Emotional Diction In Mary Shelley's Frankenstein

When making the decision to destroy his half-finished female form, Victor recalls that he had already “created a fiend of unparalleled barbarity” in his first monster, and that this new creation might even be “ten thousand times more malignant than her mate” (138). In the wake of the trauma the monster has caused both to himself and his family (via his post-partum depressive state and the deaths of Justine and William respectively), Frankenstein is now overwhelmingly conscious of the horrible consequences that birth can entail. In contrast to his previous aspirations, he characterizes his creation with words of negative connotation such as “barbarous” and “fiend,” and suggests that a future creation could even be exponentially more evil. Victor’s initial dreams of fatherhood have been grotesquely morphed into terror of future creation, which would be made possible by creating a female monster. He speculates that one of the first results of creating a mate for his monster would be a “race of devils…propagated upon the earth” who would make the “very existence of man…full of terror” (138).

In Mary Shelley’s Frankenstein, Justine is used as a foil for Victor to highlight his flaw of selfishness, and how their relationship foreshadows the devastating deaths of Victors loved ones

One example is when Mrs. Mallard says, “free, free, free!” (Chopin). The reader would expect Mrs. Mallard to be upset at the loss of her husband, but in fact, she is actually feeling relief from it. Mrs. Mallard is happy because she is now free from living under her husband. Another example of Kate Chopin’s usage of irony is at the end when its said, “ they said she died of heart disease- of joy that kills” in a since they are right.

Why did I live? Why, in that instant, did I not extinguish the spark of existence which you had so wantonly bestowed? I know not; despair had not yet taken possession of me; my feelings were those of rage and revenge” (“Frankenstein”). After the creature is abandoned by Victor, and then mistreated by the De Lacey family, he turns to malevolence. However, in taking revenge, the creature ensures that he will never be accepted by society.

Mary Shelley, wrote this novel on a rainy, gloomy day that became a staple piece in literature. She is famous for her novel, Frankenstein, that had a huge influence during the Romanticism age. Frankenstein is about a student who created a monster and was scared of his work of art. Frankenstein eventually comes back to request a partner, but when Victor refuses, Frankenstein comes back for revenge by going after Victor’s family, taking his brother and “wife-to-be’s”, life away. Throughout this novel Mary Shelley use different techniques to give this story life.

Passion and Destruction As W. Somerset Maugham once said, “Passion doesn’t count the cost... Passion is destructive.” In Mary Shelley’s Frankenstein, Victor Frankenstein leaves Geneva, his home town in the pursuit of knowledge, ding so he created a creature. Frankenstein gets frightened after the created the creature, so he leaves the creature in fear, only when he returns the creature is no longer there.

And who is it who in fact enjoyed his solitude and seclusion from society? That would be none other than Victor Frankenstein himself. The disturbing reality that Victor is part god and part wild beast for his cruel actions towards his creation displays the evil that comes from a man when he removes himself from society. The Monster partially experiences these effects as well from his unwelcome seclusion from society when he is also slowly pulled back and forth between good and evil. Mary Shelley made no mistake in making this clear through her writing, however.

In her novel Mary Shelley explores the central ideas of rejection and abandonment, human nature, good and evil and revenge to support the conviction of Frankenstein’s responsibility in the novel and Frankenstein is a reflection of this. Shelley shows through positioning of characters within the stories that good and evil is not clear-cut and there are many moral grey areas. The readers are positioned to feel sympathy for the creature, especially since his yearnings for human contact could easily be their own. Which makes it all the more frightening when Victor and others treat him in such vile ways.

Due to neglect and immediate abandonment during the beginning of his life, the creature develops a hostile attitude and seeks revenge on Victor Frankenstein. In response to the cottage dwellers attacking him, the creature exclaims “cursed, cursed creator! Why did I live? Why, in that instant, did I not extinguish the spark of existence of which you had so wantonly bestowed” and reveals his feelings “of rage and revenge” (Shelley 135).

Frankenstein creates the murderer of

In Mary Shelley 's novel Frankenstein Doctor Victor Frankenstein gives an inanimate object life. After giving it life he abandons it and learns that it is responsible for little William 's death. Victor is forced to create the monster a woman so the monster won 't be lonely. This also gives the monster a chance to love and to be loved. Victor then realizes that creating a woman for the monster would possibly end human existence.

In Mary Shelley's Frankenstein, Shelley uses language and effectiveness of her writing to describe imagery, tone, and theme to make the monster seem more of a human than the monster people perceive him to be. The monster is learning on how to be a human without the help of his creator, Frankenstein. Shelley’s usage of the language that she presents in her imagery, tone and theme clearly make you relate to the monster and show you what Shelley was thinking when she was scripted the monster. Shelley clearly shows imagery to express how the monster feels about the world around him.

There are very few people that would question the dark and horrific nature of Mary Shelley’s writing in her novel Frankenstein. However, Mary also manages to connect the reader to the characters through the use of an emotion that is not commonly found in the horror genre. Guilt is one of the major over-arching themes of Frankenstein and can entirely change how a reader may view a given character, and Shelley uses this to show how each character changes over the course of the story. In the novel, nearly every character goes through their own stage of guilt of varying intensities. Elizabeth, Victor, and even the monster feel guilt for their actions or lack thereof.

Throughout the book Frankenstein, Mary Shelly uses nature imagery to show the character’s emotions and mood. Mary Shelley often uses nature and the character’s surroundings to reflect the character’s mood. In chapter 11, the monster is alone during the winter, having to survive in this unfamiliar world he is cold and frightened especially during the cold winter nights. “It was dark when I awoke; I felt cold also, and half frightened, as it were, instinctively, finding myself so desolate.” (Shelly, 105)

Frankenstein by Mary Shelley is a gothic novel that tells the story of scientist, Victor Frankenstein, and his obsession with creating human life. This leads him to creating a gruesome monster made of body-parts stolen from grave yards, whom upon discovering his hideousness, the monster seeks revenge against his creator, causing Victor to regret the creation of his monster for the rest of his life. Shelley uses the literary elements of personification, imagery, and similes to give a vivid sense and visualization of Victor Frankenstein’s thoughts and feelings as well as to allow us to delve deeper into the monster’s actions and emotions. Throughout the novel, Shelley uses personification of various forces and objects to reflect the effect in Victor’s actions.