Elizabeth Catlett's Painting, Civil Rights Congress

In the representation, illumination of facial features are created by all the symbols and images that the person is made up of because it exemplifies the morals and characteristics of the person, but when the drawings and symbols are peeled away, the face is all saliently white, showing how there is no character or depth behind those drawings. This represents how people are now just made of the themes consumerism and materialism because they have no personality and morals anymore and that they are dehumanised and unidentified as a person. This shows the ideas portrayed in the poem as the family that it focuses on always wants more than what they have and how their main goal isn’t their care for their child, but to win money and spend it. The

The Cold War Era started in 1946 and lasted until 1989 when the Berlin war fell signifying its end. Many events happened through this time period that shaped American culture and brought us to where we are today. It all started in march 1947, which reflected the combativeness of president Harry Truman. Secretary George c Marshall told Europe that that policy of the United States was not directed “ against any country or doctrine but against hunger, poverty, desperation and chaos.” in 1947 the brutish announced that they could no longer support the pro western governments of the Mediterranean in their fight against communism. If the US could not take up the burden the whole region was in danger of falling under communist roll. March 12th

In the case of Jacob Lawrence, his personal style brought the African-American experience to life using contrasts between dark and vivid colors. Nonetheless, two examples of some of his most known paintings include “ The Builders, The Family” and “This is a Family Living in Harlem”. While both paintings are similar in that they both show strong family unity in the African Culture, they are different in the setting where each of the paintings are taking place.

Even the woman’s frame and posture seem to follow the lines created by the railings of the viewing box. The railings are also implied lines, the first thing our eyes go to is the woman, and then we follow the railings to the man who has his gaze set on the woman. The man’s gaze gives us implied lines that lead us back to the main focus of the painting, the woman. The artist also uses light and dark to guide our eyes to the important parts of the artwork. Most of the artwork is dark, while the woman and the man looking at her are in the light. This makes us instantly look at them. The wide space between the man and woman has no major distractions within in, the artist could have filled that space with some interesting art, but chose not to because it would have drawn the viewers’ attention away from the woman and man. The authors choice of color is quite plain, but the bright colors that follow the sides of the viewing box help guide the viewers eyes to the man in the background, assisting the implied created by the railings. The author used value in the artwork to show what is important. The woman’s body is heavily shaded and doesn’t catch the viewer’s eye. Her head and hand suddenly come into the bright light helping to show that her gaze is clearly on the show; the man in the background is also barely shaded helping to show that his gaze towards her is just as strong as her gaze is towards the

In the story entitled “The War of the Wall”, by Toni Cade Bambara, two boys are walking to school and find a surprise. They realize someone is painting over there special wall. The boys tell their parents who don’t care. With no help from their parents, they decide to go out and buy epoxy paint to cover up the wall. While ready to paint, they realize the painting was done already. It is a beautiful painting with one inscription they notice on the side. This wall was dedicated to Jimmy Lyons who was a friend of theirs. Jimmy was going to take them fishing when he came home from the war, however, he did not return.

The painting has asymmetrical because the weight on each side is uneven. Mary is much bigger than baby Jesus. The dominate design in the painting would be Mary’s face. Mary’s face is key focus; it draws your attention to see what is next. But, Mary’s hands also take domination because in early painting Mary is barely holding on to Jesus, he is just floating above her lap, but in this painting you can tell the grip Mary has on Jesus. Although Mary’s hand and body itself take up an odd amount of room they help objects such as baby Jesus stand in the painting as well. This painting has a certain movement it creates the gesture of a baby pulling his mother closer to him has he lays his cheek on his mother. The shape used is that of a circular motion. Dieric Bouts create a sense of harmony and wholeness using the same color, skin tone between Mary and Jesus create harmony. You can tell the contrast between the two people Mary symbolizes royalty being the mother of Jesus which, is why she wears blue. Blue symbolizes royalty. Jesus symbolizes purity, which is why he has white on. White is the color of purity. Against Mary and Jesus’ pale skin the makes the color of their clothes pops. Art work has many different moods. The mood of this painting is nurturing and humble. The painting is more life like the any other portrait of Mary and Jesus because Jesus does not have a halo on his head and his

This topic was chosen out of the interest in the arts and specifically the arts within America. I aim to explore how art evolved and affected the Civil Rights Movement and changed the attitude of racist and unjust people who lived during the 1960s.

During July of 1941, millions of jobs were being created, primarily in densely-populated areas, as the United States prepared to enter World War II. These densely-populated areas had large numbers of migration, specifically from African Americans, who sought to work in defense industries, but were often met with rejection and discrimination within the workplace. A. Philip Randolph, a civil rights activist and president of the Brotherhood of Sleeping Car Porters, and other black leaders, met with Eleanor Roosevelt and members of the President’s cabinet. They demanded action from Franklin Delano Roosevelt to be taken towards eliminating racial bias in the workplace; they threatened to commence a March on Washington if an executive order was not

In 1945 African American civil rights advocates established challenges to the racial discriminations. Black Veterans and workers, after having already had a taste of liberation while being away at war, peregrinated home with the hope of reenergizing the civil rights movement. Many of the core resources such as leadership, legal resources, strategy coalitions with the whites, and a connecting philosophy to propel the movement forward, in the fight for African American equality converged during and right after the war (Schaller et. al. 942). President Harry Truman even took the time to make civil rights a component of his political and domestic agenda during his reign. Truman ceased the segregation of the military, and established and fortified

Society often forces biracial and multicultural people identify themselves with one ethnic group by denying the other part of their ethnic background. An analysis of the many scientific studies, literature, and art reveals the complexities of growing up with parents of different races. The tendency to prefer lighter skin effects how biracial children form their identities and often causes them to deny their black heritage. When specifically examining the painting Lightning Lipstick, by the painter Robert Colescott, and the scholarly article, “If you’re half black, you’re just black”: Reflected Appraisal and the Persistence of the One-Drop Rule by the researcher and professor Nikki Khanna, one can see how they

African Americans face a struggle with racism which has been present in our country before the Civil War began in 1861. America still faces racism today however, around the 1920’s the daily life of an African American slowly began to improve. Thus, this time period was known by many, as the “Negro Fad” (O’Neill). The quality of life and freedom of African Americans that lived in the United States was constantly evolving and never completely considered ‘equal’. From being enslaved, to fighting for their freedom, African Americans were greatly changing the status quo and beginning to make their mark in the United States. They have endured severe oppression and racism for many years and suffered under Jim Crow Laws as well which were created specifically

Gordon Bennet includes a representation of values, identity, history and culture into his work as he explores indigenous background through abstract art. Bennet has been influenced by his background as his mother is Aboriginal and this has carried on for generations, however his father was English. He had described his childhood as “overwhelmingly Euro-Australian, with no knowledge of my Aboriginal heritage,… My identity was shaped by the historical narratives of colonialism with all its romantic illusions and factual deletions” expressed by Gordon Bennet. (National Gallery of Victoria, 2015) Gordon Bennett’s art challenges stereotypes and “labelling of Aboriginal Australians. He works illustrates the suffered of Aborigines, using a rich visual

Immigration has shaped the United States as a nation since the first newcomers arrived over 400 years ago. America has been known to be a nation of immigrants. Most immigrants viewed America as the "Land of Opportunity." Back in the mid-19th century to the early 20th century immigrants mostly from eastern and westerns Europe were leaving their home to find work in order to allow them to live a better life and to practice their religion freely. Many immigrants came to America seeking greater economic opportunity. America technically kept its promise but the quality of the job that came with it was terrible. They had jobs but the conditions were horrible

The eight early twentieth century artists that we researched each represent or impact the Harlem Renaissance through their art. While I was searching, I was surprised to notice names such as Van Gogh and Picasso appeared on our list, but after further research it began to make sense that if artists went to Europe, they were bound to bring back art styles that were common in Europe. Also, when I was investigating the paintings, many patterns began to stick out. I would say the art shown does not have an analytical or political tone but a more colorful, expressive, light-filled, and emotional feel. For example, most of the artists used very vivid colors in mostly bright settings as opposed to dull black and white colors. Additionally, humans were the focus of all of the paintings. In some, humans were doing mundane actions such as reading or dancing, while in others it was just a simple portrait.

This essay will be analyzing the paintings Mending Socks and Barbecue by Archibald Motley. Mainly focusing on the painting to recognize and understand the visual choices that were made when creating the artwork. As well as being able to state specific elements in the painting.