Death is an inevitable part of the life cycle. To bring those who are gone back to life, people must recreate their memories with the deceased through storytelling. In the novel The Things They Carried, Tim O’Brien shows that when someone experiences a loss, by telling stories of the lost one it will keep them alive through the mind and help one cope with them being gone. In the first chapter, The Things They Carried, O’Brien demonstrates the theme of telling stories to cope with death by how the platoon members talk about Ted Lavender’s death, “Like cement, Kiowa whispered in the dark. I swear to God--boom, down. Not a word...A pisser, you know? Still zipping himself up. Zapped while zipping” (16). They go on in this chapter to repeat the
Death is something that occurs often in a war due to the violence and dangerous areas. Everyone takes on the thought of someone dying in different ways, whether they maintained a close relationship with the person or not guilt could become an instant reaction of the persons' death because of a feeling of maybe being responsible for the death that occurred. The thought of maybe being responsible for one of the soldiers that you have spent day night serving with could leave an enormous amount of guilt in one person. When witnessing a death or anything traumatic it is easy to blame someone else or even yourself for the tragic accident. Multiple characters in the book The Things They Carried demonstrated the guilt and responsibility of another
Everyone carried at least something with them such as: burdens, ghosts, cruel images, and unscrupulous experiences. (“The Things They Carried” Critical Survey of Short Fiction 1790-1793). In Tim’s novel, They Things They Carried, he carried courage, innocent, guilt, and love: those were his personal memories. Nonetheless, in the novel, it seems like every veteran carries griefs and experiences. Each person will have different griefs: to Tim, his griefs will be dead of his friends, Lavender and Kiowa.
In the first short story of the book, which is also called “The Things They Carried,” O’Brien’s platoon loses a member named Ted Lavender. O’Brien tells the story in third person limited narration from the point of view of the platoon leader,
In war, soldiers and civilians will experience the loss of friends and families. In Tim O’Brien’s work, The Things They Carried, the reader is introduced to soldiers fighting in the Vietnam war who lose their comrades’ loves due to mishaps. These soldiers in combat, along with civilians, learn to accept or become numb towards death by understanding the situation they are in and by finding comfort in oblivion. Early in the plot, the reader is made aware of how the soldiers comprehend their allies’ deaths. According to the author, when Lieutenant Cross’ team was contemplating about who is to enter the tunnel, “Lee Strunk drew the number 17” then he laughed (O’Brien 10).
When someone experiences a terrible loss in their life usually they can cope with it in a multitude of ways. Some cope with it through deep mournful trials, replace the terrible moment with a more light and peaceful moment, block it out entirely, or they relive the event that caused the loss of that close friend or loved one over and over in their head. These coping mechanisms are evidently used in the entire cast of characters in the short story The Things They Carried by Tim O’Brien. In the story the characters experience the loss of a member in their unit during a patrol through the jungles of Vietnam. After they experience the loss of their comrade in arms the entire unit undergoes a process of mourning in their own distinct way.
In the novel The Things They Carried by Tim O’Brian, the death of Kiowa helps develop the motifs of guilt and shame consequently affecting the meaning of the book to surviving the war. Kiowa proved a genuine friend to O’Brian and the rest of the platoon not simply through his words, but his dignity and actions. When he died, it was brutal and dehumanizing, ultimately causing much guilt and blame throughout the entirety of the book. O’Brian even claimed “when a man died, there had to be blame. " This blame and guilt affected the novel and shifted the tone entirely.
At some point, all people must accept the harsh truth of mortality. When people realize it for the first time, they can go through a change in character. The young medic Rat Kiley, a character in Tim O’Brien’s The Things They Carried, exemplifies this. His reaction to the sudden death of his best friend Curt Lemon, as portrayed in “How to Tell a True War Story,” depicts the shift of character that accompanies loss. Moreover, it reflects the inability of soldiers to return to normalcy after experiencing the traumas of grief.
In his The Things They Carried, Tim O’Brien reflects on his experiences in Vietnam in the form of a fictional story. In order to portray his experiences in a manner that accurately reflects his thoughts and emotions of the time, O’Brien implements various structural techniques throughout his work. By distorting the story with inaccurate chronology and repeatedly connecting the fictional stories to his own, O’Brien emphasizes the harsh impact of the war on others. The repetitious nature of O’Brien’s stories emphasize the importance of specific events and how they affect the underlying themes of the book. The story regarding Kiowa’s death is mentioned upwards of five times throughout the novel at different points.
In the Novel The Things They Carried, the author, Tim Obrien recalls multiple stories during one of the most devastating wars in United States history. Through storytelling, Obrien casts light upon the horrifying reality of the Vietnam war and the struggles that Obrien’s men encounter, as well as all the other soldiers. Obrien uses the novel to represent the paradox that war is both horrible and beautiful. Obrien displays this through Ted Lavenders death, Curt lemons death, and the killing of the baby water buffalo. Obrien portrays the paradox that war is both horrible and beautiful through the death of Ted Lavender.
In The Things They Carried O’Brien shows us that telling stories are essential for life because they help us remember and relive those moments that we cherish the most, or imagine a moment and make it into a moment that we desire. O’Brien shows how stories are essential for life throughout the story. One example is In The Lives of the Dead O’Brien talks about a moment of his childhood. He talks about a date that he went on with Linda. In this chapter O’Brien says, “The thing about a story is that you dream it as you tell it, hoping that others dream with you, and in this way memory and imagination and language combine to make spirits in the head.
The bluntness of the introduction of Ted Lavender’s death shows how sudden his death was and how death was an ordinary occurrence in the Vietnam war. Ted Lavender’s death plays a significant role in the novel. He carried tranquilizers and extra ammunition as precaution and a way to calm himself; however, he was still killed. His death is ironic because the items that were meant to protect him ended up weighing him down, which made him fall quicker when he was killed. This shows how no object could prevent the soldiers from dying and how death was a worry constantly on the soldiers
They carried the common secret of cowardice barely restrained, the instinct to run or freeze or hide… These American soldiers carried a lifetime of burdens on their shoulders. O’brien wrote, “They carried shameful memories…” Meaning they carried the tangible but also the intangible death of Ted Lavender, for one soldier saw him drop dead, which could be considered
In “The Things They Carried” the protagonist Tim O'Brien who is the writer and a Vietnam War veteran, writes about all his memories of the war and the other men who served with him in order to find meaning in the memories. O'Brien uses a non-linear structure that includes frequent flashbacks throughout the book. “The Things They Carried” revealed the challenges each soldier faced and it defined why this book was different from a traditional linear narrative. Each chapter throughout the book grabs the reads and leaves them to want to read more and more. With this different structure, O'Brien was able to really reveal all the raw details that happened in the past that impacted the soldier futures.
In Cormac Mccarthy’s The Road, the boy and the man are always aware of the fact that they could die at any time. Throughout the majority of the book, the man’s overarching goal is to make sure that if when he dies, the boy will have the tools to survive on his own, However, in the beginning of the book, the man’s views on death are very different. He originally believes that neither one of them would be able to survive without the other, stating that if the boy died he “would want die too” and asking himself if he can kill [the boy] when the time comes for his own death (11, 29). Similarly, the boy has an uncharacteristic view of death for a young child, stating that he wishes he “was with [his] mom”, who viewed death as a “lover”, and has