Antigone's actions consistently display her dedication to the will of the gods, and Creon's behaviour steadily exhibits his fierce devotion to state laws. Thus, this Greek tragedy compellingly establishes and thoroughly explores the intricate and perplexing relationship between the two themes by utilizing the literary device of
Of the one hundred and twenty plays and tales Sophocles had written during his time, only seven have survived to today and Antigone a tale of the constant turmoil of the royal family of Thebes is one of those few ancient tales. Creon, the new king of the city of Thebes, strives for justice and absolute loyalty to the crown, however, after he discovered that an unidentified citizen had defied one of his recently announced laws, he inflicted his fury on himself and those around him. Creon is the tragic figure that functions as an instrument of the suffering of others and contributes to the tragic vision of the story, Antigone by Sophocles, as a whole by threatening his subjects and family with death, ignoring the thoughts of his elders and peers, and bringing the feeling of death to himself and also death itself to those around him.
The play, Antigone, is a tragedy written by the Greek poet Sophocles. A common theme among tragedies is that they have a tragic hero, and Antigone is no different. The tragic hero of this poem is Creon, the King of Thebes. Creon is faced with the difficult task of punishing his niece, Antigone. She has broken one of his laws stating that no one is to give proper burial rites to Polyneices, Antigone’s brother, because he tried to overthrow Creon. Against the warning of others, Creon goes on with his plan to essentially sentence Antigone to her death. Creon continually ignores what others counsel him to do because he believes that just because he is king, everything he does is right. It is this thinking that ultimately leads to the death of not only Antigone, but also Creon’s son and wife as well. All tragic heroes suffer from a tragic flaw that leads to their downfall. Creon suffers from two tragic flaws, pride and stubbornness. Both of these flaws lead Creon down a path of destruction that he is unable to return from.
Creon:“I killed you, my son, without intending to,/ and you, as well, my wife,” (Lines 1486-1487). Antigone is the story of a girl who defies the king of Thebes in order to honor her dead brother, Polyneices, who is not allowed to be buried. When the king decides to punish her, his inability to listen to reasoning and resistance to change backfires on him in a deadly way. In the play, Antigone, by Sophocles, Creon, the play’s tragic hero, brings suffering to others, such as causing the death of Antigone, his son, Haemon, and his wife, Eurydice, which contributes to the tragic vision of the play as a whole because it shows how stubbornness brings pain for others.
Tragic heroes are apart of almost all plays worldwide weather you know it or not. In the play Antigone. One of the main characters who is the king of the city,Creon, is the tragic hero for three main reason. First of all he is born into nobility, he meets a tragic death, and lastly, Creon is endowed with a tragic flaw.
In the classic play by Sophocles, Antigone is a tragic story of the bold Antigone who defied her uncle, King Creonʻs, edict by burying her brother, Polyneices, who died attacking the city of Thebes, trying to take the power away from their brother, Eteocles, who refused to share the throne with Polyneices. Even though Antigone knew that going against Creon and burying her brother would not end well for her, she still choose to risk her life to do what is right. After being caught breaking the law, Antigone is appointed to be locked away, isolated in a cave until she dies, but she hangs herself at the end. At the same time, things for Creon are not looking good, as everyone around him seems to be against him in his decision for punishing Antigone. Everyone Creon cares about kills themselves from a curse that is put on Creon for not following the Godsʻ laws. Creonʻs punishment for Antigone did not only affect her, but also everyone who was involved in the situation, including Creon. Creonʻs punishment for Antigone was not justified for three reasons: Antigoneʻs love for her family being put first, Creon is trying to prove himself, and Antigoneʻs beliefs.
The tragic hero is a character in a book that comes from a noble background that has a tragic flaw which brings the character the greatest suffering which results in their downfall. In “Antigone”, there are two characters who can be considered the tragic hero of the story: Creon and Antigone. Antigone is a brave and fearless women who dies for a noble cause, while Creon is a controlling and powerful king of Thebes. Both Creon and Antigone have qualities to make them the tragic hero, but Creon is the true “tragic hero” because his hamartia causes his downfall. Creon is the tragic hero of “Antigone” because his hubris muddles his judgment and makes him cause his own undoing.
“But now at last our new King is coming; Creon of Thebes.” After Creon sends Antigone to live in a cave until death, he realizes a mistake he’s made and tries to get her out. He realized it’s too late to try and save her. She's already dead, so is everyone he loved. Creon is a tragic hero because he was born into nobility, had an endowed with a tragic flaw, and realized they have made an irreversible mistake.
The play Antigone, by Sophocles, presents the power of love, which the sword cannot defeat. Nevertheless, the play itself provides the idea in which it might be argued whether love is one of the superior forces in society that drives people to pursue their ideals.
Some people may argue that Creon was justified in punishing Antigone although she is his direct relative. Those who defend Creon’s actions say that maintaining order in Thebes is more important than loved ones. This is an understandable concern, however, in obtaining the so-called “order” in Thebes, Creon faces a punishment far worse than death. Additionally, the people in Thebes do not agree with their ruler: “the city mourns for [Antigone],” and they believe that she deserves “a golden crown” for her demeanor (775, 782). Antigone, Haemon, the people of Thebes and the Gods all have one thing in common; they all disagree with Creon’s decree. Considering all the odds are against Creon, it can be concluded that family is more important than
When asked, “Who is the tragic hero in Antigone?,” you might automatically think of the character Antigone. The character’s name is the title of the play like in “Hamlet”. The only difference is that Hamlet was the tragic hero in “Hamlet” moreover Creon is the tragic hero in “Antigone”. It all comes down to the definition of Aristotle’s tragic hero. Aristotle states that a tragic hero is, “a person who must evoke a sense of pity and fear in the audience. He is considered a man of misfortune that comes to him through an error of judgment.” Notice that Aristotle uses the words he, man, and him and not she, woman, or her. This hints that the tragic hero must be a man, not a woman. A tragic hero must also have certain characteristics such as hubris, hamartia, peripeteia, anagnorisis, nemesis, and catharsis. These all mean that the character’s tragic downfall must have a beginning, middle, and end and emanate a feeling of pity and fear in the audience.
“A city which belongs to just one man is no true city.” (lines 838-39) Throughout the play, Antigone, written by Sophocles, the character Haemon constantly tries to persuade his father, Creon, to listen to the people of his city and to become a more humble leader. Haemon’s words, actions, and ideas contrast with Creon’s character. Which results in the two characters having continual conflicting motivations. These conflicting motivations cause the characteristics of anxiety, anger, and selfishness to be highlighted within Creon’s character. Ultimately, these conflicting motivations develop Creon as a tragic hero by giving Creon his free choice that makes his downfall exclusively his own fault and the character interactions advance the plot by pushing King Creon to insanity and showing that even the King’s own family was trying to urge him to change his decree, and develops the theme of love and loyalty by showing the struggle between faith and family.
In Sophocles’ Antigone, Antigone and Creon both have qualities of a tragic hero according to Aristotle’s definition. Aristotle believes a tragic hero is a decent human, but falls due to a weakness in one’s character. In the plot, Antigone decides to bury her brother, which defies the laws of Creon, the dictator of Thebes. Antigone believes she must hold her family values and the gods’ beliefs with utmost respect. Antigone refuses to deny her crime, so she is sentenced to be death by Creon. Antigone is the tragic hero because she inspires pity and fear when her devotion to the gods and her morals lead to her downfall.
Love is a powerful motivation it can even drive you into hating someone, love drives you to do even what you wouldn’t normally do. Creon makes a law that forbids anyone from burying Antigone’s brother. When she finds out she goes against the king and buries her brother. When he is informed about what happened he punishes her. Antigone kills herself and then his son kills himself when he finds out that his love had died. Antigone’s love is so great for her brother that she went against the king and buried him with religious rights. Then Haemon kills himself because Antigone had died and he wanted to be with her. In the end Creon’s wife killed herself because her son had died. Creon is perceived as the tragic hero of the play when he is talking
His power as a king allows him to make his own laws, and even give sentence to those who can defy him. Because of his law, Creon has so much arrogance that when Teiresias informs Creon of his doom-laden prophecy,