguments. First, she argues for the importance of the continually changing relational constitutions of cultural forms. Desmond further explains that the key to shedding light on the unequal distribution of power and goods that shape social relations are the concepts of cultural resistance, appropriation, and cultural imperialism (49).
September 11th, 2001, left a devastating impact on not only the United States, but worldwide. Many families had been separated and many souls were lost in what was one of the most terroristic events that has ever happened on American ground. As two planes crashed into the Twin Towers located in New York, thousands of people would be left stuck in the crumbling building, some able to escape, while others were not as lucky. In an essay by Peter Bergen called “Could it Happen Again? In the National Interest”, Bergen highlights inside details of the fatal attack and what caused Bin Laden and Al-Qaeda to reign its terror on the Twin Towers.
Mambo Girl (1957), a movie musical, follows Kailing, a talented young woman widely admired for her singing and dancing capabilities, as she searches for acceptance after learning the truth about her background. Shall We Dansu? (1996) follows Mr. Sugiyama, a Japanese accountant who goes on a secretive and intimate journey into the world of ballroom dance. Both Mambo Girl and Shall We Dansu? emphasize the close relationship between intimacy and Latin dance by linking Kailing and Mr. Sugiyama’s manners of dancing Latin to the emotional connection each has with other characters.
Melissa Febos' essay "The Wild, Sublime Body" demonstrates the complexity of the human body and the societal norms that attempt to control it. Her argument centers around the idea that the human body is a powerful and untamed force that should be embraced, rather than repressed, and throughout the essay, she uses personal anecdotes and vivid language to persuade her readers to reconsider their relationship with their bodies. In a world that often seems obsessed with body perfection and control, Febos' essay offers a refreshing and powerful perspective on the importance of embracing our bodies as they are and not caring about the societal norms that surround them. This essay will analyze the persuasiveness of Febos' argument and explain her
This concept of body labor the Kang uses shows us how and why the actions, beliefs and feelings that seem so natural and justified for one group of people can seem rude, demeaning or simply incomprehensible to another group of people. During this study in an attempt to get to know the women better and in a sense to help them assimilate into their new country. Kang offers to teach the women English; after one lessen, they choose not to continue. When asked why they tell her how they need to know how to say phrases like “‘You look like you lost weight’, this showed Kang that the manicurist understood the expectations that they attend to their customer’s needs, a task that many did consciously and often times humorously(Kang pg. 26). In the opening of Kang’s, book she writes “Two women, virtual strangers, sit hand in hand across a narrow table both intent on the same thing-the achievement of the perfect manicure”(Kang pg. 1).
In her essay she uses ethos, pathos, and logos when she is expressing her own view on women’s body image. She also takes advantage strong Diction and tone to consistently show her side throughout the whole paper. Lipkin effectively tries to convince her audience that women in society have a wrong persecution of what they think a their body image should be like through credible information from personal information and
C. Multiculturalism, Ethnicity and Race Before presenting the field work and in order to set the framework for this research about Multiculturalism in Classical Ballet Companies Nowadays, it is appropriate to define first of all the basic concepts of this study. The key terms, will be described briefly based on what is found in general theoretical works about these concepts and based on the course ‘Discours et Multiculturalité’, taught by Laura Calabrese at the Université Libre de Bruxelles (ULB). All the concepts related to culture and multiculturalism, such as diversity, ethnicity or race are very difficult to define clearly. Over the years many descriptions of these terms have been presented.
Introduction “The Body and the Reproduction of Femininity” from Unbearable Weight: Feminism, Western Culture and the Body by Susan Bordo (1993) introduces the discourses around the female body, and the different perspectives that influence this body. She goes on to explain that the body is a medium for culture, from which contemporary societies can replicate itself. In addition, Bordo (1993) provides continuous insight on how women have changed throughout the years to be more within societies norms, and how they have transformed so much to manage their bodies to becoming desirable within the culture. Throughout this essay, I will be explaining how women have for centuries, used there bodies as a means to rebel against these norms that have been placed upon them, such as being a typical housewife. For years, women have been discriminated against and unable to speak their opinion.