In 1986, after the feminist movement began to lose steam, Barbara Lazear Ascher published “The Box Man” to nurture the idea that all women can act for themselves. The beliefs that everyone had a soul mate and that solitude meant loneliness pervaded the women society in America. Instead, Ascher presents herself as a woman who can choose who she will be and who can find happiness without guidance. By weaving the concept that women can choose who they will be into the vivid, heroic imagery of the Box Man, she blooms the idea that women who over-fantasize and over-romanticize life are missing true happiness. Although Ascher identifies herself as one of these women, she boldly molds her view's validity in others’ minds. By showing how admirable …show more content…
Women can either choose who to be or be made into someone described by viewing Box Man beside lonely women. Ascher begins this essay by using a detailed play-by-play of what she saw to make others imagine the event as if they were in her place. This technique establishes a common understanding of the Box Man and implants a different view than the quickly assumed view that the Box Man is a lonely person. The Box Man sees the boxes “[j]ust inside the entrance” (Ascher paragraph 1) and realizes their worth to him. She also sees worth in the boxes; however, Ascher does not understand what the worth of the boxes is to the Box Man. Ascher uses words like “willed” (paragraph 1) and “unselfconsciously” (paragraph 3) to display admiration for the Box Man and to display desire to see through the Box Man’s eyes. By setting up her feelings in this way, Ascher instills in her audience those feelings and a need to satisfy curiosity. Her admiration of the Box Man comes from feelings of similarity and a wish to learn what she feels she should know, but what she can only find out by …show more content…
By establishing what a lonely person is before showing the Box Man’s qualities, a concealed opposition is created. This is done to highlight better how the Box Man is not a lonely person. After explaining his character, Ascher emphasizes that the Box Man does not care for the normal things by starting each sentence with “[n]ot for him” (paragraph 17). By using incomplete thought in this backward fashion, more emphasis is put on how the Box Man does not want or need these things. Also, Ascher uses this technique to show that “a P.O. number” (paragraph 17) and the other small things do not mend a fragmented life. Finally, Ascher reveals what “[t]he Box Man knows” (paragraph 18) after exhibiting how the Box Man is a content, yet solitary person. It is ironic that throughout this essay, Ascher has emphasized that the Box Man is heroic when everyone else sees him simply as homeless. However, the Box Man’s heroism is clearly displayed when she reveals the idea that the Box Man lives by and that she has weaved into her argument; “[L]oneliness chosen loses its sting and claims no victims” (Ascher paragraph 18). She consolidates her argument by showing that many, including herself, are currently hopeless romantics like Anna, Ophelia, Emma, and Juliet from various love stories. However, she emphasizes that instead of weeping for themselves, they should stand up and do something about it. Ascher does this to apply her idea, that accepting
Prejudice not only harms those who have it, but serves as an effective hindrance to society’s advancement as a whole. In the short stories Baby in the Airmail Box by Thomas King, and The Man Doll by Susan Swan, the reader is shown great similarities on the impact of prejudice, and great contrast upon the treatment of said prejudices. These two authors help educate the reader on not only the harms of prejudice, but the consequence of inaction as well. The two stories explore prejudice in different manners, King creates a sense of satire through the comedic and exaggerated objectification of the “Baby”, whereas Swan creates a futuristic setting and uses science fiction to establish the “Dolls” as part of society. Both authors use an improbable
In her essay, “The Importance of Work,” from The Feminine Mystique published in 1963, Betty Friedan confronts American women’s search for identity. Throughout the novel, Betty Friedan breaks new ground, concocting the idea that women can discover personal fulfillment by straying away from their original roles. Friedan ponders on the idea that The Feminine Mystique is the cause for a vast majority of women during that time period to feel confined by their occupations around the house; therefore, restricting them from discovering who they are as women. Friedan’s novel is well known for creating a different kind of feminism and rousing various women across the nation.
Traditionally structured gender roles place both men and women into very strict categories. However, as we move into the future this way of thinking becomes increasingly archaic. Thinking of such things in such black and white terms gives one a narrow point of view and places people in categories which they do not fit. In Octavia Butler’s Dawn and William Gibson’s Neuromancer the ideas of the feminine gender role are redefined.
Isolation, confinement and loneliness are major themes within Steinbeck’s Of Mice and Men and Gilman’s The Yellow Wallpaper. Without Isolation, confinement and loneliness, the novels would have an entirely different consequences and outcome. With the narrator in The Yellow Wallpaper and Lennie from Of Mice and Men being isolated in the setting of the novels, there is no escape from achieving a positive resolution. Dialogue shows the confinement of Lennie’s and the narrator’s mental capacities, as well as foreshadowing, that demonstrates how the only way to gain a sense of freedom in both texts is to die.
This short story wrote by Barbara Lazear Ascher a woman who describes with explicit details her thoughts and feelings of the participants in the streets of New York. The author uses rhetoric elements such as Pathos, Logos and Ethos to convince her audience that compassion is not a characteristic trait, it is developed within ourselves. The author use rhetorical elements that appeals to Pathos to invoke sympathy from an audience.
In Barbara Lazear Ascher’s essay titled “On Compassion” Ascher considers the concept of compassion by utilizing her own encounters with the homeless as a vehicle to make her argument. In her argument, she interprets compassion as an abstract concept, and portrays empathy as a building block to compassion; making the argument that to be a more tolerant society one must first learn empathy in order to demonstrate true compassion. When analyzing Ascher’s rhetoric, her style, diction and rhetorical devices reveal a skeptical tone and serve a greater purpose in appealing to the reader’s sense of ethos and pathos. Namely, Ascher’s use of first-person narrative and word choice like “we” appeals to the reader’s sense of ethos, which eventually builds
For many centuries in our society women have been confined into a stereotypical idea of a patriarchal society. In today 's society the idea isn’t as much viewed upon with all the rights women have been given, but the concept still lingers in some of men 's minds. More so, than today, in the 19th century women were obligated to abide to the principle of gender roles and a male dominated culture. Women were seen as to be a slave and to act a certain way towards men as well as be able to gratify man 's lust of expectations of a perfect woman. These presumptions of women had been very much portrayed in short story , The Chaser by John Collier, in which a boy name Alan Austen seeks for a love potion from an old man, for a girl he likes name Diana.
In her essay, “On Compassion”, Barbara Lazear Ascher analyzes the idea of compassion and the -------- of the homeless by the those more fortunate. She presents two instances in which homeless people are gifted with money or food items and ponders the motivation behind these acts. ----------------------. Targeting a broad audience, specifically people belonging to a higher socioeconomic standing, Ascher emphasizes the need for awareness of the adversity of the homeless, establishes that one must learn “compassion” for the homeless and less fortunate, and poses the question of whether the motivation for the “compassion” is relevant.
Guy Vanderhaeghe, author of “Dancing Bear”, explores both internal and external conflicts that man faces within society and within himself. Vanderhaeghe’s writing is intended to point out the importance and struggle of survival in literature. His work also presents the lives of those living troubled or dealing with a disability (Heath). The struggles of man versus man and man versus society are strongly spoken of within “Dancing Bear”. Vanderhaeghe describes a story of emotional battles of survival.
(Turkle) This also brings a sense of shame to the readers because the boy is reaching out to his father but receives a lack of empathy in return. Turkel uses this strategy to get her audience to seek for a change in society by pulling at their
The Pedestrian Thesis: In a short story titled “The Pedestrian”, written by Ray Bradbury, Bradbury uses the setting to display a lonely, sad mood and person vs society conflict as he battles the lonely streets. Bradbury shows the lonely mood by having the character walk alone in the empty streets. Bradbury wasted no time describing the streets as silent and misty making for a very lonely mood. Mead, the main character, walks along the streets alone with no sign of life, saying “he would see cottages and homes with their dark windows, and it was not unequal to walking through a graveyard where the faintest light is a flicker of a firefly” Bradbury’s quote shows how empty and lonely the streets are by referring to them as a
The New Women turns out to be helpless and incapable all by herself. Only trough the help of benevolent men representing benevolent patriarchal systems Ellie is able to follow her dreams and fulfill her desires. Capra’s film presents the New Woman of the 1920s as a simply wrong concept which naively thinks of women as completely independent when in reality women are more than just dependent on men. Ellie’s crying out that she cannot be without Peter is more than just a phrase said when being in love. Ellie could have actually not been on this trip for so long if it was not for Peter.
Patriarchal societies have existed as long as there have been humans. From the beginning when men would hunt and women would gather, to the present day wage gap, men’s demonstration of superiority is evident throughout history. Women, historically, serve as accessories to men, seen not heard. However, some brave women question their role in society. Edna Pontellier, in Kate Chopin’s The Awakening, conforms outwardly to the societal role of women existing only as mothers and wives but questions inwardly through exploration of her individuality and sexuality, as demonstrated through her relationships with her husband Leonce Pontellier and Robert Lebrun, yet her realization that her growth will not be accepted by others ultimately causes her death.
In the nineteenth century, woman had no power over men in society. They were limited in their freedom, as their lives were controlled by their husbands. Some women did not mind this lifestyle, and remained obedient, while some rebelled and demanded their rights. “The Yellow Wallpaper” by Charlotte Perkins Gilman, and “The Birthmark” by Nathaniel Hawthorne, are short stories that exposes the lifestyle women lived in the nineteenth century. The protagonists from both stories, Jane and Georgiana, similarly lived a male dominated lifestyle.
INTRO - "An Act of Vengeance" by Isabel Allende is a latin-american piece of literature. - According to feminists critics, literature adapted to this patriarchal society we have, and the feminist author, Isabel Allende, has exposed how men and women are in the society through her characters Dulce Rosa Orellano and Tadeo Cespedes. - The feminism theory is the outgrowth of the general movement to empower women worldwide. It recognizes and critiques male supremacy combined with the efforts to change this patriarchic view.